“I’ve been a long-time admirer of their Swedish sadperson exports, and after putting out what stands as one of my favorite releases of the past decade, Fall of Hearts, they went and put out City Burials, which was just not good. Regardless, Katatonia, the institution of gloom they are, have remained a steady force of sullen output. As such, Renkse and co have been predictably busy distilling from tear water and stained diary pages this latest collection of twilight tunes for Sky Void of Stars.” Star diary.
Gothic Rock
Crone – Gotta Light? Review
“When I highly rated Crone’s sophomore record Godspeed, I was pleased at the acclaim it received. When word reached me of the follow-up approaching, I was double pleased to find a multitude of my fellow authors remembering its predecessor fondly still. So when I say I did not expect many to be clamoring for Gotta Light?, I realize I might be selling its popularity short. Let’s see whether Crone will touch as many hearts as it has before.” Croneyism.
Box – Cherry Blossoms at Night Review
“Madam X and Steel Druhm wield immense power over promo distribution. Their headline genre summaries dictate whether a promo will be chosen for review or not. Among the detritus of adjectiveless “stoner metal” and “old school black metal,” the memorable “thrash prog with darkwave” stood out like a beacon. Such description is conferred on Oregon’s Box and their record entitled Cherry Blossoms at Night.” Cherry orchards and cold lakes.
Oceans of Slumber – Starlight and Ash Review
“Anyone who follows Oceans of Slumber on social media is aware of the stylistic evolution the band has been undertaking. The band, notably leaders Cammie Gilbert and Dobber Beverly, have been hammering on the fact that this new album will not be another progressive doom metal outing. Starlight and Ash is the band’s fifth album; fourth with Gilbert at the helm, and second in a row with the current lineup. The fact that they have all stuck around through the turmoil of the last couple of years and have also all bought into the stylistic shift is a positive thing.” Different tides.
Ghost – IMPERA Review
“Ghost is a divisive band. Forget red states and blue states; don’t bother with Yankees or Red Sox; and I don’t want to hear whose side you take in the Montreal Screwjob debacle. There’s only one true rivalry, and the debate only grows more contentious with each new Papa. Indeed, the rift between Ghost adherents and their vehement detractors is a vast, otherworldly chasm, overflowing with hate-kindled magma and plumes of blackened self-righteousness. All that being said, I really like ’em.” Ghost in the cash machine.
The Necromancers Union – Flesh of the Dead Review
“Of all the things Europe has begun to assimilate from across the ocean, Halloween is probably the best one. Though it’s not yet an official celebration, grassroots parties and events are springing up more and more every year. My fiancée and I, and a few of our friends, have taken to carving pumpkins and eating lots of candy as well, and why not? It’s one of the few holidays that still has an everything-goes quality, and doesn’t force you to either spend time with family or be a social outcast. Darkwave artist Daniel Belasco (Glass Apple Bonzai) clearly adores Halloween as well. The Necromancers Union debut, Flesh of the Dead, is a loving homage to the campy horror of yesteryear, stuffed with samples from numerous VHS classics.” Dead man’s party.
Unto Others – Strength Review
Unto Other’s Mana was the critical darling of 2019. It was number three on the List to End All Lists here at AMG.com and it was widely considered brilliant. So, how’s a band supposed to live up to unexpected success? Do they have the Strength to avoid the sophomore slump.
Lunar Shadow – Wish to Leave Review
Lunar Shadow is a relatively young act, but they’ve logged more miles on their progress-o-meter than some bands do over several decades. Here on album number three, Wish to Leave, they’ve undergone their third significant style shift. Having started life playing a form of retro epic metal fused with black metal, they quickly shifted and incorporated a significant Goth rock element on 2019s The Smokeless Fire, while still trying to make their traditional/epic/NWoBHM/black style function. Now a scant year and change later they’ve shifted deeper into Goth rock and post/indie territory.” Sudden departures and chronic indecisiveness.
Rope Sect – The Great Flood Review
“Idle Hands took the metal scene by storm last year. Their debut Mana had an unexpectedly widespread appeal and proved conclusively that the love for gothic rock among us was not as dead as many thought. The comparison to Idle Hands is easily made when looking at Rope Sect’s The Great Flood, another band seeking to revive old school gothic rock, and perhaps that may contribute to the quickly amassing buzz around the fledgling band, but two quality EP’s and a guest spot for Grave Pleasures and Hexvessel frontman Matthew McNerney a.k.a. Kvohst will do nothing to quell the surging tide of hype.” Rope, buzz, cults and hype.
The Path of Memory – Hell is Other People Review
“June brings us sun, warmth and an urge to get outdoors. Yet the pandemic still hangs over the world like a mortuary drape, killing the natural buzz that accompanies summer. Stuck as we are between a plague and a good time, the moment may be right for what one-man goth/doom rock project, The Path of Memory is selling.” Most people suck.