Downfall of Gaia

Celeste – Assassine(s) Review

Celeste – Assassine(s) Review

By Dear Hollow on January 27, 2022 in Reviews, Black Metal, Doom Metal, Hardcore, Post-Hardcore, Post-Metal, Sludge Metal, 40 comments

“If you’ve never heard of Celeste, the name and the aesthetic can be misleading. Gorgeous and contemplative black and white photographs of artistic poses and strange characters greet the eyes with a moniker that points to the heavens. If you were to guess the style, you might say post-black or prog, maybe an indie acoustic troubadour, or a bedroom jazz project. However, you’d be hard-pressed to find another act as suffocating and pissed off as Celeste. A visceral fusion of black metal, hardcore, and the filthiest outskirts of extreme subgenres, these Frenchmen are the epitome of scathing consistency, releasing album after album of hypnotic tunes.” Assassin’s breed.

Harakiri for the Sky – Mære Review

Harakiri for the Sky – Mære Review

By Dear Hollow on February 4, 2021 in Reviews, Black Metal, Melodic Black Metal, Post-Metal, 43 comments

“If there’s ever been a band that reeks of potential, it’s Harakiri for the Sky. Standing separate from twinkly genre-mates with muscular songwriting and a refusal to stagnate, these Austrians have released album after album of incredibly strong post-black that always hinted at true greatness but never quite achieved it.” Mære, Mære, quite contrary.

Déluge – Ægo Templo Review

Déluge – Ægo Templo Review

By Dear Hollow on November 2, 2020 in Reviews, Black Metal, Post-Hardcore, 10 comments

“Déluge is a French black metal/post-hardcore quintet, a demo and debut full-length Æther under their belt since their 2013 formation. Perhaps most similar to acts Downfall of Gaia or Celeste, Déluge‘s sophomore effort Ægo Templo is content channeling the worship of hyper-melodic post-rock-influenced post-hardcore or screamo acts like Envy, So Hideous, or Suffocate for Fuck Sake.” After France comes the flood.

Svalbard – When I Die, Will I Get Better? Review

Svalbard – When I Die, Will I Get Better? Review

By Dear Hollow on September 23, 2020 in Reviews, Black Metal, Post-Hardcore, Post-Metal, 52 comments

“It’s hard to have hope sometimes. We live our lives constantly getting up and going, always moving onto the next thing—moths chasing flames that grow more elusive as the dawn approaches. We’re tortured by silence in a screaming year, laced with events of turmoil and perpetual change—a silver silence that holds a mirror up to our faces and our truths. And we don’t always like what we see. It’s hard to have hope when we’re distracted, romanced by the illusion of productivity, blinded by privilege, and shielding our weary eyes from discomfort. This is what makes Svalbard so important; they force us to look.” Dying to heal.

Calligram – The Eye Is The First Circle Review

Calligram – The Eye Is The First Circle Review

By Dear Hollow on April 10, 2020 in 2020, Black Metal, Crust Punk, Doom Metal, Hardcore, International Metal, Prosthetic Records, Punk, Reviews, Sludge Metal, Black Metal, Crust Punk, Doom Metal, Sludge Metal, 37 comments

“How can music communicate the feeling of dread? While all styles are able, metal’s inherent darkness fits like a glove. While it’s easy to provide aural bludgeoning or emphasize excess, the discipline of restraint takes time and effort. From the post-metal dirges of Neurosis, the avant-garde buildups of Eryn Non Dae., the spiraling doom of Swallowed, the blackened payoffs of Cultes des Ghoules, and the death metal environs of Desolate Shrine, it revels in darkness, plays with menace, but most notably, waits patiently.” Waiting in the darkness.

Neaera – Neaera Review

Neaera – Neaera Review

By Mark Z. on March 7, 2020 in 2020, German Metal, Melodic Death Metal, Metal Blade, Metalcore, Reviews, Melodic Death Metal, Metalcore, 11 comments

“No matter how hard you try, you can never really escape your past. By day I’m the kvltest of the kvlt, blasting the blakkened fukkin death while wearing a shirt that depicts Jesus getting flogged by a horde of goat demons. But when I curl up at night with my plesiosaurus plush, I know at heart I’m still the same mid-aughts core kid who got his start in the metal world with Killswitch Engage and their ilk. Even today, when the promo teat runs dry, sometimes I find myself returning to where it all began: core.” Damn core kids!

Latitudes – Part Island Review

Latitudes – Part Island Review

By TheKenWord on April 9, 2019 in 2019, Ambient Metal, Black Metal, British Metal, Debemur Morti, Doom Metal, Post-metal, Reviews, Ambient Metal, Black Metal, Doom Metal, Post-Metal, 49 comments

“I have historically shown more than a little apprehension towards the post-metal tag. At first, I felt it screamed pretension, a trait that tends to break my enjoyment of music if not kept in check. Lately, though, I’ve reassessed my opinion after finding deep enjoyment of bands often placed within the post-metal spectrum—Astronoid, Downfall of Gaia, and more recently, Latitudes.” No man is Part Island.

Downfall of Gaia – Ethic of Radical Finitude Review

Downfall of Gaia – Ethic of Radical Finitude Review

By Mark Z. on February 6, 2019 in 2019, Black Metal, German Metal, Metal Blade, Post-metal, Reviews, Black Metal, Post-Metal, 115 comments

“Downfall of Gaia hit me hard in recent years, blowing me away with 2014’s Aeon Unveils the Thrones of Decay and 2016’s Atrophy. Both albums explored the idea of a world in decline with a combination of post-metal and black metal that proudly upheld the torch of the almighty (and sadly defunct) Altar of Plagues. Yet fifth full-length Ethic of Radical Finitude initially made me nervous due to its somewhat pretentious title and the fear that the German quartet had no tricks left in the bag.” Is the downfall upon us?