German Metal

Assassin – Breaking the Silence Review

Assassin – Breaking the Silence Review

It’s old folks week at the Angry Metal Guy offices. That’s because I, Steel Druhm, am officially old and I’ve been tossed assignments for Tankard, Jag Panzer and now, Assassin, the long running, though unproductive German thrash troupe. Along with the aforementioned Tankard, Assassin was part of the German wave of thrash that hit in the mid 80s. Also like Tankard, these guys were in the back of the pack, far behind luminaries like Sodom, Kreator and Destruction. Their 86′ debut The Upcoming Terror was solid, reminded me of a poor man’s version of Artillery (who were amazing on their first two albums by the way) and some even considered it a cult classic. Their 88′ follow up Interstellar Experience was actually less than stellar and passed without much fanfare. After that there was a long period of inactivity due to equipment theft and they didn’t resurface until 2005’s The Club which was uninspiring to say the least (flaming coyote poo to say the most). Now they’re back with album four, Breaking the Silence and a nifty looking cover featuring the return of those bad ass tanks from their debut. So, did these gents fare better than those booze-hounds in Tankard whose album I only just defiled via review? Has the worm turned for these stoic thrashers or was their reformation as unfortunate an idea as wasabi flavored gummy bears? All these questions and more shall be answered so read on intrepid metal fans.

Tankard – Vol(l)ume 14 Review

Tankard – Vol(l)ume 14 Review

Wow, back in the day when the first few Tankard albums stumbled into the light like a wino from a dark alley, I never imagined these guys would be around very long. While amusing, they were the essence of a third tier act and didn’t stand out all that much even in the heyday of thrash. Well, since I now find myself reviewing album fourteen by these alcohol fueled Germanic thrashers, I would say I was pretty wrong about my initial impressions. While these guys were never in the same league as Sodom, Kreator or Destruction they still managed to become an enduring and productive minor league team. Unlike their bigger peers in the German thrash scene, Tankard was always silly, tongue-in-cheek and largely wrote on the few topics they knew best: drinking, partying and alcohol. Since I myself was a hard partying youth, I casually enjoyed their Chemical Invasion and The Morning After releases for their good humor and frantic pace. After that they dropped off my radar and only in the past week did I start getting to know the Tankard again. Although the goofy, “anything goes” feel is still there, the music and writing doesn’t hold up like I remember it. Once the nostalgia factor wore off, things started tasting a little skunky.

Destruction – Day of Reckoning Review

Destruction – Day of Reckoning Review

Some bands age like fine wine, some like sushi. It’s a fact of life and we see it demonstrated time and time again. Today we examine the shelf life of Destruction. These gents have been around forever and started life as one of the big three of the Germanic thrash invasion of the early 80’s along with Sodom and Kreator. Their early releases were classics and seminal reference points within the genre. After being dead for the better part of the 90’s, they reformed in 2000 and started life anew as part of the reawakened thrash scene. Since then, Destruction proved themselves to be firmly on the wine side of the aging formula and the reunion albums ranged from good to great with none better than 2008’s D.E.V.O.L.U.T.I.O.N. Here on Day of Reckoning, their eleventh platter, Destruction once again prove they’re seasoned elder statesmen of thrash with no sushi in sight. This is yet another slab of righteous, riotous thrash with tons of hooks and it demands the horns be raised high in homage.

Falkenbach – Tiurida Review

Falkenbach – Tiurida Review

The new year sees cult hero Markus Tummers aka (Vratyas Vakyas) and his one man project Falkenbach rise from a long wintry slumber to release Tiurida, album number five. Those familiar with Falkenbach will know they/he specialize in sometimes epic, folk-heavy viking metal influenced primarily by Bathory and likely Ulver as well. Being that their last release, Heralding – the Fireblade, was a re-recording of the old demo material, they haven’t released new material since 2003’s excellent Ok Nefna Tysvar Ty. That’s a mighty long time to keep fans waiting for some new stuff! So has the time away changed the style or vision? Has the endless wait by long suffering and loyal fans been amply rewarded with musical treasure? Well, gather all ye around the merry campfire and let me tell you the tale of my review whilst playing yea old mandolin. Please don your hoods and chant along appropriately.

