Doom Metal

Triptykon – Melana Chasmata Review

Triptykon – Melana Chasmata Review

“Tom G. Warrior has had a lot to prove since his blunders in the early 90’s. But it seems metalheads can finally put to rest any doubt that Tom knows what he’s doing, more than anyone, when it comes to punishing and dark recordings. The most startling thing is that even over 30 years into his career, he’s still getting better at it; his hybrid of black, doom, death and thrash metal never more convincing than in his latest effort, Melana Chasmata.” Noctus dons his Tom G. Warrior scarf and t-shirt for a hugely fanboyish salute to the man, the myth, the creator of Triptykon.

Exorcism – I Am God Review

Exorcism – I Am God Review

“Super-groups are an odd breed of duck. They either end up a bunch of egos, ball-busting for attention (a fight nobody wins) or they end up something along the lines of Down’s NOLA – chilled out, soaked in beer, raw and dirty and probably totally fucking stoned. This little collective I happened upon most recently via Rock n Growl Promotion, hail from a range of countries including, unsurprisingly, the USA and more surprisingly Spain, Italy and France.” An international doom rock supergroup starring the likes of Joe Stump? Intriguing!

Coltsblood – Into the Unfathomable Abyss Review

Coltsblood – Into the Unfathomable Abyss Review

“Colts are young male horses. Colts, assuming that they are not neutered in their upbringings, will eventually grow up to be stallions, free to roam the range, gallop at high speeds, and get their horsey groove on with the nice mare a few barns down. I know you’re thinking to yourself, “Gee, Mr. Grymm, why the educational lesson on horses?” (Okay, you’re not thinking this at all, but roll with me here, dear readers.) As mentioned earlier, horses are fast creatures, hence their use as a mode of transportation in the olden days. Coltsblood, a fairly new band from Liverpool, England, is so very, very, very not fast. At all. Into the Unfathomable Abyss crawls and lurches like a pissed off, swamp-covered turtle in a race that’s impossible to win nor does it care for victory, but will you stay involved through all 58 minutes of its marathon duration?” I like turtles as much as the next guy, but…yeah.

Pilgrim – II: Void Worship Review

Pilgrim – II: Void Worship Review

“When last we checked in on Pilgrim, they were really fucking slow! Even by doom standards, these guys were the car in the right lane with flashers on and a “Wide Load” sign on the bumper. That’s because they specialize in unflinchingly minimalist, old school Sabbath riffs slowed down to a root’s pace, lightly seasoned with a hint of psychedelic fairy dust. Their Misery Wizard debut was heavily influenced by Reverend Bizarre and Cathedral and weighed down with insanely long, drawn out doom yarns so heavy, they made you feel like a Buick was parked on your chest. This presented an arduous test to one’s attention span, despite the overall quality of the riffs and writing.” Ready for some doom that’s slower than your grandma? Quick, it’s very slowly getting away!

Nightsatan – Nightsatan and the Loops of Doom Review

Nightsatan – Nightsatan and the Loops of Doom Review

“Well, after reviewing another album by true cult creepers and religious deviants Sabbath Assembly, I thought things couldn’t wander any further into strangeville. Clearly, I was mistaken and to prove it, Nightsatan arrived in my promo bin with their second album, Nightsatan and the Loops of Doom. Why are they so weird you ask, apart from the truly dreadful moniker? Well for starters, this Finnish three-piece records spacy, synth-heavy soundtracks to late 1970s/early 80s, Grade-Z, post-apocalyptic sci-fi movies…that don’t exist. That’s correct, soundtracks to imaginary movies that would have played at your local drive-ins at midnight along with such classics as Galaxy of Terror, Deathrace 2000 and Deathsport (the latter of which features the mother of all cheesy synth soundtracks).” Ready to expand your horizons into strange new worlds? Barbarella awaits!

Shores of Null – Quiescence Review

Shores of Null – Quiescence Review

“Swimming among an overcrowded sea of retro-thrashers, tech-death wankers, and sweepy-haired shoegazers playing post-whatever-the-fuck-the-flavor-is-this-week, there’s a band from Italy that’s looking to Finland and Seattle for the inspiration behind their début, Quiescence. Shores of Null may be a brand-spankin’-new band, but they are looking to capture your attention in pretty interesting ways. And they succeed to a degree.” Grymm just might have stumbled on something interesting here.

Abyssal – Novit enim Dominus qui sunt eius  Review

Abyssal – Novit enim Dominus qui sunt eius Review

“The latin phrase “Novit enim Dominus qui sunt eius” comes from an incident in the early 13th century known as the Massacre at Béziers. The ironically named Pope Innocent II had declared a crusade against those he identified as heretics in Northern France, and the first town his assembled force attacked was the well-fortified town of Béziers. As the siege developed, it became a massacre, with more disciplined soldiers losing control of the mercenaries in the force who massacred the people, pillaged the town and ultimately burned it to the ground. The Massacre at Béziers has become emblematic of religion gone mad, persecution in its most extreme and dangerous incarnation, not just for the degree of the bloodshed, but for its indiscriminate-ness.” This is late, but also good. Nat knows her black metal!

Shroud of the Heretic – Revelations in Alchemy Review

Shroud of the Heretic – Revelations in Alchemy Review

“”This band would absolutely crush live.” That’s pretty much what was running through my head constantly throughout the entirety of Revelations in Alchemy, the debut full-length from Portland, Oregon’s Shroud of the Heretic. Those scenic, picturesque sounds brought forth by fellow Portlandians Agalloch and Wolves in the Throne Room are nowhere to be found here. Instead of beauty and introspection, you get a sludgy, slimy atmosphere that will prove hard to wash off, even after repeated listens. The problem is, will you return for those repeated splashings?” Slimy sludge splashings are always hard to refuse. But should you pass on this particular muck?

Conan – Blood Eagle Review

Conan – Blood Eagle Review

“”Redundant genre, you say? Sorry, can’t hear you over ALL THESE AMPS!” say Conan ever so confidently. Or at least, I imagine that’s what they would say a few moments before bashing your skull in. Yes sir, Conan’s brand of doom metal is ridiculously heavy and drony – to the point of almost seeming like a gimmick.” Crom laughs at your four winds, amps and droning! As Crom laughs, Noctus discusses Conan’s brand of stoner doom.

Kuolemanlaakso – Tulijoutsen Review

Kuolemanlaakso – Tulijoutsen Review

“The majesty and grandeur of the Finnish wilderness has been source material for a veritable fuckload of metal bands over the years, with Amorphis and Korpiklaani, being the better known examples. Those untamed forests and pristine lakes apparently beckoned to the folks in Kuolemanlaakso as well, since their sophomore album is a loose conceptual piece focused on the Finnish countryside and the national folklore that featured it so prominently.” Nature-themed doom death from Finland seems like an easy sell. Are you buying?