Fvneral Fvkk

Killitorous – The Afterparty Review

Killitorous – The Afterparty Review

“Yep. That’s a band name. Killitorous. Say it a couple times and soon you’ll see what they did there. Tasteful, right? I’ll be honest, it took me way too long to find it (ayyyy), but by that point I was already four listens into the Canadian supergroup’s sophomore record The Afterparty and was having too much fun to care about the silly double-entendre anymore. After all, we did give high marks to bands with such respectable names as Fvneral Fvkk and Shitfucker, right? So who am I to judge?” Tech-deathicus for the rest of us.

Loviatar – Lightless Review

Loviatar – Lightless Review

“What makes a great doom record? Adequate levels of sadness, helplessness, or loss expressed in a desperate croon? Perhaps doom is defined by plodding tempos and debilitating riffs? Could it simply be a quality of emptiness that pervades every moment of the music, regardless of the superficial qualities inherent to the sound? I honestly couldn’t tell you. All I know is that when a doom metal band brings its A-game, boy howdy does it wreck my shit sideways, backwards and diagonally. Enter Canadian quartet Loviatar, whose sophomore full-length Lightless wrecks my shit sideways, backwards and diagonally.” Stuff is getting wrecked here.

The Medea Project – Sisyphus Review

The Medea Project – Sisyphus Review

“You know, I’d never really considered it before, but it’s funny gothic and doom metal are not more frequently bedfellows. After all, the two genres have a lot in common: morose atmosphere, flair for the dramatic, favored color black (alright, that last one may go for everything more extreme than power metal). And sure, there’s some big names that have wed the styles at some point in their careers, like My Dying Bride or Tiamat. But it never became a household mixture the way death thrash or prog power did. Well, The Medea Project want to make their mark with just such a sound.” Drama club.

Badd Kharma – On Fire Review

Badd Kharma – On Fire Review

“We live in a society where people add extra letters (specifically u’s) to words that don’t belong. As well as spelling words purposely (I think?) wrong to give them more emphasis. Or they use words that don’t mean what they think they mean. Who could forget the days of ‘wassup?’ and ‘wazzup?’ I mean, what’s not hip about saying ‘what’s up?’ or ‘what is up? Or remember when people used the word ‘bad’ but actually meant ‘good’? Or when you use ‘cop’ instead of ‘get’ and ‘whip’ instead of ‘car’? What the fuck is going on around here? Now there’re umlauts over consonants and v’s instead of u’s. ‘Lead’ is ‘led,’ ‘funeral fuck’ is ‘fvneral fvkk,’ and ‘rand’ has a ‘5’ in front of it. And now… there’s Badd Kharma.” Fyre is hawt!!

Bricks & Diamonds: The Best and Worst Sounding Albums of 2019

Bricks & Diamonds: The Best and Worst Sounding Albums of 2019

“In the tradition of the past Angry Metal-Fi end of year articles, some of the AMG team came together with a list of what we consider the best and worst sounding albums of 2019. Encouragingly, there were far more best-sounding albums on the shortlist than worst-sounding. Is this perhaps indicative of a subtle shift from extreme brickwalling in the broader metal market? We can only hope…” Bricks are for throwing.