Gravesend

Tithe – Inverse Rapture Review

Tithe – Inverse Rapture Review

“Portland, Oregon’s Tithe has been plying its trade since 2017. Starting out as a two-piece, with Matt Eiseman on guitars and vox, and Kevin Swartz behind the kit, the band released a self-titled EP that year. In 2018, bassist Alex Huddleston joined the fold and Tithe began work on their full-length debut, Penance. Despite dropping at the height of the pandemic, that record generated a little buzz around the band, with its fusion of death, black, grind and even hints of doom packed into its modest run time. Three years on and the trio is back with sophomore effort, Inverse Rapture.” Rise and Tithe.

Nurser – Nurser Review

Nurser – Nurser Review

“On their self-titled debut, Nurser compress all the bile and venom they can muster into 17 minutes of brooding malevolence, punctuated by psychotic outbursts of rage. This combination of down-pace, creeping dread, driven by heavily fuzzed, static-laced guitars paired with savage eruptions of pummeling drums and death riffs, gives Nurser an unnerving unpredictability.” Nurse racket.

Contrite Metal Guy – Mistakes Were Made

Contrite Metal Guy – Mistakes Were Made

“The life of the unpaid, overworked metal reviewer is not an easy one. Cascading promos, unreasonable deadlines, draconian editors and the unwashed metal mobs – it makes for a swirling maelstrom of music and madness. In all that tumult, errors are bound to happen and sometimes our initial impression of an album may not be completely accurate. With time and distance comes wisdom, and so we’ve decided to pull back the confessional curtain and reveal our biggest blunders, missteps, oversights and ratings face-plants. Consider this our sincere AMGea culpa. Redemption is retroactive, forgiveness is mandatory.” Shame is the mindfiller.

Gravesend – Methods of Human Disposal Review

Gravesend – Methods of Human Disposal Review

“We are touring Gravesend’s vision of (I assume) New York, in which we fall into graves and pits of human waste, where your body will be eaten by pests (the title track), discover satanic, knife-wielding meth heads dismembering nuns (“End of the Line”), and face the maddened and diseased residents of a tuberculosis sanatorium (“Unclaimed Remains”). And that’s just for starters. Now imagine these depraved tales set to the manic, explosive fury of Wormrot and Noise for Music’s Sake-era Napalm Death.” Rotten apples.