Evoken

Atramentus – Stygian Review

Atramentus – Stygian Review

“Bearing the “gift” of immortality bestowed to him by the God’s sword, a lone knight trudges across the land, snow crunching beneath his feet with every heavy, weary step. After witnessing the death of the sun and thus all life on Earth perishing, he’s left with no choice but to travel the frozen lands alone, forcing him to recall painful memories of the loss of those he loved, forever trapped under miles upon miles of ice. Now that’s a hefty premise for a debut album, and it would take an equally hefty delivery to even give it a whiff of justice.” Sun No))).

Convocation – Ashes Coalesce Review

Convocation – Ashes Coalesce Review

“Yes, I still write here. In fact, nothing can draw me out of seclusion quite like the promise of some quality Finnish extremity. In 2018, I had the good fortune to cover Convocation, a newly established entity of funereal death-doom. Desolate Shrine mastermind L.L joined forces with Dark Buddha Rising vocalist M. Neuman to pour all of their grief into one bereft body of work, and the results were profound. Now, the universal wailing wall stands ready to receive yet another cascade of condemnation.” Ash kicking.

Temple of Void – The World That Was Review

Temple of Void – The World That Was Review

“Debut album Of Terror and the Supernatural was a killer compound of death-doom. But Lords of Death also began to incorporate traits that might be more familiar to Alice in Chains or even Pearl Jam. Now, The World That Was prepares to thunder into immediate proximity with the same weight but a clear shift in intent. Fear thee not, ye acolytes and thralls –  monumental riffs still fill these halls. But, to quote the band, themselves: “your face is different, but we’ve met before…”” Killdozer or dozing off?

Worm – Gloomlord Review

Worm – Gloomlord Review

“It never bodes well when a writer with squatter’s rights to a promo doesn’t raise a fuss when you snatch it from them. I selected Floridian death-doom band Worm‘s second album Gloomlord from our putrid promo pit without doing my due diligence to see if they had been covered on the site before. Turns out they have, and the good Dr. Wvrm wasn’t even a little sorry to see this one go to a different writer.” Worm turns.

Yer Metal Is Olde: Morgion – Solinari

Yer Metal Is Olde: Morgion – Solinari

“Let’s face it, peeps; 1999 sucked for metal as a collective whole. Nü-metal sank its black-nail-polished talons into our favorite genre, with heroes trading speed and heft for JNCOs and wildly-colored dreadlocks while jumpingdafuckup over a DJ and 7-string guitars. And doom? Well, Anathema started their shift from doom metal darlings to prog rock just a year prior with Alternative 4Paradise Lost dabbled with da Mode with One Second but went Full Gahan on Host. And My Dying Bride were roughly 34.788% themselves before righting the ship with The Light at the End of the World.” Wow, what the hell happened?

Shades of Deep Water – Death’s Threshold Review

Shades of Deep Water – Death’s Threshold Review

“It’s been a fair amount of time now since I first came across Death’s Threshold, the sophomore full-length for “J.H.’s” one-man funeral doom project, Shades of Deep Water, in the plentiful wastes that constitute the Promo Bin. I was astounded; funeral doom is a bit of a rarity, after all, and I would expect the vultures my coworkers to snatch up any errant scraps like, well, vultures. I hesitated only a moment before grabbing the album and absconding. After all, one does not simply listen to funeral doom.” Knee deep in doom.

Illimitable Dolor – Leaden Light Review

Illimitable Dolor – Leaden Light Review

“Two years ago I reviewed the self-titled debut of Australia’s Illimitable Dolor, a project carved from the members of The Slow Death to illuminate the loss of their friend and band mate Gregg Williamson. It was a feast of death-doom delights with a bold sense of atmosphere to truly define the plundered depths. Now, the band have returned with Leaden Light and a mind clearly bent on expansion. But a broadening of such bereaved horizons requires mass. And sometimes too much is simply too much.” When heavy isn’t enough.

Evoken – Hypnagogia Review

Evoken – Hypnagogia Review

“My history with Evoken handily mirrors my relationship with the genre these funereal leviathans so masterfully craft. If I’m not entirely of a mind to wallow in the brand of doom that lurches with the gait of mountains, then I struggle to fully commit. But funeral doom has never been for the casual listener, and rightly so. Evoken are ever the reliable constant and have returned to once again divide traditionalists with another morose mass of glacial grief. Hypnagogia is the Americans’ sixth album and arrives secure in its ability to fill some sizable shoes.” Death to joy.

Morbid Evils – Deceases Review

Morbid Evils – Deceases Review

“Tantalizingly labeled as being a grind-drone hybrid, Morbid Evils — a side project of Rotten Sound vocalist and guitarist Keijo Niinimaa — doesn’t play by the rules. That’s not to say that the feelings these two extreme sub-genres stir up aren’t present. The suffocating and oppressive atmospherics found both in the gargantuan monotone sound of drone and the stifling chaos of grindcore are an ever-present force here, shifting with the force of planet sized icebergs. The name of the game is oppression and the aim of the game is to hammer the brain into a pulp.” Morbid and evil is no way to go through life, son.

Ritual Chamber – Obscurations (To Feast on the Seraphim) Review

Ritual Chamber – Obscurations (To Feast on the Seraphim) Review

“Simply put, Obscurations (To Feast on the Seraphim), the début by one-man band Ritual Chamber, is easily an archetype of how “evil” music should sound. Guitar riffs and growled vocals rise from a gutter filled with tortured souls, putrid bile drips from drum kicks and rumbling bass lines, and a general atmosphere of rot and despair fills each and every song. Cliché as it may seem, it’s dread incarnated.” Ready for some dread and breakfast?