Gothic Metal

Moonspell – 1755 Review

Moonspell – 1755 Review

“Remember that first time you listened to Moonspell’s Wolfheart or Irreligious? If you’re like me—or half of the other writers here at AMG—that was a hella long time ago. And, after over twenty years, those fucking albums still beckon me. Sure, tag me as a seeker of nostalgia, mark me as a purveyor of the past, label me as a connoisseur of memories. But, like it is with many classic records that have taken hold of me, it’s not just the quality of the music that planted the seed. No, it’s also the when, the where, and the what-happened that occurred the first time I listened to these albums.” History, memory, Moonspell.

End of Green – Void Estate Review

End of Green – Void Estate Review

“Sadness. A quintessentially unpleasant emotion we go out of our way to avoid in this brief, meaningless slog we call life. Why then is it such an essential element in music, you ask? Because as intrinsically flawed creatures, humans love to revel in melancholy and pain. We do it when already saddled with crippling plights, and we seek it out even when times are good. We just get an undeniable and perverse pleasure from diving into the darkness for short periods of miserable introspection. Germany’s End of Green has been serving the depression tourism market since 1996, and Void Estate is their ninth platter of uber-sadboy goth metal.” Get your void on.

Mirrored in Secrecy – Solitution Review

Mirrored in Secrecy – Solitution Review

“Some dips in the vastness of the AMG promo bin are like an invigorating plunge into a mountain lake. Others are like jumping in a rancid dumpster behind a greasy chicken joint during an August heatwave. Germany’s Mirrored in Secrecy managed to give me the weirdest surprise I’ve had in a while with their sophomore album Solitution, approximating the sensation of cannon-balling into a vat of Jello, Vaseline and hobo wine. It’s messy and disorienting, but not entirely unpleasant once you get use to the slippery viscosity.” Mix and bash.

Alchimia – Musa Review

Alchimia – Musa Review

“It seems Emmanuelle Tito, the man behind the Alchimia project, has a feel for classicism. The fusion of painted, classical artwork with overt utilization of Italian and Latin on Musa, his first release under this alias, depict a desire for a particular grandiosity which travels beyond the blue collar roots of metal.” He must be one of them fancy boys.

Ides of Gemini – Women Review

Ides of Gemini – Women Review

“Almost a decade ago, when I had only gotten my head stuck in the alluring crevice that is metal for a few short years, I stumbled upon a little-known atmospheric doom metal band called Black Math Horseman. I hardly listened to any doom, nor bands with female vocalists at the time (I wouldn’t develop a taste for it until years later) so the album, titled Wyllt, never really stuck, but the concept intrigued me nonetheless. Now, many trials and tribulations later, I find myself back in the loving arms of Sera Timms’ haunting cry with a different band by the name of Ides of Gemini.” Ides wide open.

Light of the Morning Star – Nocta Review

Light of the Morning Star – Nocta Review

“I’ve always found gothic metal to be, much like viking or pagan metal, a phrase that is more evocative of a specific feel rather than a genre with finite boundaries. It’s one of those styles that manages to fit a deceptively diverse array of bands under its umbrella; Type O Negative, Moonspell, and The Vision Bleak differ greatly from a purely mechanical standpoint, yet the thick, gloomy atmosphere is ever present.” Ready for a graveyard romance?