“When I say death metal has been absolutely disgusting in 2020, it can only be a good thing. While we at Angry Metal Guy have done our best to cover as much calamity as possible, it was inevitable that some releases would go unrecognized. To that end, this round-up exists solely to shed unholy light on those atrocities that didn’t quite make the cut, but absolutely warrant your attention.” Death Redux.
Devourment
Of Feather and Bone – Sulfuric Disintegration Review
“I don’t know about the rest of you, but I am extremely ticklish. Even the void where my bloodpump is supposed to be can be tickled with the right stimulus. Death metal is usually the best option to that end, especially when it writhes like a thrashing pit of jacked snakes. After hearing tell of the badassery of Denver’s Of Feather and Bone, I knew that they would deliver that which tickles my most demanding fancy. With their third full-length, Sulfuric Disintegration, these nasty motherfuckers show no mercy. Believe me when I say I lose molecular cohesion every time I play it.” Funny bones.
Texas Murder Crew – Everyone’s Last Breath Review
“Earlier this year, the “Pirate Metal Drinking Crew” cleaned up in ratings and accolades on this blog. Now we’ve got another crew in town – well, state – in the form of Texas Murder Crew. The big draw of this band for those unaware is guitarist Kevin Clark, who played on Devourment’s legendary Molesting the Decapitated. It’s amusing to me that, should I have been tasked with writing about Devourment as a promo guy, describing them as a “Texas Murder Crew” is the best description I would have never thought of.” Everything is deadlier in Texas.
Twitch of the Death Nerve – A Resting Place for the Wrathful Review
“Twitch of the Death Nerve is a modern brutal death metal band from jolly old England, beginning in 2004 and, including sophomore release A Resting Place for the Wrathful, have two full-lengths and one split contribution to their name. By the time their first full-length dropped in 2014, death metal had gone through effectively every relevant mutation – their influences are vast and plenty.” Wrath never sleeps.
Bricks & Diamonds: The Best and Worst Sounding Albums of 2019
“In the tradition of the past Angry Metal-Fi end of year articles, some of the AMG team came together with a list of what we consider the best and worst sounding albums of 2019. Encouragingly, there were far more best-sounding albums on the shortlist than worst-sounding. Is this perhaps indicative of a subtle shift from extreme brickwalling in the broader metal market? We can only hope…” Bricks are for throwing.
AngryMetalGuy.com’s Aggregated Top 10(ish) of 2019: The List to End All Lists
238 unique releases. 27 overlong lists. 10 collective favorites. And 1 frustrated compiler at the center of it all. That’s right, the meta-list has arrived and #Listurnalia2019 has finally drawn to a close.
Dr. A.N. Grier’s Top Ten(ish) of 2019
“Name another site out there with writers hiding behind silly monikers whom you know better than your best friends. Name a site you dared to lean on, pouring your heart out in the comments, getting positive and uplifting responses when you needed them most. Name a site you’ve spent as much time debating, loving, and sharing music as you have on AMG. You can’t.” Truth telling.
Grymm’s and Kronos’ Top Ten(ish) of 2019
Grymm and Kronos serve up a rich helping of metal opinions with their Top Ten(ish) of 2019.
El Cuervo’s and Diabolus in Muzaka’s Top Ten(ish) of 2019
El Cuervo and Diabolus in Muzaka made lists and checked them twice. But are their Top Ten(ish) of 2019 naughty or nice?
Gardenstale’s and Ferrous Beuller’s Top Ten(ish) of 2019
The lists continue as GardensTale and Ferrous Beuller regale us with their Top Ten(ish) picks for the year. Pay attention.