Ghost

Shrine of Insanabilis – Vast Vortex Litanies Review

Shrine of Insanabilis – Vast Vortex Litanies Review

By Grymm on October 21, 2019 in 2019, Black Metal, German Metal, Reviews, World Terror Committee, Black Metal, 7 comments

“This year, I learned that anonymity can only carry you so far in life. Ask Mr. Tobias Forge or either of the two proposed leaders from two of the bazillion Batushkas out there how that all panned out in the end, at least in terms of legal issues. And since their debut album, 2015’s impressive-if-repetitive Disciples of the Void, we’ve learned that Shrine of Insanabilis are German, and that their drummer, Serpenth, also played in Acherontas. Ah, well, so much for mystery.” He would have gotten away with it too, if it wasn’t for you meddling kids.

The Neptune Power Federation – Memoirs of a Rat Queen Review

The Neptune Power Federation – Memoirs of a Rat Queen Review

By GardensTale on October 8, 2019 in 2019, Australian Metal, Cruz Del Sur, Hard Rock, Reviews, Space Metal, Hard Rock, 15 comments

“What a good story needs first and foremost is interesting characters though, and The Neptune Power Federation get that. Their vocalist, Imperial Priestess Screaming Loz Sutch, assumes the mantle of a time-travelling space witch for their fourth album, Memoirs of a Rat Queen. 70s space rock that mixes Heart with Hawkwind and AC/DC, a sexy vengeful bombshell on the mic, and a story scattered from the French revolution to boning in a parking lot; what could possibly go wrong here?” Aqua(lung) metal.

Kadavar – For the Dead Travel Fast Review

Kadavar – For the Dead Travel Fast Review

By Steel Druhm on September 21, 2019 in 2019, German Metal, Nuclear Blast, Occult Rock, Reviews, Occult Rock, 21 comments

“When Ghost popped out of the ground/Vatican and started spinning their poppy, Satanic throwback rock for the masses, they inadvertently birthed a whole new wave of acts seeking to merge the same 70s rock influences with occult imagery and demonic subject matter. One of the earliest adapters of this “new” style was Germany’s Kadavar, who fused psychedelic rock with horror and occult themes in ways that were as good and sometimes better than anything Ghost had done before.” Now THIS is dead racing!

Cult of Sorrow – Invocation of the Lucifer Review

Cult of Sorrow – Invocation of the Lucifer Review

By Grymm on September 19, 2019 in 2019, American Rock, Black Doomba Records, Doom Metal, Reviews, Doom Metal, 13 comments

“After almost six years of reviewing here, I’ve noticed American bands latching on to certain trends. Just a decade ago, everyone and their cousin was aping the Gothenburg sound, mixing it with d-beats and hardcore (and some whiny) vocals, and calling it a day. Nowadays, doom is the nectar du jour, and many a band is gulping it. Here in America, you have two prevalent strains: the airy, dreamy, almost progressive take that bands like YOB, Khemmis, and especially Pallbearer have crafted, and then there’s the so-70s-your-sideburns-are-showing Blue Oyster Cult Scoobie-Doobie-Doom “Occult” doom that’s been sweeping the nation. So which side does Invocation of the Lucifer, the second album by Cincinnati upstarts Cult of Sorrow, land?” Culting the herd.

Dying Embers – Where Shadeless Dwell Frozen Review

Dying Embers – Where Shadeless Dwell Frozen Review

By GardensTale on March 5, 2019 in 2019, Austrian Metal, Black Sunset Records, Gothic Metal, Melodic Death Metal, Reviews, Gothic Metal, Melodic Death Metal, Power Metal, 35 comments

“In the mid-00’s, I was just starting to dip my toes into the realms of metal. Maybe it was just the entry point I had with Children of Bodom, but there were a slew of bands that were called melodic death metal, but like a Scooby Doo villain, turned out to be power metal with some harsh vocals, some of them adding some cues from Gothic metal to seem a little darker. Bands like Eternal Tears of Sorrow or Before the Dawn went over well with pubescent me, with their straightforward, Maidenesque guitar harmonies and gloomy veneer. Dying Embers fall in this category as well, being tagged melodic death metal, and instead molding bits of Gothic and growls onto a mid-paced power metal album with the unwieldy title Where Shadeless Dwell Frozen. Time to feel like a teenager again.” Drama Club metal.

Them – Manor of the Se7en Gables [Things You Might Have Missed 2018]

Them – Manor of the Se7en Gables [Things You Might Have Missed 2018]

By Diabolus in Muzaka on January 10, 2019 in 2018, International Metal, Power Metal, Steamhammer, Things You Might Have Missed 2018, Power Metal, 115 comments

“I have fond memories of poring over classic spooky stories like Poe’s “The Cask of Amontillado” or “The Tell-Tale Heart” at my grandmother’s house and being repulsed and fascinated with the characters, settings, and actions. I got hooked and read Poe’s short stories over and over. Metal is too gore-obsessed to reliably deliver the classic spooks, save for King Diamond… but he hasn’t put anything out since 2007. Who will deliver good old-fashioned spooky stories through the medium of metal?!” BOO(urns)!

Black Oath – Behold the Abyss Review

Black Oath – Behold the Abyss Review

By Angry Metal Guy on December 13, 2018 in 2018, Doom Metal, High Roller Records, Italian Metal, Reviews, Doom Metal, 21 comments

“From their formation in 2006, it’s been clear that the oath the chaps in Black Oath have taken is to keep traditional doom/occult metal in the style of Candlemass and Black Sabbath alive and kicking. Their first full length, The Third Aeon was an unsurprising but competent slab of 60-BPM epic doom dirges. On subsequent releases Ov Qliphoth and Darkness and To Below and Beyond, the band evolved their style somewhat to incorporate Gothic rock and mild progressive elements into a more distinctive brew which frontman, bassist and vocalist A. Th (not a typo) has christened “Cursed Rock Musick” (also not a typo).” Diabolus in Musick.