Destruction

Exciter – Death Machine Review

Exciter – Death Machine Review

Stand UP for EXCITER!! Sorry, had to be done. Anywho, Exciter is a band with some serious metal history under their bullet belts. These Canadian metal troopers were there at the birth of thrash metal in the early 80s. In fact, their debut, Heavy Metal Maniacs could be considered the vanguard of said movement since it came out months before Metallica’s and Slayer’s debuts and Germany’s Destruction always cited that album as their inspiration for thrashing like maniacs. Subsequent albums like Violence and Force and Long Live the Loud were also hailed as Angry Metal Masterpieces of the 80s and I was a big fanboy. Sadly, good things never last and Exciter hit some rocky times on later platters and eventually disbanded, rebanded and disbanded yet again, releasing uneven material throughout. However, in 2008 they returned with a new line up (guitarist John Ricci being the only original member) and released the impressive Thrash Speed Burn and now the same line up returns to kick even more ass with Death Machine.

Sodom – In War and Pieces Review

Sodom – In War and Pieces Review

Sodom, sweet Sodom, ever so reliable and happily predictable. They’re the thrash equivalent of your favorite concert t-shirt. It’s always there for you, it’s comfortable, beer soaked and you go way way back together. Since 1982 these German metal-meisters have given us thrash and more thrash with very little stylistic variation or experimentation and for most long time fans, that’s just how we want it. After all, Sodom always specialized in simple, brutal and dirty thrash metal with punk influences and they were proud to be a thrash band even when thrash wasn’t “cool” anymore. I never had to waste time worrying if they would start exploring jazz fusion, ambient soundscapes or become self important about the message in their music. No sir, Sodom was just Sodom. Thankfully, the comforting non-progression continues on In War and Pieces, their thirteenth platter and they continue to deliver their battle tested (and themed) thrash lunacy.

Amorphis – Magic & Mayhem Review

Amorphis – Magic & Mayhem Review

Legal Disclaimer: Long time readers of the mighty AMG may have noticed that Mr. AMG is a shameless Amorphis fanboy. While his epic fanboyism runs to their newer material, I myself am an unapologetic fanboy for their older material, especially their first three albums, which I hold in extremely high regard. Therefore, my review of Magic & Mayhem, an album of re-recordings from those very albums, is subject to some serious fanboy bias and perhaps AMG should have handled this himself to insure a more objective (yet still fanboyish) viewpoint. Now that I satisfied those eggheads in the AMG legal department by disclosing said bias, we can proceed with the freaking review! [Whatevs, we’re good with fanboyism so long as I agree with it. – AMG]

Bonded by Blood – Exiled to Earth Review

Bonded by Blood – Exiled to Earth Review

Here comes another entry into the retro-thrash movement, for better or worse. Exiled to Earth is the second album by California thrashers Bonded by Blood and much like their debut, it’s firmly rooted in the 80’s thrash movement. Back in the days of the original thrash invasion, for every top-notch band like Slayer or Exodus, there were ten sub-par, generic clones like Atrophy, Devastation and Gothic Slam. Sadly, this release falls closer to the latter category.

Evile – Infected Nations Review

Evile – Infected Nations Review

Thrash revival has been a big deal of late. I mean, thrash is the biggest thing since.. well, thrash, in the metal scene right now. Bands from all over the world, particularly in the underground, are donning tight jeans, jean jackets, Kreator and Exodus patches and looking for the next big thrash prodigy. Earache is not the only label releasing thrash revival stuff, it’s coming from everywhere (Candlelight has been particularly prolific with the thrash revival). Evile is on that bandwagon, whether they like it or not, but they have a different take on it. That is: they sound a lot more like the mature Bay Area.