Fleshgod Apocalypse

Angry Metal Guy’s Top 10 Songs from 2011

Angry Metal Guy’s Top 10 Songs from 2011

We made it through another year here in Angry Metal World. We overcame Terminal Reviewer Burnout Syndrome, careers and personal lives, just to bring you more of our self-righteous, ego-driven babbling and blathering. Why did we do it? Because we care so damn much! Now, as the year grinds us all towards inevitable doom, it falls to me to get the metal wheel a rollin and name my picks for the best albums of 2011. This was a pretty solid year, so it was tough to figure out which albums belonged where, but you demanded it, so I’m delivering the goods, Yeah!

Things You Might Have Missed 2011: Graveworm – Fragments of Death

Things You Might Have Missed 2011: Graveworm – Fragments of Death

Fragments of Death was my first encounter with Graveworm. Even though I shouldn’t have, I was surprised before listening to the album that they were from Italy and I wasn’t really expecting an album that would impress me. Call me a metal bigot but metal isn’t really something that the Italians would proudly add to their plethora of cultural influences for the rest of the world to enjoy [Bigot! There are some great Italian death metal bands, not to mention Rhapsody! – AMG]. Having confessed my prejudice, Italy has already stunned me this year with the new Fleshgod Apocalypse album which definitely improved the scene’s name and now Graveworm release Fragments of Death to add to what their fellow countrymen did a few months earlier.

Fleshgod Apocalypse – Agony Review

Fleshgod Apocalypse – Agony Review

In 2009 a record came sort of out of nowhere that really took me by surprise, and frankly, kicked my ass something fierce. It was from Italian technical death metallers Fleshgod Apocalypse and the record was called Oracles. What I loved about the album, and the thing that made it so addicting, was that it was beautifully melodic and unabashedly technical at the same time. It blended these two things into what was easily the most unique technical death metal or melodic death metal record that had been released in a very, very long time. I was blown away (and still am). I didn’t review it at the time, but it made the #3 spot on my Top 10(ish) of 2009 and I have been waiting for the follow up ever since. Agony, the band’s first record on Nuclear Blast records, is that follow up and it’s a great album that bugs me.

Abysmal Dawn – Leveling the Plane of Existence Review

Abysmal Dawn – Leveling the Plane of Existence Review

I’ve been waiting for a long time to get to Abysmal Dawn’s new disc Leveling the Plane of Existence. Having had a 2010 that was sadly devoid of mind-blowing technical death metal (excepting Hour of Penance’s Paradogma), I was really looking forward to a slab of technical death metal mastery that is being sold by Relapse as the savior of American death metal. While I wouldn’t go that far, Abysmal Dawn does offer up some solid technical death metal that is well-played, well-written and full of enough novel ideas and good riffs to make the record enjoyable. And the band has a unique, melodic voice that separates it from the pack.

Fleshgod Apocalypse to Release EP Entitled Mafia

Italian death metallers Fleshgod Apocalypse are planning to release a new EP called Mafia later this year (assumedly via Willowtip Records, though that’s not confirmed). After last year’s fantastic release Oracles (which was my #3 album on the year), I’ve gotta say that I’m really looking forward to this. Hopefully I can figure out who […]

Sigh – Scenes From Hell Review

Sigh – Scenes From Hell Review

Let me start with the a territory that isn’t very comfortable for many in heavy metal: orchestrations. Heavy metal has seen many variations on the classical orchestration in many different subgenres. Neo-classical metal, like the wanky stuff with Yngwe or Symphony X, has long bragged about the influence of baroque and classical music. Bands like Rhapsody of Fire and Epica do things that sound like they should be straight out of a movie score and black metal even has a symphonic sub-genre, most notably filled by Dimmu Borgir, whose symphonics have gone over the top in the last few years with the addition of Mustis (though we’ll see what happens now that he’s gone). Never before in my tenure of heavy metal listening have I heard orchestrations used in a black metal record to such effect as they have been used on Sigh’s new record Scenes from Hell.

Top 10(ish) of 2009

Top 10(ish) of 2009

Well, everyone else under the sun has been releasing their Top 10 lists, and for those of you faithful readers out there I’m sure you’re also interested in what I’m going to say about the best records of 2009. First, let me say that for the first half of this year I was not indeed Angry Metal Guy, but instead, I was just a normal guy buying my metal and hoping that it was going to be fucking awesome. Now, I’m a bitter critic. As a bitter critic I hear a lot more, but this year has still been characterized by some of the biggest bands on the scene for me. Mainly, Amorphis, who in my opinion have released the finest album of the year, if not the finest album of their very distinguished career. But, let me get to that later. There have been some great records this year, but there has been a lot of mediocre shit. Think of this list as being two-tiered, top 10 and then top 20. The top 10 are the records that I think were really awesome, elite albums, the second 10 are records that I think are great and worth your time and effort. Note that I haven’t heard certain albums that I’d like to hear due to that whole poverty not being offset by stealing music thing. With this, I hope to launch AngryMetalGuy.com into the new year on a new note: one where bands suck less.

The Red Chord – Fed Through the Teeth Machine

The Red Chord – Fed Through the Teeth Machine

The Red Chord has been one of the best respected bands that really came out of the metalcore scene a few years back. I’ve got plenty of friends who dig these guys and dig this stuff and I can definitely understand why. For fans of the breakdown and the chug, there are few bands out there who do it with the kind of proficiency and.. well, lack of boringness that The Red Chord have managed to do it with. Fed Through the Teeth Machine is another example of the fact that metalcore has produced some bands that don’t make the metal gods sad inside.

Interview with Trevor from The Black Dahlia Murder (2009)

Trevor from The Black Dahlia Murder is the first person I’ve ever interviewed more than once. Â Unfortunately, he doesn’t remember that. Â When I talked to him, the guys were a start up band from Detroit that was soon going into the studio to record Miasma a record that went over, well, remarkably well. […]