“I was not familiar with this post-metal project prior to snagging it for review. Carrion Movements is both the third album from Novarupta and the third installment in a conceptual four-part series based around the elements of fire, water, air and earth. This is the ‘air’ entry in the tetralogy, following 2019’s Disillusioned Fire and 2020’s Marine Snow, which seem to have caused something of a stir in post-metal circles. Can Carrion Movements trigger the reputational eruption many seem to think Novarupta deserves? Carrion, my wayward son.
Forlesen
Methadone Skies – Retrofuture Caveman Review
“Methadone is a synthetic opioid best known for its use in opioid addiction management. Its long duration of action avoids the euphoric high and rapid crash and withdrawal that results from using opioids like heroin. Naming your band after the slower, safer, non-euphoric substitute seems like an odd marketing move. (Post-rock cynics might suggest that this is a good description for the whole genre, mind.) Methadone Skies are an independent act based in Romania, and Retrofuture Caveman is their fifth treatment program in twelve years. I hadn’t previously encountered their work, but the promo package promises instrumental post-rock plus doom metal, which sounds like exactly what I need to sate my cravings.” The fix is in.
Ghostly Aerie Coven – Bird of Prey Review
“You can get an idea of an album based on its cover. And, uh, wow. Three-eyed literally-horned Forlesen owl (who has fallen on hard times) feeding the head of Christ with a chalice of nails? A whole lotta fuckery to unpack here. Why does Jesus need nails? Of all people, I would assume his iron intake is higher than others. Before I go off the rails with more edgy unfunny comedy, the most important question is: what the hell kinda music is this? Well, if you honed in on the bizarre blasphemy and guessed black metal, ding ding ding!” Owl at the moon.
GardensTale’s and Ferrous Beuller’s Top Ten(ish) of 2020
GardensTale and Ferrous Beuller uncork their best spirits of 2020 and share iron libations with everyone. Cheers!
TheKenWord’s and Carcharodon’s Top Ten(ish) of 2020
TheKenWord and Carcharodon join the fray with tastes ranging from good, bad, and unfathomable.
Sentynel and Twelve’s Top Ten(ish) o’ 2020
Sentynel and Twelve are ready to show you all their year-end wares. Shop til you drop.
GardensTale’s Top Ten(ish) Album Art of 2020
“We spend every single day of the year on this blog talking about music. The highs, the lows, the marshes of the meh. Occasionally, we give a nod to an especially beautiful cover (or an especially heinous one) to buff our word count for the article, but it’s barely a condiment on the edge of the buffet plate, stacked with pretentious slop, that we throw casually in front of the voracious readership. But this one time a year, I don’t have to talk about the music at all.” Gardens variety galleries.
Mizmor & Andrew Black – Dialetheia Review
“Gaze upon that stark, haunting, monochrome cover photo – shot by Emma Ruth Rundle by the way – and ask yourself, how likely is it that this is going to be like the Lewandowski-adorned Cairn, Mizmor‘s last outing? How much difference is it going to make pairing Mizmor mainman A.L.N. with experimental ambient specialist Andrew Black? Will Black soften a few of Mizmor‘s crushing edges, provide a few ambient interludes or should we expect a complete change of direction from this collaboration? These were my thoughts approaching Dialetheia.” Evolution or mutation?
Forlesen – Hierophant Violent Review
“A hierophant – a word I was dimly aware of but confess that I had to look up – is a person who leads the religious into the presence of that which is deemed holy by the relevant congregation. It also a card in the tarot deck and at least one of its meanings is that of a teacher or counselor who aids the seeker in the acquisition of knowledge. Both of these meanings are wholly appropriate for Bay Area trio Forlesen’s debut, Hierophant Violent. I would estimate that, since beginning my tenure serfdom here at AMG, my musical consumption has increased by upwards of 80% and I was listening to a lot before I started. And yet it’s rare indeed that an album hits me like Hierophan Violent did.” Elephantine Hierophant.