Evoken

Funeral – Praesentialis in Aeternum Review

Funeral – Praesentialis in Aeternum Review

“December is the month where my favorite beers and coffee beverages make their welcome reappearance, and all is right with the world once more. Also making their welcome reappearance? Long-dormant Norwegian doom legends, Funeral. When we last heard from them, it was 2012’s Oratorium, but with a new label and members, how does Praesentialis in Aeternum stack up against their legendary classics?” Funeral for Christmas.

WORM – Foreverglade Review

WORM – Foreverglade Review

“Over a year and a half ago, Floridian band WORM released Gloomlord, a funeral/death doom album that marked a left turn for the former black metal outfit. I found it below average. Remarkably, my proclamation of its deficiencies wasn’t enough to keep others from enjoying it. The absolute fucking nerve. An inordinate number of other metal polymaths in the blogosphere sang its dolorous praises to the point that I wondered if maybe I had been mistaken, as rare an occurrence as that may be. When follow-up Foreverglade was announced, I decided to revisit Gloomlord, and I found it…about the same. Two good tracks and three duds. As I hit play on Foreverglade, I mentally prepared to be the bearer of bad reviews a second time.” The WORM has turned.

Fuoco Fatuo – Obsidian Katabasis Review

Fuoco Fatuo – Obsidian Katabasis Review

“In the case of funeral doom, I’ve run across several people telling me that Skepticism and Moss are the best funeral doom out there, followed by warnings to stay away from Catacombs and Until Death Overtakes Me. What happened? Neither Skepticism nor Moss stuck with me, and I routinely return to Catacombs and Until Death Overtakes Me. With a style as minimalistic as funeral doom, everyone will react differently to the same slab of concrete-thick, 20-BPM riffs, and will entirely depend on the atmosphere it provides.” Journey to the center of Katabasis.

Atramentus – Stygian Review

Atramentus – Stygian Review

“Bearing the “gift” of immortality bestowed to him by the God’s sword, a lone knight trudges across the land, snow crunching beneath his feet with every heavy, weary step. After witnessing the death of the sun and thus all life on Earth perishing, he’s left with no choice but to travel the frozen lands alone, forcing him to recall painful memories of the loss of those he loved, forever trapped under miles upon miles of ice. Now that’s a hefty premise for a debut album, and it would take an equally hefty delivery to even give it a whiff of justice.” Sun No))).

Convocation – Ashes Coalesce Review

Convocation – Ashes Coalesce Review

“Yes, I still write here. In fact, nothing can draw me out of seclusion quite like the promise of some quality Finnish extremity. In 2018, I had the good fortune to cover Convocation, a newly established entity of funereal death-doom. Desolate Shrine mastermind L.L joined forces with Dark Buddha Rising vocalist M. Neuman to pour all of their grief into one bereft body of work, and the results were profound. Now, the universal wailing wall stands ready to receive yet another cascade of condemnation.” Ash kicking.

Temple of Void – The World That Was Review

Temple of Void – The World That Was Review

“Debut album Of Terror and the Supernatural was a killer compound of death-doom. But Lords of Death also began to incorporate traits that might be more familiar to Alice in Chains or even Pearl Jam. Now, The World That Was prepares to thunder into immediate proximity with the same weight but a clear shift in intent. Fear thee not, ye acolytes and thralls –  monumental riffs still fill these halls. But, to quote the band, themselves: “your face is different, but we’ve met before…”” Killdozer or dozing off?

Worm – Gloomlord Review

Worm – Gloomlord Review

“It never bodes well when a writer with squatter’s rights to a promo doesn’t raise a fuss when you snatch it from them. I selected Floridian death-doom band Worm‘s second album Gloomlord from our putrid promo pit without doing my due diligence to see if they had been covered on the site before. Turns out they have, and the good Dr. Wvrm wasn’t even a little sorry to see this one go to a different writer.” Worm turns.

Yer Metal Is Olde: Morgion – Solinari

Yer Metal Is Olde: Morgion – Solinari

“Let’s face it, peeps; 1999 sucked for metal as a collective whole. Nü-metal sank its black-nail-polished talons into our favorite genre, with heroes trading speed and heft for JNCOs and wildly-colored dreadlocks while jumpingdafuckup over a DJ and 7-string guitars. And doom? Well, Anathema started their shift from doom metal darlings to prog rock just a year prior with Alternative 4Paradise Lost dabbled with da Mode with One Second but went Full Gahan on Host. And My Dying Bride were roughly 34.788% themselves before righting the ship with The Light at the End of the World.” Wow, what the hell happened?

Shades of Deep Water – Death’s Threshold Review

Shades of Deep Water – Death’s Threshold Review

“It’s been a fair amount of time now since I first came across Death’s Threshold, the sophomore full-length for “J.H.’s” one-man funeral doom project, Shades of Deep Water, in the plentiful wastes that constitute the Promo Bin. I was astounded; funeral doom is a bit of a rarity, after all, and I would expect the vultures my coworkers to snatch up any errant scraps like, well, vultures. I hesitated only a moment before grabbing the album and absconding. After all, one does not simply listen to funeral doom.” Knee deep in doom.

Illimitable Dolor – Leaden Light Review

Illimitable Dolor – Leaden Light Review

“Two years ago I reviewed the self-titled debut of Australia’s Illimitable Dolor, a project carved from the members of The Slow Death to illuminate the loss of their friend and band mate Gregg Williamson. It was a feast of death-doom delights with a bold sense of atmosphere to truly define the plundered depths. Now, the band have returned with Leaden Light and a mind clearly bent on expansion. But a broadening of such bereaved horizons requires mass. And sometimes too much is simply too much.” When heavy isn’t enough.