Doom_et_Al and Dear Hollow spice up the season with their Top Ten(ish) of 2022. Come for the selections, stay to harass them over same.
Flourishing
Aeviterne – The Ailing Facade Review
“It would be tempting to call The Ailing Facade the product of a supergroup. Formed with veteran blood from acts like Castevet, Gath Šmānê, Luminous Vault, and Artificial Brain, guitarist/vocalist Garett Bussanick uses Aeviterne as a vessel to resurrect New York dissodeath heavyweights Flourishing. However, this quartet feels like so much more than a supergroup.” Horrid rebirthing.
Moloken – Unveilance of Dark Matter Review
“We pretend not to, but we forget about bands all the time here. I forgot about – what’s that band? – Fear Factory last week and just now forgot that my last introduction was also about forgetting. In part I have to blame the burning n00b fumes, skull pit wounds, and brain-hemorrhaging metalcore for the memory loss. Likewise, I could tell you that I forget stuff because my brain runs on eight-inch floppy discs, but in reality I made the transition to 3.5” years ago and am just bad at keeping current. Suffice it to say that I forgot about Moloken.” Remind him to always remember.
Tombs – Savage Gold Review
“Alchemy is a powerful philosophical practice that would lead their followers to perceived unlimited power. One of those goals ultimately outlined by alchemists is the ability to transmute lesser metals (such as lead) to more noble, socially-desirable metals such as gold. This romantic and idealistic viewpoint of bettering simple metals can be reflected onto the human race as well, with one’s desire to elevate themselves from more modest, humble origins to become something greater, more powerful. And yet, somehow retain their primal instincts while transmogrifying into their ideal form. Such is the basis of Brooklyn, New York’s Tombs and their newest album, the rightfully-titled Savage Gold.” Deep thoughts, profound words, nasty music. Enjoy!