Electronic

World’s End Girlfriend – Resistance & The Blessing [Things You Might Have Missed 2023]

World’s End Girlfriend – Resistance & The Blessing [Things You Might Have Missed 2023]

“For those unfamiliar, World’s End Girlfriend has been producing a unique brand of cinematic music rooted in classical composition, post-rock sound palette, glitchy and warped electronics since 2000’s debut Ending Story—very much a stepping stone on this long and forlorn path. Though there’s plenty to enjoy in this Japanese one-man exploration, it was 2007’s Hurtbreak Wonderland that first took my breath away and signaled a string of increasingly wide-viewed, somberly-toned albums that cemented me as a WEG die-hard.” End Times and significant others.

Tariot – Drag Me to Hell Review

Tariot – Drag Me to Hell Review

“Look, I’m one of like three metalcore apologists at Angry Metal Guy HQ, and I’ve had it up to here. No more sticky noted car, printer wrapped in festive holiday paper, or the squirting flower trick, okay guys? Plus the rubber rat with “BREAKDOWNS” scrawled with Sharpie was going too far. I already get my seven daily lashes from the Most Holy Gorilla when the punishment of metalcore promos seemed insufficient. As we approach the holidays, the last thing I want to do at the office Christmas party is to open my bonus addressed to “sellout.” Don’t even fucking think about it. And Jesus, Tariot sure ain’t helping my reputation.” Apologists and collaborators up against the wall.

Hemina – Romancing the Ether Review

Hemina – Romancing the Ether Review

“When it comes to selecting promo, the easiest way into my heart is through a vibrant, colorful piece of album artwork. Australian progressive metal quartet Hemina apparently knew this, as the artwork for fifth outing Romancing the Ether pops with its Lisa-Frank-edition-of-Journey cover. After acquiring reviewing rights from our esteemed GardensTale, I jumped right in, excited to hear what adventurous music lay just beyond that psychedelic veil.” Color is the key.

Läjä Äijälä & Albert Witchfinder – Ordeal and Triumph Review

Läjä Äijälä & Albert Witchfinder – Ordeal and Triumph Review

“Läjä Äijälä and Albert Witchfinder are both veterans to the Finnish music scene, the former best known for his time with punk band Terveet Kädet, while the latter is renowned as vocalist/bassist of Reverend Bizarre – although their collaboration has nothing to do with either. Like 2021 debut Centuries of Youth, Ordeal and Triumph offers three tracks and an hour of a polarizing blend of power electronics, industrial, analog noise, dark ambient, and spoken word.” Enter the Ordeal.

Luminous Vault – Animate the Emptiness Review

Luminous Vault – Animate the Emptiness Review

“Electronic elements and black metal is often met with disdain. Atonal EDM beats over blackened shenanigans make acts like Psyclon Nine and Mora Prokaza questionable, while the guitar-less synth overload of Golden Ashes and Wreche are often met with mixed reception. Perhaps more successfully, acts like Blut aus Nord and Dkharmakhaoz incorporate cold industrial flourishes to the raw guitar tone, creating an uncompromisingly obsidian sound. Electronic is divisive, but Luminous Vault does it right.” Electro-violence.

Hollywood Burns – The Age of the Saucers [Things You Might Have Missed 2021]

Hollywood Burns – The Age of the Saucers [Things You Might Have Missed 2021]

“You can probably already tell that this is not a metal album. Maybe you can’t, I dunno. Either way, I can attest that this here album is awesome. Hollywood Burns is far from a household name, but French darksynth upstart Emeric “Hollywood Burns” Levardon deserves a big reputation boost coming off of his latest opus, The Age of the Saucers. Alien abductions abound and riffy electronic buzzery surround, handily securing my attention as he serves everything I want in music through his unique synthwave lens.” Watch the skies.

Eggvn – La Era de la Bestia Review

Eggvn – La Era de la Bestia Review

“Let me introduce you to Eggvn, self-professed “Satanic Death Industrial Metal.” Sporting some obvious black metal influence, I was expecting an ominous ambient album among the ranks of Moëvöt or Velvet Cacoon, but the Mexicans’ sophomore full-length La Era de la Bestia is more akin to a bizarre combination of Psyclon Nine, Brokencyde, Angelspit, and Nine Inch Nails. Featuring pulsing beats, cold industrial flourishes, dark ambiance, and harsh barks, it has its moments of listenable plagiarism, but is comically marred by a club-footed collision of its influences.” Alert the Egg Council.

Autarkh – Form in Motion Review

Autarkh – Form in Motion Review

“My taste in metal rapidly expanded after Autarkh’s mastermind Michel Nienhuis obliterated my understanding of the universe with his atom-blasting Dodecahedron project. Crushing dissonance met twisted melody and horrific atmosphere in a package that was challenging but morbidly inviting not once, but twice. Autarkh falls far from that tree, not at all a continuation of Michel’s past efforts. This I respect and encourage.” Form before function.

Steven Wilson – The Future Bites Review

Steven Wilson – The Future Bites Review

“Given that we’re no longer in the 1970s, for better and for worse, Steven Wilson is now the unwilling “King of Prog.” He’s the writer of what some consider modern classics; a remixologist extraordinaire; a sophisticated producer; a musical experimentalist; a successful imitator; and even a pop star. And yet it appears he’s still not the star he wants to be.” Once and future prog star.

Sightless Pit – Grave of a Dog [Things You Might Have Missed 2020]

Sightless Pit – Grave of a Dog [Things You Might Have Missed 2020]

“Lee Buford of The Body and Dylan Walker of Full of Hell provide an alternative angle of attack: harsh, industrial and nasty. Grave of a Dog, described by Walker, is “about the anonymity of struggle, the darkness of a lifetime wasted warring against nature, god and everything else, only to be defeated… nothing… the end.” Into the dog pit.