Helrunar – Sol Review

Helrunar – Sol Review

Well, we’re certainly off to a great start for black metal in this shiny new year. First we get a righteously good release from Belphegor and now the unheralded German unit Helrunar erupts from relative obscurity with a double album of masterfully grim, bleak blackness. Yep, you read that right, a DOUBLE ALBUM of massive black metal clocking in at ninety minutes! So, you might be asking, who do they think they are? How dare they release a double album? Well, the short answer is, they’re Helrunar and a whole lot more people are going to know them REAL soon because Sol is going to stamp them firmly on the black metal map.

Shadows’ Grey – Bonjour Tristesse Review

Shadows’ Grey – Bonjour Tristesse Review

You know, if you read this blog all the time you’d probably be getting the impression that I hate female fronted bands who are doing sort of the gothy thing. But that’s not true. It’s actually something I really enjoy when it’s done right! I have no issues with gothic metal, I don’t find the sort of dramatic, over-the-top stuff to be a turn off really. It just needs to be done well, something that it is serially not. And there are varying levels of ‘not done well,’ but let’s say that Shadows’ Grey, the German band formerly known as Scargod who had one EP in 2007, is one degree of the idea.

Sodom – In War and Pieces Review

Sodom – In War and Pieces Review

Sodom, sweet Sodom, ever so reliable and happily predictable. They’re the thrash equivalent of your favorite concert t-shirt. It’s always there for you, it’s comfortable, beer soaked and you go way way back together. Since 1982 these German metal-meisters have given us thrash and more thrash with very little stylistic variation or experimentation and for most long time fans, that’s just how we want it. After all, Sodom always specialized in simple, brutal and dirty thrash metal with punk influences and they were proud to be a thrash band even when thrash wasn’t “cool” anymore. I never had to waste time worrying if they would start exploring jazz fusion, ambient soundscapes or become self important about the message in their music. No sir, Sodom was just Sodom. Thankfully, the comforting non-progression continues on In War and Pieces, their thirteenth platter and they continue to deliver their battle tested (and themed) thrash lunacy.

Grave Digger – The Clans Will Rise Again Review

Grave Digger – The Clans Will Rise Again Review

Nobody, and I mean nobody does epic Scottish war metal better than those crazy Germans in Grave Digger! On their FIFTEENTH album The Clans Will Rise Again, the Diggers revisit territory well covered by 1996’s Tunes of War and we get all new tales of William “Braveheart” Wallace and his efforts to cast off the yoke of English tyranny and oppression. By now most know what to expect from a new Grave Digger platter since these guys are the AC/DC of Germanic metal and there aren’t many big surprises here either. You get some rollicking, guitar-driven, semi-thrash power metal numbers with the unique and harsh warble of sole original member Chris Boltendahl, and few slower power ballads tossed in for atmosphere and such. Although there are significant consistency issues here, if you liked what they were cooking before, you’ll probably like this and if you didn’t, you still won’t.

Blind Guardian – At the Edge of Time Review

Blind Guardian – At the Edge of Time Review

Blind Guardian is easily one of the most unique bands that modern metal has ever encountered. I really do think that they are one of the most original acts to ever come out of any scene, sub-genre or crevace within the greater history of metal. Combining bay area thrash influence with a German power/thrash legacy and sprinkling liberally with Queen, this German act has been at the forefront of power metal and progressive metal since Imaginations from the Other Side (for sure, and probably even before that). Few bands in metal command the kind of insane loyalty from their fanbase and few bands ever deserve that kind of loyalty, frankly. Even for me, personally, Blind Guardian was one of the bands that really got me exploring modern power metal. I picked up Nightfall in Middle-Earth and my life was forever changed. That record still ranks in my top 10 of all time, easily.

Fimbulthier – Arise Review

Fimbulthier – Arise Review

Into every reviewer’s lap, some crap will surely fall. Now, I can’t complain too much since I’ve had a pretty crap-free run so far as a scribe for the mighty and esteemed Angry Metal Guy. Sadly, that run has now come to a sudden and painful end with Arise, the second album from Germany’s Fimbulthier. I had never heard of these gents before but apparently their 2007 debut was some kind of viking/death metal hybrid, which by the looks of online reviews, didn’t exactly warm the cockles of the metal minded among us. Arise however, is about as viking as Pee Wee Herman in drag. No, seriously, maybe I misread the band description and it said Tricycling metal because there is nothing remotely close to viking metal here. What there is plenty of however, is awfulness and dreck.