“Talk about stereotypes. Let me provide you with the keywords: Swedish, death, metal, riffs. You get the picture: forty minutes of carefully packed distortions and growls to dance the night away, while remembering the good old days. Days when the underground was a truly transnational parallel world (trust me: I’ve seen it) connecting the various scenes at a sub-level: one carefully avoided by the majors, the media and almost all of your friends (the cool ones, at least).” Join Alex as he reminisces about the good old days, where death metal was … well… underground and uncool.
Dismember
Daemonicus – Deadwork Review
Swedish retro death is as common these days as reality shows about fat, uneducated hoarders. Steel Druhm appreciates both trends, so he’s happy as a pig in shite over the Dismember-worship demonstrated by Daemonicus on their second album, Deadwork.
Evocation – Illusions of Grandeur Review
Evocation once walked amongst the likes of Dismember and Entombed. Now, they travel the road to common melo-death and some (Steel Druhm) are not pleased by this switcheroo. Send him beer and beef jerky so he can get through these difficult times.
Grave – Endless Procession of Souls Review
Retro-thrash, retro-death, will the present ever stop being the past?? Well, at least it’s Grave doing what Grave does, so I shant complain. Nasty, slimy death from Sweden can always crash on my couch (after I put down some plastic).
Zombiefication – Reaper’s Consecration Review
Madam X loves zombies, there’s no secret about that. It seems her zombie love includes zombie-themed bands too! Go figure.
Blood Mortized – The Key to a Black Heart Review
Just in time to wash away the bitter taste of Six Feet Under, comes this ridiculously sick death metal masterstroke by Blood Mortized. Taking the vicious old school Swedish death sound from their Bestial EP and improving on it in every way, The Key to a Black Heart is exactly what you want from the style and death metal in general.
Malfeitor – Dum Morior Orior Review
It’s been said by some (others) that we don’t review enough death metal here at AMG. This is because you’re all a bunch of wackadoodle metal divas and Steel Druhm is tired of your whining, bitching and crying!
Vallenfyre – A Fragile King Review
2011 might as well be dubbed the year of Swedish Retro Death. Band after loathsome band has burst from the underground to pay rancid homage to genre legends like Entombed, Dismember and Grave. Despite the sheer volume of the stuff, Steel Druhm has remained supportive and for the most part, the trend hasn’t worn out its welcome. Now we get Vallenfyre’s debut full length from a veritable death metal super group featuring members of Paradise Lost, My Dying Bride and Cradle of Filth. With such a pedigree, it shouldn’t be too surprising when A Fragile King has everything you would reasonably expect from a Swedish death album. It’s chunky, thick, nasty and vile. It’s an ode to all things Entombed with a sizeable injection of Celtic Frosty goodness as well. At times, its so much like the immortal Left Hand Path it’s uncanny, yet it also brings in plenty of dire dirges to shake things up. This MOFO was conceived in unholy sin, birthed in ungodly filth and raised on bloody carnage. There’s a guitar sound heavy enough to fracture your vertebrae and vocals so grisly they’ll disturb the deranged. But, you rightly ask, is it actually good? Oh yes, it’s really good! This is unapologetically retro and doesn’t strive for innovation but it nails home the tried-and-true Swedish sound with the subtlety of a Panzer division. How this will sit with you depends entirely on your tolerance for more Swedish death. If 2011 has fed you all the old-time death you can stomach, move along and I won’t think less of you. If not, belly up to the death buffet and chow down on this meatloaf of the damned.
Black Sun Aeon – Blacklight Deliverance Review
Tuomas Saukkonen is clearly a man concerned with the dangers of idle hands. To stave them off, he’s forever toiling in various musical projects (Before the Dawn, Dawn of Solace, RoutaSielu) and his highly underrated Black Sun Aeon project. While primarily known for his work in the excellent Before the Dawn, Tuomas has always used this project to explore more morose, gothic-tinged doomscapes while taking cues from fellow countrymen Insomnium and especially Rapture. As with the previous two Black Sun Aeon releases, Blacklight Deliverance is a compelling mix of death, doom and goth, with hauntingly beautiful melodies, ample heaviness and razor-sharp songwriting. It doesn’t break any new ground and at times veers very close to the aforementioned influences, but its a highly enjoyable journey nonetheless and has a few moments of absolute brilliance. It’s also a much more tightly focused work than 2010’s double album Routa and as a result, feels more immediate and accessible.
Morbus Chron – Sleepers in the Rift Review
As I listen to this unheralded piece of nasty, morbid, old school death, one word comes to mind: Spewage. That’s the best way to describe what you’ll be getting here. Morbus Chron is a Swedish band playing filthy death metal like Autopsy, Death and Massacre. This breaks the current trend of following in the footsteps of legendary countrymen Entombed, Dismember. It’s still plenty retro but not the typical Swedish retro. Basically, their raucous debut Sleepers in the Rift sounds like something spewing from the underground in the late 80’s and it’s wonderfully repellant, low-fi, non-techy and makes you feel like you need to be disinfected and vaccinated. It’s underproduced, muddy, discordant and vile all the way but somehow manages to be catchy. What more could one ask for? Nothing.