Experimental Electronic

World’s End Girlfriend – Resistance & The Blessing [Things You Might Have Missed 2023]

World’s End Girlfriend – Resistance & The Blessing [Things You Might Have Missed 2023]

“For those unfamiliar, World’s End Girlfriend has been producing a unique brand of cinematic music rooted in classical composition, post-rock sound palette, glitchy and warped electronics since 2000’s debut Ending Story—very much a stepping stone on this long and forlorn path. Though there’s plenty to enjoy in this Japanese one-man exploration, it was 2007’s Hurtbreak Wonderland that first took my breath away and signaled a string of increasingly wide-viewed, somberly-toned albums that cemented me as a WEG die-hard.” End Times and significant others.

Maud the Moth + Trajedesaliva – Bordando el manto terrestre Review

Maud the Moth + Trajedesaliva – Bordando el manto terrestre Review

“Unquestionably I spend most of my listening time browsing this site’s namesake aesthetic, but I also enjoy sticking my nose elsewhere to try to catch a whiff of what else may inspire that same special beauty in ugliness I desire. Though the Maud the Moth (Amaya López-Carromero also of healthyliving) side has a metallic line to the pleading halls of Scotland’s Ashenspire, Trajedesaliva (the duo of Mon Ninguén on synths and unavena on voice) hosts no such connection, living in their own experimental electronic ambient world.” MOAR Moth?

mizuirino_inu – TOKYO VIRUS LOVE STORY [Things You Might Have Missed 2022]

mizuirino_inu – TOKYO VIRUS LOVE STORY [Things You Might Have Missed 2022]

“A great album takes me on a journey, and TOKYO VIRUS LOVE STORY lands no different in that respect, even if I can’t understand most of the narrative. And while that understanding can add color to thematic punctuation, mizuirono_inu manages throughout their narrative to put emotion and purpose behind each line.” Infectious.

Vengeur – Par Feu et Par Flammes Review

Vengeur – Par Feu et Par Flammes Review

“There’s electronic metal, and then there’s this Vengeur record. Superficially similar, Herman ‘Vengeur’ Pańkow’s solo project could hardly have less in common with that subgenre. ‘Witch house,’ ‘dissolved genres,’ and ‘avant-garde’ are just some of their Bandcamp tags. The fact that this is on I, Voidhanger should also give fair warning of its idiosyncrasy. Nothing, however, could prepare me for what would come after I pressed play on Par Feu et Par Flammes.” Beat of the electro-heart.

Ou – one Review

Ou – one Review

“Fuck the rules—that’s the rough translation of OU’s mission statement. Steeped in the streets of the Beijing jazz scene, OU (pronounced “O”) has emerged with a debut that challenges head-on the stagnant energy of the modern prog space. Striking a masterful balance of joviality, tranquility, and ferocity, OU have emerged from the underground to spread their idiosyncratic brand of futureprog.” The future is NOUW, olde man!