“In the recesses of my chrome and iron 80s heart, I have endless affection for the early Fates Warning albums like The Specter Within and Awaken the Guardian. They just don’t make classy, traditional metal like that anymore and I wish more retro noodle heads would turn their gaze back to that golden era of metal and give it a go.” What’s new, pussy cat? Quite a bit, actually.
“While Heaven Wept is a band I expect excellence from and actively root for them to achieve it, almost as if I was in the damn band myself. Their Of Empires Forlorn album is one of the best doom releases ever and one I return to religiously whenever I need a good soul drubbing. Follow ups Vast Oceans Lachrymose and Fear of Infinity were very good, sometimes great doses of highly polished melodic doom, though neither could replicate that special something Of Empires possessed. With all the hype surrounding the writing and recording of Suspended at Aphelion, and the fact it’s a conceptual piece composed of one song with eleven movements, a fanboy could dream this would be their magnum opus rex.” Ah, the dreams of a fanboy…so fragile, so precarious.
“The times they are a changing! If you were around for my review of Morbus Chron’s 2011 opus Sleepers in the Rift, you know how impressed I was with their Autopsy-laden salute to early American death metal. That album was a sewage leak of nastiness and I still spin it often. Naturally, I expected more of the same with their follow up, but I didn’t get it. Not even close. That’s because Sweven (yea olde English for “visions”) is an enormous departure in style and approach, veering off into the world of proggy, tripped out weirdness, while somehow still remaining death metal.” Wow, this one really knocked Steel Druhm off his feet, and he’s notoriously difficult to knock over. You best read on.
“I don’t really have any clever observations about the past year in metal. A few of my AMG cohorts have griped that 2013’s release schedule was somewhat lacking, but I didn’t have that problem at all. There may have been fewer good albums quantity-wise (I wasn’t counting), but the ones that were good were REALLY fucking good.” Always the optimist, Mr. Fisting found the good in 2013 and tells you where it was hidden. He’s like Mr. Silver Linings!
“Darkness In A Different Light is the first album in nearly a decade from prog legends Fates Warning. Arriving on the heels of 2011’s Arch/Matheos project (a Fates Warning album in all but name), Darkness features most of the same lineup except with longtime vocalist Ray Alder back at the mic. Guitarist Frank Aresti makes his first appearance on a Fates record since the early ’90s, and the rhythm section now includes Joey Vera on bass (Armored Saint) and journeyman drummer Bobby Jarzombek. Of course, founding guitarist/songwriter/main guy Jim Matheos is present as well.” How the hell did we miss this one, you ask? Because Steel Druhm was overworked, had to make strategic decisions and mistakes were made. Luckily, Mr. Fisting is here to right some wrongs and save the day.
“As a fanboy extraordinaire of classy, epic doom, I’m clearly the target demographic for larger-than-life regressive metallers Atlantean Kodex. Their massive debut The Golden Bough was an intoxicating mixture of While Heaven Wept, Solstice and Solitude Aeturnus with a healthy dose of Bathory’s Hammerheart added for Viking flair.” Steel Druhm has been chomping at the bit for this release and nobody likes being chomped. Does The White Goddess live up to his unreasonable expectations or will the remainder of 2013 be a rabid chomp-fest?
“There is so much back story behind Queensrÿche’s new self-titled record that I can’t even scratch the surface in this review. I suggest reading this first. In a nutshell, there are currently two bands bearing the name Queensrÿche — one made up of ex-singer/asshole Geoff Tate and some hired help, and the other consisting of most of QR’s original lineup and new vocalist Todd LaTorre (ex-Crimson Glöry). This review refers to the latter version of the band.” Mr. Fisting is our resident QR/Geoff Tate gossip columnist and overall fanboy and he’s been waiting a long time for this bad boy. Can it resurrect the glory of this once proud band? Can we avoid mocking Mr. Tate? Only the needle knows….
“Move your skinny asses over, Enforcer, there’s a new sheriff in Retro City and the name is really shitty. I know a pussy cat name like Alpha Tiger won’t inspire much faith amongst the angry metal masses, but trust me, the music more than makes up for the cheese-tastic moniker (which belongs on a third-rate Japanese video game where you brawl through a zoo and up the food chain). This is unapologetically old school, traditional metal taking its cues from early 80s American acts like Agent Steel, Armored Saint, John Arch era-Fates Warning, Sacred Oath and Crimson Glory.” Yes, Steel Druhm is delivering MORE retro metal for your consideration!! Deal with it. ROAR!
WARNING: Steel Druhm struggled muchly with this review and he’s a bit cranky. Approach with caution…and beer.
Honesty in band promotion is about as common as happy, uplifting Finnish music. Despite this dire paucity, Lanfear keeps things refreshingly real. Their website bills them simply as “underrated metal” and I couldn’t agree more. These German prog-power champs have some impressive albums under their belts, but they aren’t as known or as appreciated as they should be. Herein, Steel Druhm dissects The Harmonic Consonance which is out worldwide now!
