Finnish Metal

Presenting Mrs. Ramsbottom’s Second Grade Class Christmas Recital, Starring Tarja, as Described by Liam Collins, Age Seven

Presenting Mrs. Ramsbottom’s Second Grade Class Christmas Recital, Starring Tarja, as Described by Liam Collins, Age Seven

“Hi, I’m Liam. I’m backstage right now because we’re doing a Christmas recital tonight. Everyone in my class is in it except for the Horowitz twins. Ezra and Esther don’t have to for some reason. Our music teacher Mrs. Ramsbottom was supposed to be here too but one of her organs blew up and she had to go to the hospital. It’s called an appendix and I’ve got one inside me too but my Mom says mine is ok and probably won’t blow up. Mrs. Ramsbottom was going to play the piano and we were going to sing but when she got sick we got a substitute teacher. Her name is Miss Tarja.” A night at the school opera.

Convocation – No Dawn for the Caliginous Night Review

Convocation – No Dawn for the Caliginous Night Review

“In the wretched realms of death metal, Finland’s Lauri Laaksonen is a known commodity. After a five-year stint in Sear, LL, as he’s credited on most liner notes, founded the beastly Desolate Shrine in 2010. We here at AMG have for the most part fawned in a most undignified manner over that project’s output. On the strength of that discography alone, LL could hold his head high among his most celebrated death metal contemporaries. But his impact on the genre doesn’t end there. Since 2018, LL has released some of the very finest slabs of demoralizing deathly doom in recent memory through his band Convocation.” Dark days in Finland.

Death’s-Head and the Space Allusion – LUC-II-FARUL Review

Death’s-Head and the Space Allusion – LUC-II-FARUL Review

As I surfed the AMG promo wave, Finland’s Death’s-Head and the Space Allusion (DHATSA) caught my eye. It was the attached “Modern Melodic Metal” tag that made me curious. It’s the kind of descriptor that lacks substance since the terms “modern” and “melodic” are often thrown around to the point of meaninglessness. I found myself almost instantly assuming the music would be trite and overproduced. I’d wager that some of you reading this did as well. But in truth, that’s hardly fair to DHATSA.” In space no one can hear your Death Head.

Sigir – Rainmaker Review

Sigir – Rainmaker Review

“Us metalheads have an above-average reverence for classic bands, I feel, but the genre is doomed to die without ample young blood. Finland, officially the most metal country in the world, is fertile ground for such saplings to sprout, and Sigir is among its freshest crop. After a previous project named Ritual of Terror never made it off the runway, three of its members found a new guitar player and plowed on. Rainmaker is their debut, the first full-length any of the foursome ever released, promising a fresh take on black-infused melodic death metal. A bold claim from a troupe of greenhorns; can they live up to it?” Making it rain (blood).

Cardinals Folly – Live by the Sword Review

Cardinals Folly – Live by the Sword Review

“What a gloomy place Finland must be to produce so much doom metal. While you’ve likely encountered the doom giants Lord Vicar, Spiritus Mortis, or Reverend Bizarre in your travels, it is within the murky depths of the Finnish doom underground that you might stumble upon Helsinki-based Cardinals Folly. The band’s press loves to point out their status as an underground band, which feels strange.” Doom for improvement.

Virta – Horros Review

Virta – Horros Review

Horros is not a metal album, in spite of Virta’s signing with the weirder-and-weirder Svart Records. What the Finnish trio does well, however, is conjure a tension between pitch-black darkness and ethereal sanguinity, a balance sure to get metalheads drooling. At its heart an electroacoustic album that blends the synthetic and handmade that tastefully paints landscapes with sound, it’s perhaps not surprising that the act was proclaimed a “cornerstone of Finnish experimental music” by members of Finnish media following the release of their sophomore effort Hurmos. How does third full-length and first album in seven years Horros hold up?” The Horros….

Disguised Malignance – Entering the Gateways Review

Disguised Malignance – Entering the Gateways Review

“I’ve talked at length about my distaste for overly progressive music, and no genre draws my ire for incorporating unnecessary fluff more than death metal. I’d even go a step further and say that I really don’t enjoy much “beauty” or “fun” in my death metal at all; just give me the raw, stinking sewage and keep your melodic and atmospheric death metals. Of course, this is all just personal preference, but I can’t stand when bands like Blood Incantation, Tomb Mold, or even the mighty Death add so much experimentation that the songs cease to exist as songs, becoming instead exercises for demonstrating technical ability and/or progressive sensibility.” Ugly down to the death bone.

Omnivortex – Circulate Review

Omnivortex – Circulate Review

“Since snatching my AotY crown in 2020 with their awesome Diagrams of Consciousness, Finland tech-death juggernauts Omnivortex have been hard at work on follow up Circulate. Needless to say, I’ve been at the edge of my seat. Remembering the indelible hooks and brutal heft of their explosive debut, I have no idea what Omnivortex need to do in order to top it.” Spinning on, spinning up.

Hexvessel – Polar Veil Review

Hexvessel – Polar Veil Review

“A few years ago, I proved that you can in fact judge a record by its cover, at least where genre is concerned. When Dear Hollow posted the art for Polar Veil in the staff room, my immediate reaction was that I was too Hexvesselled out to review another. Their weird, whimsical folk-psychedelia is right in my wheelhouse, but by album five, I was starting to feel that they’d run out of ideas. But I couldn’t stop looking at the art, with its great looming figure over a little snowy village.” Snowjob.