“All bands are post-something by nature of artistic creation, but you can always tell when one voluntarily takes on the label. Italian blackgaze outfit Svnth bears the mantle proudly, but is their take fresh? If history has indeed ended, does it matter?” Post-notes.
![Bull of Apis Bull of Bronze – Offerings of Flesh and Gold [Things You Might Have Missed 2019]](https://www.angrymetalguy.com/wp-content/uploads/2019/12/Bull_of_Apis_Bull_of_Bronze-Offerings_of_Flesh_and_Gold-768x768.jpg)
“Offerings of Flesh and Gold blends ritual ambiance, drone, and even aspects of dungeon synth with black metal, and I don’t know if it’s my latest fascination with enigmatic black metal projects like Death. Void. Terror. or Ancient Moon, but this debut hits the sweet spot.” Bull markets .
![Daxma – Ruins upon Ruins [Things You Might Have Missed 2019]](https://www.angrymetalguy.com/wp-content/uploads/2019/10/Daxma-Ruins-upon-Ruins-01-768x768.jpg)
“I felt a certain pressure when choosing something, particularly my first thing, to write up as a TYMHM. When I write reviews, ok, I choose them from the promo pit but I’m choosing from the limited pickings left for me by the faster, more nimble AMG scribes. When picking a TYMHM, it’s all on me to pick from the shit ton of music not covered on this most veritable of blogs. So, it may perhaps strike some of you as odd that I have chosen to cover an endearingly small album with only 2 tracks and clocking in at just over 25 minutes.” Everything’s ruined.
“Much like my need to take the infrequent day off from work, I occasionally require a break from the never-ending storm that is extreme metal. When I require such dalliances with lighter fare, I generally choose prog-metal or something bumping shoulders with post-whatever. Established bands like Voyager, Dreadnought or Fair to Midland are my go-to’s. Hailing from Norway, Astrosaur get their foot in the door with their sophomore full-length Obscuroscope, an instrumental post/prog/jazz album that promises to satisfy my Chillaxoproxin™ fix.” Relaxosaur.
“Ah, trveness. That concept that sits opposite “poseur” on the coin of black metal. Plenty of metal fans, bands and critics love to point out its folly, but there’s a reason we have to contend with the idea in the first place. Any fandom, especially if it grows from small, kvlt status to more widespread acceptance, will develop gatekeepers. Like if Comic Book Guy from The Simpsons wore bullet belts and spiked gauntlets, these trve believers will snicker at your more mainstream metal t-shirt while muttering something about Pitchfork under their breath and complain loudly that you got shoegaze all over their precious black metal. If you just read that and said “It me!” you’ll probably want to skip Bergraven‘s latest tossed genre salad Det Framlidna Mennet.” Tossed salad days.
“I’ve always thought that if there were to be a musical equivalent of abstract modern art then it would come in the form of eccentric, experimental prog or post-metal – music that requires patience and an open mind to appreciate and digest – and such a description could not be apter for Providence’s Queen Elephantine.” Horton hears some drone.
It would appear that now defunct, scene-polarising French black metal troupe Amesoeurs have another project place under their name, this time in the form of bassist Fursey Treyssier’s Les Discrets; a post rock-meets-shoegaze project that still has that very noticeable smell of metal that Amesoeurs and it’s sibling project Alcest gave rise to.
