Epica

Ava Inferi – Onyx Review

Ava Inferi – Onyx Review

Gothic metal, or as I’ve come to think of it, hot-babes-with-epic-pipes metal. I used to love it but admit to getting burned out on it over the last few years due to the over proliferation of these types of female fronted acts. Of course, some bands do it way better than others but it just seemed like there were a million generic, plastic imitations running around and I eventually washed my hands of the whole style. So when I was assigned the new Ava Inferi album, I didn’t have high expectations to say the least. Onyx is the third album by this Portugal based crew which features the guitar work and song writing of Rune Eriksen (Aura Noir) and the vocal stylings of Carmen Susana Simoes. Although these folks are usually classified as gothic/doom, there’s really no doom in their sound in the conventional sense. No crushing riffs, no mournful dirges. Instead, they strive to create a somber, melancholy feeling by playing sedately, with minimal aggression. While I wasn’t blown away by their previous material, this one managed to get under my skin and really grew on me. I must caution however, although I liked it more than expected, I get the feeling many metal minded individuals will not feel the same way.

Shadows’ Grey – Bonjour Tristesse Review

Shadows’ Grey – Bonjour Tristesse Review

You know, if you read this blog all the time you’d probably be getting the impression that I hate female fronted bands who are doing sort of the gothy thing. But that’s not true. It’s actually something I really enjoy when it’s done right! I have no issues with gothic metal, I don’t find the sort of dramatic, over-the-top stuff to be a turn off really. It just needs to be done well, something that it is serially not. And there are varying levels of ‘not done well,’ but let’s say that Shadows’ Grey, the German band formerly known as Scargod who had one EP in 2007, is one degree of the idea.

Sirenia – The Enigma of Life Review

Sirenia – The Enigma of Life Review

So, I must admit, I was excited to hear this new Sirenia record. For whatever reason I’d not spent much time getting to know the band of former Tristania founding member Morten Veland and I guess I figured that Sirenia had to be pretty good ’cause, well, I’m willing to give people who have done cool shit the benefit of the doubt. Of course, it’s been a decade since the band formed and I’ve never had the kind of intrinsic motivation to actually go out there and try to learn the about the band, and after listening to The Enigma of Life I’m pretty damn glad I never wasted my damn time [see the final note, however – AMG].

Therion – Sitra Ahra Review

Therion – Sitra Ahra Review

All aboard the Trans-Si-Therion Express! Conductor extraordinaire Christofer Johnsson will be along shortly to check your Avant-card to be sure you are worthy of the long, strange and bewildering musical odyssey he carefully prepared for you. And quite a journey it is through Therion’s fourteenth album Sitra Ahra (fourth in the quadrilogy made up of Deggial, Sirius B and Lemuria). Continuing along with his own unique vision of sympho-orchestro-gotho-metal, Johnsson may well have outdone himself here in scope and excess. If forced to describe Sitra Ahra in one word, that word would be bombastic. If granted another word, it would be pretentious. If given but three more, they would be over-the-top. How pretentious and over-the-top is Sitra Ahra you ask? So pretentious that it makes Nightwish and Epica sound like AC/DC. So over-the-top, it could only be equaled by a production of The Vagina Monologues staring both Gwar and Immortal. Now, clearly restraint was never the point here and Johnsson’s motto has always been a “more is more” and that’s great. But when is more TOO much?

Edenbridge – Solitaire Review

Edenbridge – Solitaire Review

First things first. Edenbridge is a long running, very professional and entertaining female fronted, epic/symphonic band from Austria. Now, as we prepare for the release of Solitaire, their seventh album, it’s time to face some inconvenient truths. As good as these guys (and girl) are at what they do, this is not metal and it strains sense and sensibility to be reviewing this on a website called Angry Metal Guy since there is nothing here the least bit angry, or metal. This is not an attack on Edenbridge and I mean no negativity since I actually like Edenbridge quite a bit, from their debut up to and including Solitaire. It’s just time to cast them out of the metal universe and into the world of mainstream music.

Diabulus in Musica – Secrets Review

Diabulus in Musica – Secrets Review

Diabulus in Musica is a band that you’ve heard before dozens of times in different forms. There was a while when like every single band on Napalm Records sounded like them, but it is not a sound that is terribly popular in the year 2010. So while the band could be commended for releasing an album that sounds like Theatre of Tragedy or Epica in 2010 because they’re bucking the trend and doing their own thing, they could also be heavily criticized for sounding exactly like Theatre of Tragedy or Epica (more the latter than the former). I’m sure that the members of Diabulus in Musica are sick of being compared to Theatre of Tragedy and Epica, if they’re sick of that they should probably not read this review, because I am about to launch into a 500 word diatribe about how there has to be something new that can be done with the chick in a metal band thing, but that no one seems to be doing it.

Sigh – Scenes From Hell Review

Sigh – Scenes From Hell Review

Let me start with the a territory that isn’t very comfortable for many in heavy metal: orchestrations. Heavy metal has seen many variations on the classical orchestration in many different subgenres. Neo-classical metal, like the wanky stuff with Yngwe or Symphony X, has long bragged about the influence of baroque and classical music. Bands like Rhapsody of Fire and Epica do things that sound like they should be straight out of a movie score and black metal even has a symphonic sub-genre, most notably filled by Dimmu Borgir, whose symphonics have gone over the top in the last few years with the addition of Mustis (though we’ll see what happens now that he’s gone). Never before in my tenure of heavy metal listening have I heard orchestrations used in a black metal record to such effect as they have been used on Sigh’s new record Scenes from Hell.

Interview with Mary Zimmer from Luna Mortis

Interview with Mary Zimmer from Luna Mortis

One of the most promising bands that I’ve ever encountered in my time in the underground has been Luna Mortis. Within the scene that they were surrounded by, it was basically taken for granted that if someone from the scene was going to take off it would be them (at the time called The Ottoman Empire). To no one’s surprise they got bigger, got better management, got a better band together and continued developing. To no one’s surprise they started getting good press and good reviews and making contacts. To, I think, a lot of people’s surprise they ended up getting signed by Century Media. Not that they didn’t deserve it, but just to think that a group of local kids were getting picked up by the label that had shepherded so many of us into the extreme metal scene was pretty astounding.

Epica – Design Your Universe Review

Epica – Design Your Universe Review

Epica is a symphonic power metal/gothic metal band from the Netherlands that has really taken the scene and the world by storm since their founding in 2002 due to the amazing voice of their mezzo-soprano vocalist (who also happens to be a hotty, there are no coincidences in metal) Simone Simons and the epic *cough* nature of their music. Design Your Universe is the band’s fifth album, and honestly, the first one I’ve ever sat through assuming the band would be like a mix of old Theatre of Tragedy and Nightwish.