Dismember

Revel In Flesh – Death Kult Legions Review

Revel In Flesh – Death Kult Legions Review

“Here’s where I would say Swedish retro death is back, but one cannot come back if they never left in the first place, and they can’t be missed for that very same reason. Since Germany’s Revel in Flesh is but one of many bands making sure the classic Entombed sound never vanishes from this mortal coil, they’re all but guaranteed to feel like that comfortable sock you’ve had since the Ford Administration.” C’mon, you know you have room for one more Swedish death act.

Skelethal –  Interstellar Knowledge of the Purple Entity Review

Skelethal – Interstellar Knowledge of the Purple Entity Review

“Great Scott! Like stepping into a sepulchral time machine, Skelethal have transported us back to when Sunlight Studios was Mecca, buzz saw guitars sounded like a swarm of bees, and vocals were scraped from the depths of the grimiest gutters of hell.” More retro death arrives, unfazed by the giant shadow of Bloodbath. That’s brave.

Centinex – Redeeming the Filth Review

Centinex – Redeeming the Filth Review

“Without fail, I always seem to come back to my mass of Swedish death metal albums in a given calendar year. During that time, I pass from album to album, band after band of angry-at-the-world vocals, heavy-as-hell riffs, and the bludgeoning anti-Christian, death, and war themes. Much like the thrash movement in the States, there are arguments over the “Big Four” of the genre.” And guess who isn’t getting included in anyone’s list?

Bloodbath – Grand Morbid Funeral Review

Bloodbath – Grand Morbid Funeral Review

“The death metal super group of all death metal super groups is finally back from the grave after six long years moldering in the soil. Bloodbath needs little introduction, as the preeminent standard bearer of all things retro Swedish death this collective composed of members of Opeth, Katatonia and Witchery once included the likes of Dan Swanö and Mikael Akerfeldt, but both have fled to other pursuits, leaving the band’s new era in the hands of Nick Holmes (Paradise Lost) who now handles vocals.” Can Mr. Holmes shed his rave club past and bring his share of gore to the bathtub?

Bombs of Hades – Atomic Temples Review

Bombs of Hades – Atomic Temples Review

“Sure, we’ve all heard of beating a dead horse, but have you heard of D-beating a dead horse? Retro Swedish death is that rotting carcass and Bombs of Hades return once again to kick and stomp it with more Entombed and Dismember based bootery. Atomic Temples picks up right where 2012s The Serpent’s Redemption left off and delivers another overdose of unrefined Swedish death mixed with rudimentary crust punk and half baked Motörhead outtakes, and much like the last platter, it’s a fairly fun listen if you’re in the proper frame of mind.”

Sheol – Sepulchral Ruins Below The Temple Review

Sheol – Sepulchral Ruins Below The Temple Review

“What’s old is new again. Many new bands are ravaging old graveyards to exhume rotting corpses of bands and styles long since past their sell-by date. 70’s proto-doom, 80’s retro-thrash, and now, 90’s fuzzy Swedeath are the templates that bands are utilizing to create their own legacies. UK’s Sheol are the newest duo to bring out the rotting, zombified corpses of early Dismember and Darkthrone into the sunlight (studios) with their debut EP, Sepulchral Ruins Below The Temple.” 2013 winds down as it cranked up – with loads of old school Swedish death. Do you have room for just a little more?

Circle – Incarnation Review

Circle – Incarnation Review

“I can judge a book by its cover. And I always do it. I even take the tome in my hands and I weigh it. Yes, I weigh books and decide whether or not I should go on reading the blurb on the usually polished, sensually pleasant cover. If the words convince me and the overall product smells good, I put it back on the shelves and I resume cruising through the aisles like a junkie who has learned that the best fix comes from the filthy hands of fellow addicts. They know better. In music, I follow the same criteria. I don’t get fooled too easily by a press agent all too eager to impress someone who enjoys weighing books in shopping centers on a Tuesday morning. I mean, come on.” Alex weighs both life and literature… and music. Yes, he’s like Anubis, weighing and judging all things. And now it’s Circle’s turn to be measured.

Mammoth Grinder – Underworlds Review

Mammoth Grinder – Underworlds Review

“You may have noticed a tendency of the AMG staff to carp, whine and bitch about albums being too long and including too much filler. It’s a sad truism that because CDs are capable of holding 75 minutes of tuneage, way too many bands think they have 75 minutes worth of quality music when usually…they don’t. Mammoth Grinder are the exception to that rule and their Underworlds album clocks in at a lean, mean twenty-eight minutes and it feels as refreshing as a bath in a mountain lake.” Pressed for time? Need your ass kicked quickly and fully. Hire a Mammoth!

Wound – Inhale the Void Review

Wound – Inhale the Void Review

“Germanic Wound punt their cruddy, punky and nasty school of death metal as falling somewhere between that of forbearers of the Gothenburg death metal sound At The Gates, old-school death metallers Necrowretch and Wolfbrigade (previously Wolfpack) who combine Swedish hardcore punk and death metal. I’m hazarding a guess that’s why they were added to F.D.A Rekotz deathstable, home to one of Steel Druhm’s big picks from 2012, Blood Mortized. Inhale the Void follows on a little over a year after the release of their demo Confess to Filth and it pretty much negates the need to hunt down this earlier release as 4 of the 6 tracks making up the demo are nicely bundled up in this debut album. All rather convenient and considerate of them to do that!” Madam X tackles some death metal that doesn’t sound like Septicflesh because you demanded it!

Entrails – Raging Death Review

Entrails – Raging Death Review

“In the retro Swedish death sweepstakes, you can’t get much more committed than Sweden’s Entrails. Having been around in one form or another since the original wave of Swede death, they weren’t able to release anything until 2010s Tales From the Morgue. While I went quite gorilla shit over that platter and its 110% pure Entombed worshipping awesomeness, I was let down by their The Tomb Awaits follow-up, which seemed watered down and lacking in the raw charm of its predecessor.” Can Entrails recapture the glory of their (of more accurately, Entombed’s) debut? Does anyone even care that they changed their logo?