“When last Véhémence appeared around these parts, they were an unexpected discovery I made—with some much-appreciated help—at the end of 2019. Par le sang versé was a gem of a release, with all the right black metal bits, just enough folk bits, and an awesome medieval vibe that set it apart from its contemporaries. So you can imagine my thrill when I learned that the French group had actually read that article and that I’d get to review their third full-length release, Ordalies.” Getting medieval on your arse.
Folk Metal
Fall of Stasis – The Chronophagist Review
“Extreme music and cheer have an uneasy relationship. Power metal is generally expected to be upbeat and not take itself too seriously, but when the growls and screams enter the building, such attitudes are wont to leap out the window. Death and black metal are serious business, dammit! Except when they’re not, and examples abound of bands that embrace both the dark and the light. At first glance, Fall of Stasis seem to be the serious sort. A faux Old English logo, a grim apocalyptic cover, and a title that literally means ‘the time eater.’ But is it all as dark as it seems?” Goro-core.
Bloodywood – Rakshak Review
“Bloodywood’s approach to metal is, on the surface, similar to Linkin Park’s in that they often combine rapped verses with sung choruses—utilizing both English and Hindi lyrics—backed by gym-ready riffs reminiscent of Hacktivist, We Butter the Bread with Butter, and even Dyscarnate. Look beneath those superficialities and you find a ton of cool Indian folk instrumentation playing along, particularly weighted towards woodwinds and festive drums.” The Rock Shack is now open.
Koldovstvo – Ни царя, ни бога [Things You Might Have Missed 2021]
“Sometimes a thing defies proper indexing or categorization. Tags may be applied to that thing and they may not be incorrect but nor do they properly encapsulate what that thing is. The nominally atmospheric black metal, probably Russian, project Koldovstvo, is just such a thing.” Words fail us.
Khirki – Κτηνωδία [Things You Might Have Missed 2021]
“Hard rock and post-grunge are pretty much dead to me. After being a huge fan of that kind of stuff in the mid-aughts, my tastes started to branch out into other avenues. Once that happened, every new record in that scene sounded the same as the last one, regardless of what band released what album. Seeing no evolution or novelty anywhere just confirmed for me that there was nothing left to look forward to. Then Khirki arrives, and I’m all fucked up. How dare the Greek trio choose fucking 20-goddamn-21 to release a post-grunge debut record, entitled Κτηνωδία, that actually rocks hard back to front?!” Hellenic heroics.
Sur Austru – Obărșie [Things You Might Have Missed 2021]
“Earlier this year, Huck N Roll reviewed the final full-length release from Negură Bunget, following Gabriel Mafa’s tragic passing in 2017. For several now-former members of the group, however, the musical journey, and spirit of Negură Bunget, persists in the form of Sur Austru, which was formed in 2018 to continue that musical legacy.” Onward.
Windfaerer – Breaths of Elder Dawns [Things You Might Have Missed 2021]
“It is often difficult for me to know where to begin when writing about a record that resonates with me as deeply as Breaths of Elder Dawns. New Jersey’s Windfaerer swept me up so swiftly that I cannot even recall where I was first made aware of this record; the experience of listening to the album completely swallowed me.” Enjoy of deep breaths.
Dead Space Chamber Music – The Black Hours Review
“A doom band emerges from the hills of Southwest England. So does a dark neoclassical outfit, along with a group of ambient specialists dedicated to building sound collages… oh, and a neofolk collective is there, too. They’re not going to do battle, as metal as that might be—they can’t, because they’re all the same unit. Dead Space Chamber Music channels their restless muse into The Black Hours, an ambitious fusion of techniques that spends much of its run time reinterpreting material from the medieval and Renaissance periods.” Chamber of horrors.
Negură Bunget – Zău Review
“The November 26 release cycle brings us a couple of albums by bands we wouldn’t have expected to hear from; Cynic and Negură Bunget. While Kronos will be filling our heads with his thoughts on the former, the latter falls to me. Not because I am a world-renowned black metal aficionado, but rather because I reviewed the latest (truly excellent) release from Dordeduh, and it is natural to draw some comparisons. Following the tragic death of drummer/band leader Gabriel “Negru” Mafa back in 2017, one would assume that was the end of the band. But Negru had completed a number of drum tracks for the final album in the band’s trilogy, and after a period of mourning the remaining band members took up the mantle and fleshed out the songs, and now they present the final chapter in the band’s canon, Zău.” End of the misty road.
Alda – A Distant Fire Review
“How was I supposed to pass on that album cover? Gorgeous, gorgeous stuff. That the associated album was labelled as “blackened folk metal”—or “atmospheric black metal” on the trusty Encyclopaedia—was icing on the cake, but really, I was drawn in by the album art. A Distant Fire is the fourth full-length release from the American Alda, which I’m told means “tree” in a language invented by J.R.R. Tolkien.” Tree aggressive.