Dissonant Black Metal

Selbst – Despondency Chord Progressions Review

Selbst – Despondency Chord Progressions Review

“In the blurred-boundary world of black metal, Selbst is quite special. Possessing neither the cold grit, folk-leaning whimsicality, or vivacious bombast of European and Northern American variants, the Latin American influence instead lends their sound a lilting, layered musicality. It’s been clear from the project’s beginning that this music is both incredibly personal and a way of exploring the darker and more devastating of shared human experiences. This is more true than ever with third LP Despondency Chord Progressions.” Plucking heartstrings darkly.

Kvadrat – The Horrible Dissonance of Oblivion Review

Kvadrat – The Horrible Dissonance of Oblivion Review

“Back in June 2021, when my Instagram page was fresh-faced and non-AMG-affiliated, I reviewed Kvadrat’s EP Ψυχική Αποσύνθεση. Struck by its mesmerizing blend of atmospheric, dissonant death and black metal, I bemoaned its truncated length as I was sucked in by what I then described as “a gripping black hole of sound.” With the vividness of this experience having faded into a memory of “that really great Greek EP,” everything came flooding back upon receipt of a DM from the (sole) individual behind Kvadrat, Ivan Agakechagias, asking if I wanted to review his upcoming debut.” Greek tragedy.

Sacrificial Vein – Black Terror Genesis Review

Sacrificial Vein – Black Terror Genesis Review

“There’s that strain of black metal, straddling if not disregarding boundaries between atmospheric, post, melodic, dissonant, and second-wave, where the music, true to its occupying the less-mainstream corners of the genre, sits like a shadowy presence in peripheral vision—preoccupying itself not with Lovecraftian horrors, or overt, antagonistic portrayals of Satanism, but with terrors less far-fetched and obscure. An occultism of an introspective, existential bent, premised on the human mind. Sacrificial Vein, comprised of fragmented members of Nothingness, Aegaeon, and a mysterious JU, follow this dark trajectory.” Tapping some veins.

Hecatoncheir – Nightmare Utopia Review

Hecatoncheir – Nightmare Utopia Review

“The journey begins by following a dark silhouette, each installment describes surreal and dreamlike landscapes, strange characters, and objects—with monolithic importance attached in the strange way that dreams do. In the latter tracks, ever-vigilant eyes watch from the stars and assume a more horrific face as they emerge from the darkness as the cruel pelagic and empyrean deities and monsters among Lovecraft’s multitudes. Hecatoncheir’s uniquely dreamlike take on chthonic horror, balanced by its ambitions in liminal spaces, set one hell of a precedent for the music contained herein.” Fear and loathing in Slovakia.

Stuck in the Filter: January’s Angry Misses

Stuck in the Filter: January’s Angry Misses

It’s becoming apparent that our filtering systems work quite well! The crew has done a fine job pulling filth from the workings and releasing the pressure to the system. A second too late and the toilets would have backed up.

Knoll – As Spoken Review

Knoll – As Spoken Review

“I got a chance to see Knoll live in 2022 shortly after the manic Metempiric dropped. All in all, only twenty people scattered about my favorite hometown venue—a homely bar with a solid stage attached to a bowling alley. This ragtag group of kids who looked to be no older than high school graduates gave the performance of a lifetime—gut-churning rhythms, sudden breakaways from ripping guitar phrases to crying trumpet blares, a vocalist whose life depended on the successful bleeding of the audience’s ears. Knoll represents the ideal of youthful ambition. As Spoken is the result.” Young horrors.

Saevus Finis – Facilis Descensus Averno Review

Saevus Finis – Facilis Descensus Averno Review

“With a name that translates roughly to “The Savage End,” Saevus Finis aim to live up to their moniker with their equally-ominously-titled debut Facilis Descensus Averno (An Easy Descent into Hell). Exercising a particularly gnarly blend of dissonant death and black metal, this plays out in the expectedly extreme metal fashion, amelodious odes of cavernous, claustrophobic cacophony. And it’s pretty cool. In a funny coincidence, it turns out the vocalist of Saevus Finis—Mortvorvm— also provides pipes and guitars for Wells Valley, which received the TYMHM 2023 treatment from yours truly.” Black birds of a feather.

Bekor Qilish – The Flesh of a New God Review

Bekor Qilish – The Flesh of a New God Review

“Last time we met Bekor Qilish, the one-man show was the thrashened epitome of what we like to call “Voidhanger-core:” black metal with a penchant for riffs, wonky rhythms, and a healthy slathering of dissonance. Honing in on a completely alien sound tossed with reckless abandon and a healthy amount of lighthearted fun, Throes of Death from the Dreamed Nihilism nonetheless suffered from a lack of surefire direction, just kinda bouncing around wonky dissonance and neat riffs for the hell of it. Over a year later, we are greeted with its follow-up, The Flesh of a New God.” Flesh is a gift.

Outergods – A Kingdom Built Upon the Wreckage of Heaven Review

Outergods – A Kingdom Built Upon the Wreckage of Heaven Review

Outergods is a quintet from Nottingham, founded by guitarist and jack-of-all-trades Nathe Sinfield and vocalist Sam Strachan, two singles in 2021 heralding the release of debut A Kingdom Built Upon the Wreckage of Heaven. It offers a vicious blend of black metal, death metal, and grindcore, with the rot of dissonance and ambiance aching in its bones.” Outer in the cold.