Devin Townsend

Devin Townsend Project – Z2 Review

Devin Townsend Project – Z2 Review

“It’s easy to forget that at the time of it’s release, Zlitoid The Omniscient was something of a reboot for Devin Townsend’s career. Having disbanded both his solo group and the long-running Strapping Young Lad in 2007, Townsend decided to return home, get healthy, and focus on family life. Ziltoid was his first release after that self-imposed exile. The record was charmingly low-budget, recorded solely by Townsend and a drum machine, and there was no tour to promote it.” The long awaited Ziltoid sequel has finally arrived. Pray it doesn’t suffer from Jar Jar Syndrome.

Xerath – III Review

Xerath – III Review

“Let’s face it: traditional symphonic metal is a playground of melodrama that’s nowhere near brutal enough. That’s why Fleshgod Apocalypse and Septicflesh (get mad about that concretion) are such popular bands – no matter how much we complain about their loud as hell albums here, there’s no denying that symphonic death is the perfect step forward for the maligned fusion genre.” Madam X will not take kindly to this Septicflesh bashing….

Angry Metal Guy’s Unsigned Band Rodeo: Bill Pulmonary Embolism – A Galaxy Consumed

Angry Metal Guy’s Unsigned Band Rodeo: Bill Pulmonary Embolism – A Galaxy Consumed

In our new monthly feature, which will show up here on the 15th of every month and run over the next few days, I (Angry Metal Guy) will select 5 bands at random (usually those who have followed my directions and have bandcamp accounts) to get blurbed by every member of the AMG staff. The idea is to do at least a bit of our part to point out that the metal underground is still an important part of the world of metal. While we simply don’t have the manpower to produce regular reviews of unsigned bands, this is my attempt at a minor mea culpa if nothing else. So enjoy Angry Metal Guy’s Unsigned Band Rodeo and our very first entry ever: Bill Pulmonary Embolism!

Devin Townsend Project – Ghost Review

Devin Townsend Project – Ghost Review

Devin Townsend Project // Ghost Label: InsideOut Websites: hevydevy.com Release Dates: EU: 2011.06.20 | US: 06.21.2011 By:Natalie Zed It’s impossible and incorrect to review Ghost or Deconstruction as entirely antonymous albums. Even if they were released years apart, they exist in the same milieu as the other Devin Townsend Project releases, Ki and Addicted. But […]

Devin Townsend Project – Deconstruction Review

Devin Townsend Project – Deconstruction Review

Devin Townsend Project // Deconstruction Label: InsideOut Websites: hevydevy.com Release Dates: EU: 2011.06.20 | US: 06.21.2011 By: Natalie Zed Thinking of Devin Townsend as a musician no longer works. While his command of his instruments is awe-inspiring, to confine him only as such would be a disservice. With Deconstruction, Devin Townsend has ascended to the […]

Interview with Mary Zimmer from Luna Mortis

Interview with Mary Zimmer from Luna Mortis

One of the most promising bands that I’ve ever encountered in my time in the underground has been Luna Mortis. Within the scene that they were surrounded by, it was basically taken for granted that if someone from the scene was going to take off it would be them (at the time called The Ottoman Empire). To no one’s surprise they got bigger, got better management, got a better band together and continued developing. To no one’s surprise they started getting good press and good reviews and making contacts. To, I think, a lot of people’s surprise they ended up getting signed by Century Media. Not that they didn’t deserve it, but just to think that a group of local kids were getting picked up by the label that had shepherded so many of us into the extreme metal scene was pretty astounding.

In Mourning – Monolith Review

In Mourning – Monolith Review

In 2008 the underground was taken by storm by a little-known Swedish progressive death metal band called In Mourning that released a tour de force entitled Shrouded Divine. A powerful combination of melodic death metal, Opeth-y style progressive bits and death metal with just a touch of core (trust me, just a touch), they were ranked highly on many year end lists and, frankly, left a bit of an impression on this Angry Metal Guy. See, there is life past Opeth in Swedish progressive metal, something that I had been coming to doubt. In Mourning managed to put out a record that had all of the great heaviness and thickness that one wants in a death metal record, while still managing to keep the haunting progressive parts fresh and interesting. The question is can they keep it up? Is it possible that they’re able to follow up such a lauded record with something even better?