“Electronic elements and black metal is often met with disdain. Atonal EDM beats over blackened shenanigans make acts like Psyclon Nine and Mora Prokaza questionable, while the guitar-less synth overload of Golden Ashes and Wreche are often met with mixed reception. Perhaps more successfully, acts like Blut aus Nord and Dkharmakhaoz incorporate cold industrial flourishes to the raw guitar tone, creating an uncompromisingly obsidian sound. Electronic is divisive, but Luminous Vault does it right.” Electro-violence.
Dkharmakhaoz
Misanthur – Ephemeris Review
“Misanthur was listed as “trance ambient noise” in the cold boundaries of the promo dump and just plain black metal on other sites. Truthfully, both are true. What this Polish duo offers is a hyper-atmospheric breed of black metal with heavy electronic and industrial flourishes, not unlike a blackened version of C R O W N’s latest, The End of All Things.” Kitchen sink-core.
Doom_et_Al’s and Dear Hollow’s Top Ten(ish) of 2020
Doom_et_Al and Dear Hollow have their big boy lists. Did they use that great power responsibly?
Ov Shadows – I Djävulens Avbild Review
“Ov Shadows, like blackened death purveyors Serene Dark, professes a theme of this psychological subconsciousness, in that the project is “about exploring and embracing the dark aspects that dwell within us all… an atmospheric Black Metal guided by chaos and darkness.” Embracing equally brutal and scorching textures guided by eerie and desolate atmosphere, sophomore effort I Djävulens Avbild.” Back to the front(al lobe).
Dkharmakhaoz – Proclamation ov the Black Suns Review
“Industrial black metal has not boded well in 2020, with groups like American snoozers T.O.M.B. and Dutch painmongers Ulveblod earning some of the lowest ratings I’ve awarded during my tenure. Dkharmakhaoz’s Proclamation ov the Black Suns, blessedly, is extremely well-written and densely punishing second-wave foray into atmospherics that never neglects its highlights.” Black sunshine.