“When Cathedral went belly up last year, riff-meister extraordinaire Gaz Jennings was left with some time on his nimble hands. Like any good doom maven he used this time to recruit a new band and launch Death Penalty, which he lovingly named after the debut by classic doomsters Witchfinder General.” If Gaz be playing, you best be paying.
“How often do you think of an instrumental band that substitutes that wishful vocalist with the swooning leads of a viola? My guess is never. You never think of that. Well, the masterminds behind Sans Soleil thought about it for you.” My mom always says “if you have a viola, you have everything.”
“Belgium’s Emptiness are a band that I’ve not paid enough attention to. Sharing their bassist and guitarist with black metal stalwarts Enthroned (who also released an album this year that you might have missed…), and their drummer with Pro-Pain, Emptiness certainly have plenty of experience in their ranks, but given that I’ve never been particularly enamored with either of those bands, I didn’t feel a great urge to seek out Emptiness’ releases. But this year, after reading nothing but the praise for Nothing but the Whole and falling in love with the distinctive, creepy album cover, I decided to give the band a chance. This was an entirely excellent decision.” We make good decisions, so you can have good consumer knowledge.
“One of the biggest disappointments this year was Profound Lore’s inexplicable failure to get us a copy of the new Dawnbringer promo, Night of the Hammer. Due to said failure, it was we who might have missed one of the best albums of the year. I’ve been a major supporter of Chris Black’s (High Spirits, Pharaoh, ex-Nachtmystium) weird proto-metal project ever since their outre Nucleus platter, and I was equally bowled over by 2012’s Into the Lair of the Sun God. Maintaining the band’s upward trajectory once again, Night of the Hammer takes the Dawnbringer sound even further backward into metal’s past.” Like a hammer to a nail, so are the days of our metal lives….
“It’s the month of December, and there be some slim pickings here at the Angry Metal Guy Fortress. With the exception of a potential End of Year Candidate, it’s the month where bands that you haven’t checked out all year are scrutinized, lists are finalized, and if you are at all like me, you are avoiding all shopping centers as if they were quarantine zones.” Grymm may lack the proper holiday spirit and the requisite love for all Mankind, but the man knows his metal.
“Paris is shit. Above all else, that is what the Paris-based Cowards wants to leave with the listener. Having missed this the first time round in 2012, Shooting Blanks & Pills has earned a well-deserved re-issue.” You might have missed this in 2012, and you may have missed the 2014 re-issue. Don’t be a two-time misser!
“Last year, two EPs caught me totally off-guard. For a long time I just couldn’t get on with any form of punk – despite my penchant for good grind – though in recent years my tastes have developed and I’ve been increasingly delving into the –core end of things. But I was totally unprepared for how much I would enjoy Tide of Iron’s split with Grace (The Hard Work EP), and even more so Enabler’s Flies.” When we at AMG get surprised, we make sure you hear about it toot sweet.
“Continuing the long and storied tradition of Finnish depressive music, Scapes is the brain-child of Olli Pirkkanen, and One: Unseen: One is his début under this name. His principle influences seem to be Katatonia and mid-era Anathema, sporting a moody and atmospheric ‘clean’ doom.'” Nobody does depression better than the Finns, but can it all be sad gold?
“England’s Eye of Solitude floored the unsuspecting masses last year with the epic Canto III, a funeral doom masterpiece that made them a band to watch out for. Hell, it even landed at #2 on my Top Ten(ish) Albums of 2013 list. Not ones to sit back and rest on their funeral wreaths, they return with Dear Insanity, an ambitious 50-minute, one song EP chronicling a man’s decent into utter chaos and insanity. Seeing as how they quite remarkably captured feelings of doom and despair with Canto III, they’re sure to replicate that magic again, right?” Insanity is calling 50 minutes of music an EP!
“The Spaniards in Dantalion have been knocking around for quite some time in Iberian obscurity. Having never heard of them, it was the cover for their fifth album, Where Fear is Born that grabbed my steely eye and got me to listen, and I’m quite thankful I did. Though their older albums feature a blend of depressive black metal and melancholic doom, they abandoned the blackened aspect of their sound in favor of melodic, goth-tinged doom death, and from what I’ve heard of their older style, they’re all the better for the switch.” Don’t you just love a surprise? Steel Druhm does. He also loves arts and crafts and long walks in the woods.
