Edguy

Bloodbound – Unholy Cross Review

Bloodbound – Unholy Cross Review

When I first heard that super talented metal vocalist Urban Breed had left the excellent Tad Morose I was very unhappy. When he popped up in the strangely corpse painted but great classic metal band Bloodbound for their 2006 debut, I was happy again. Then he left, then he came back, and now he’s left yet again. C’mon man, what the hell are you doing? As the ever fickle Mr. Breed contemplates his career options, the boys in Bloodbound soldiered on without him and are set to release their fourth platter Unholy Cross. With vocals now being handled by Patrik Johnansson (Dawn of Silence), Unholy Cross finds Bloodbound bouncing back and forth between their usual classic metal sound and modern Euro-power metal similar to Edguy, Mystic Prophecy and Stratovarius. Gone is the slick blend of classic and modern metal they explored on 2009’s excellent Tabula Rasa and sadly, a lot of the overall excitement seems leeched from their sound this time as well. While still worthwhile, this is inferior to their earlier material, especially Tabula Rasa.

Royal Jester – Night is Young Review

Royal Jester – Night is Young Review

Hate is a very strong word and perhaps it gets thrown around too casually these days. After all, hate is a very ugly, negative emotion and even the angriest of metal guys should strive to avoid it. With that said, I hate Royal Jester’s debut album Night is Young. Maybe that sounds harsh but it’s the sad truth. It isn’t the musical style that brings me to hate it. Royal Jester plays Euro power metal and I really like Euro power metal when it’s done properly. I even like some of what might be called “happy power metal.” In fact, it seems I have become the resident power metal geek around these parts and that’s why this review ended up in my lap. However, after sustained, repeated listens to this album with an open mind, and giving this young band from Sweden every possible benefit of the doubt, there isn’t much good to say about Night is Young.

Avantasia – Angel of Babylon Review

Avantasia – Angel of Babylon Review

Tobias Sammet, the voice of Edguy and mastermind behind Avantasia, clearly doesn’t mess around when it comes to self-confidence and ambition. Few artists would have the sheer cojones to undertake as daunting of a project as a double album with over 2 hours of music featuring no less than 19 guest musician. That however is exactly what he serves up with The Wicked Symphony and this album, Angel of Babylon (being Parts II and III of The Scarecrow trilogy respectively).

Avantasia – The Wicked Symphony Review

Avantasia – The Wicked Symphony Review

So here we have The Wicked Symphony, one of two new albums released this week by Avantasia, the brainchild of one Tobias Sammet (Angel of Babylon being the companion album). Many of you likely know Mr. Sammet as the singer of German power metallers Edguy. Avantasia is his long running mega-sized side project where he collaborates with varied musicians across the metal/hard rock spectrum and experiments with moods and sounds that might not necessarily fit within the paradigm of the more straightforward Edguy. Wicked Symphony and Angel of Babylon complete the trilogy started by 2008’s Scarecrow album. For an easy point of reference, think of Avantasia as a more metalized and less (but still quite) self-indulgent version of Ayreon.