“A steady stream of music since 2016 and a consistent touring schedule has resulted in the increasing popularity of Oregon’s Uada. I’ve long since established that their debut marks my favorite of their work but the band clearly feels a positive progression indicated through their releases’ artwork. Beginning with a tortured skeleton with lifeless child in tow, they’ve developed through a figure casting a spell, a djinn rising and now a cosmic deity wielding the earth in space. Perhaps they suggest their growth in form and power, but I feel that their subsequent releases haven’t matched the unbridled vibrancy and massive hooks of the debut.” Final form?
Eisenwald Records
Ateiggar – Tyrannemord Review
“On the evening of December 24th in the year 820 AD, Byzantine emperor, Leo Armenius – also known as Leo V – went to Christmas mass. Little did he know that several members of the chorus were assassins in disguise with swords hidden beneath their robes. Fortunately for Leo, in the dim candlelight of St Stephen’s chapel, the hit mob accidentally filleted a priest instead of the unpopular emperor. In the confusion, Leo ripped a large crucifix from the wall and used it to defend himself. He called for his guards, but the doors were barred. During the ensuing melee, Leo was eventually hacked to pieces and his body unceremoniously dumped into the snow outside. 1,202 years later, Ateiggar, a black metal duo from Switzerland, announce the debut of their first full-length LP, Tyrannemord.” Violent night.
ColdWorld – Isolation Review
“Isolation is ColdWorld’s coldest album. In spite of the snowy fuzz that graced 2008’s debut Melancholie² or the decaying grim tones of Autumn, Isolation lives up to its name in the bleakest way imaginable. It nearly forgoes its depressive and atmospheric black metal roots entirely for an album with utmost restraint, organicity taking precedence over rawness or intensity. Encompassing more wintry post-rock soundscapes and doom tempos, Isolation is held high by the pillars of loneliness and patience.” The sadbois of winter.
Panzerfaust – The Suns of Perdition – Chapter III: The Astral Drain Review
“Canada’s Panzerfaust has been one of my favorite discoveries since joining AMG Industries, ever since I picked up the first part of The Suns of Perdition tetralogy for review back in 2019 and proceeded to underrate it. Underrating was not a problem when the second installment, Chapter II: Render unto Eden, arrived just over a year later. Indeed, that record went on to be my AOTY 2020. It is something of an understatement, therefore, to say that excitement levels were running high when I learned that promo for Chapter III: The Astral Drain had arrived.” Fanboy gushing and proper drainage.
Heltekvad – Morgenrødens Helvedesherre Review
“Heltekvad is a Danish three-piece fronted by Ole Luk of Afsky and Solbrud fame, flanked by two Afsky live musicians with a resume spanning Sunken and Morild. (Do I have your attention?) The band members’ atmospheric black metal repertoire has received its share of praise around these parts. But in contrast with the icy and evocative atmosphere of their past work, Heltekvad promises “heroic-sounding melodies” and “truly medieval soundscapes” on their debut Morgenrødens Helvedesherre.” Fevdal fvkk.
Falls of Rauros – Key to a Vanishing Future Review
“This multi-instrument outfit continues to work with its traditional format of six tracks over forty-five minutes. But, while this new record doesn’t have anything you haven’t already heard, the band has a knack for execution. Somehow, they continue to breathe uniqueness into each effort and supply just enough originality to make each new record different from the last.” Vanishing returns?
Alda – A Distant Fire Review
“How was I supposed to pass on that album cover? Gorgeous, gorgeous stuff. That the associated album was labelled as “blackened folk metal”—or “atmospheric black metal” on the trusty Encyclopaedia—was icing on the cake, but really, I was drawn in by the album art. A Distant Fire is the fourth full-length release from the American Alda, which I’m told means “tree” in a language invented by J.R.R. Tolkien.” Tree aggressive.
Iskandr – Vergezicht Review
“Iskandr is a duo hailing from the Netherlands who purport, on their third full-length release Vergezicht, to play black metal with “battle-hardened” aggression and mythical atmospheres. I mean, what a great intro. I was already intrigued when I learned that the band drummer is one M. Koops, who makes up one half of Fluisteraars, a different black metal band from the Netherlands who stole my heart early last year.” Flying the banners of Dutch black metal.
Fluisteraars – Gegrepen door de geest der zielsontluiking Review
“Fluisteraars was undoubtedly my biggest surprise discovery of 2020. Everything about Bloem was simultaneously right for me and completely wrong for me. But I came back to it, again and again, and finally, it wormed its way onto my year-end list and continues to be a staple of my listening for long walks on the side of the road. I was stunned to learn that they had a new album coming this year, but looking forward to new material from these guys.” Flowers of melo-evil.
Osi and the Jupiter – Stave Review
Osi and the Jupiter is a folk duo (completed by cellist Kackophonix), coming out of the Appalachian region of eastern Ohio, U.S. and Stave is the project’s fourth album, following 2019’s Nordlige Rúnaskog.” Mind the mountain folk.