Greek Metal

Sede Vacante – Conium Review

By El Cuervo on November 3, 2022 in Reviews, Gothic Metal, Symphonic Metal, 15 comments

“Certain assumptions will be made about gothic/symphonic metal bands. They will be fronted by a woman. They will prioritize strings as the most important melodic instrument. They will be Finnish. In the case of Sede Vacante and their sophomore release entitled Conium, these are at least partly right. You’ll note the female singer centralized in the band photo below. Strings do indeed feature. But the one sheet informs me that the band is both Finnish and Greek. What a revelation! Dusk aspiration.

Auriferous Flame – The Great Mist Within Review

By Maddog on August 28, 2022 in Reviews, Black Metal, Post-Metal, 13 comments

“Before listening to The Great Mist Within, I thought I knew a thing or two about Ayloss, the prolific mastermind of Spectral Lore and Mystras. Ever since Spectral Lore’s III swept me off my feet in 2014, I’ve been an avid follower of his work. Ayloss has described his new project Auriferous Flame as a 90s black metal act, a “continuation of many of the ideas and music styles in Mystras” minus the folk influences. This description made me suspect that The Great Mist Within would be digestible but unimaginative,” Mist predictions.

Ceremonial Worship – Seven Gateways to Eternal Misanthropy Review

By Dr. A.N. Grier on July 21, 2022 in Reviews, Black Metal, 49 comments

“If you’ve ever seen a deep, thick pool of tar, that’s how the AMG Promo Pit looks. It gets its color and density from the sheer volume of black metal releases we get every week. I can stand upright in it and become completely submerged in it. But, when all the asshole writers take the good shit, you’re left sticking your hand in the goo. With everything being one-person black metal outfits, there’s no point in picking and choosing once you’re neck-deep in the muck. Get in, grab a promo, and get out before the stuff melts the skin off your bones. When I emerged from the goop, and Holdy used Kenneth to sponge me off, I looked at my prize. Ceremonial Worship, from Greece. Huh… OK, I like Rotting Christ. ‘This might be worth it,’ I say as I look at my sizzling skin.” Cermony of opposition.

Flames – Resurgence Review

By Steel Druhm on June 29, 2022 in Reviews, Speed Metal, Thrash Metal, 28 comments

“As a dedicated teenage metalhead in the 80s, I lustily sought every new act I could get my greasy ape paws on. Few bands escaped my iron sights and I was willing to try pretty much anything out there to see what struck a nerve. Somehow, someway, Greek speed/thrash act Flames evaded my metal detector then and in all the years thereafter up until this last month. Formed in 1984, Flames spewed out a series of platters that transitioned over time from classic speed metal to technical thrash with slight death elements, culminating in 1996s In Agony Rise. This means they’ve been in some kind of deep cryonic state for 25 years, but they’re out now and seem very pissed off, so we get their seventh album Resurgence.” Greek fire burns forever.

Achelous – The Icewind Chronicles Review

By Itchymenace on March 30, 2022 in Reviews, Power Metal, 36 comments

“Achelous play fantasy-inspired power metal. While many of their contemporaries keep their tattered volumes of J.R.R. Tolkein close to their breastplates, Achelous use their second full-length album to create a soundtrack for R.A. Salvatore’s Icewind Dale trilogy. I’ve never read Salvatore’s work, but The Icewind Chronicles gives me a pretty good sense of the epic battles that take place within its pages. The record contains their characteristic folk, power, and operatic metal leanings and like Blind Guardian or Manowar, Achelous packs a lot of high adventure into a five-minute song. They’ve been sharpening their axes, but is the battlefield too crowded for another album of dwarves, crystals, and flaming warfare?” Roll the ice dice.

Vicious Knights – Alteration Through Possession Review

By Carcharodon on January 29, 2022 in Reviews, Thrash Metal, 39 comments

“‘Vicious’ can be defined as deliberately cruel or violent. Not a term one naturally associates with the popular image of the gallant knight, enduring all sorts of perils and dragons to save—and, if he’s lucky, fondle—the princess. But in what, I suppose, is an effort to invert or undermine conventional images, Vicious Knights is the chosen moniker of this thrash trio from Thessaloniki, Greece. Formed in 2016 and with a demo and an EP under their belt, they scored a deal with German label, Dying Victim Productions, and are now ready to unleash their debut LP.” Knight moves.

Ectoplasma — Inferna Kabbalah Review

By Ferox on January 24, 2022 in Reviews, Death Metal, 23 comments

“Reader, we have before us a scabby and indelicate piece of business. It’s been a busy few shifts at the filth factory for Ectoplasma; Inferna Kabbalah marks the fourth time in recent years that they’ve dropped a compost heap filled with dung and rotting offal on our doorsteps. And a ghastly pile it is!” Nasty plasma.

Abyssus – Death Revival Review

By Steel Druhm on January 19, 2022 in Reviews, Death Metal, Speed Metal, 33 comments

“Steps to ensure Steel Druhm throws his dirty ape cash at your old school death metal album: 1) Make it sound like it came from between 1987 and 1992, 2) Be as riffy and aggressive as possible, 3) Tie together nods to Obituary, Asphyx, and Death circa Leprosy / Spiritual Healing, 4) Cram some Possessed influence into all the cracks like so much snot grout. Greek death metal act Abyssus do all these things on sophomore platter Death Revival, and what’s more, they make it fun and mindlessly enjoyable to boot.” Abyssus for all of us.

Khirki – Κτηνωδία [Things You Might Have Missed 2021]

By Kenstrosity on December 24, 2021 in Things You Might Have Missed 2021, Folk Metal, Hard Rock, Post-Grunge, 27 comments

“Hard rock and post-grunge are pretty much dead to me. After being a huge fan of that kind of stuff in the mid-aughts, my tastes started to branch out into other avenues. Once that happened, every new record in that scene sounded the same as the last one, regardless of what band released what album. Seeing no evolution or novelty anywhere just confirmed for me that there was nothing left to look forward to. Then Khirki arrives, and I’m all fucked up. How dare the Greek trio choose fucking 20-goddamn-21 to release a post-grunge debut record, entitled Κτηνωδία, that actually rocks hard back to front?!” Hellenic heroics.

W.E.B. – Colosseum Review

By Kenstrosity on November 15, 2021 in Reviews, Black Metal, Death Metal, Symphonic Metal, 21 comments

“W.E.B. was not what I was led to believe them to be. The promo titling called them “Symphonic Metal,” which in my mind doesn’t extend to the extreme side of things. Upon sampling their new fifth installment, Colosseum, however, I came to realize I was misinformed. ,b>W.E.B. is perhaps one of the most extreme bands I’ve heard in the last two years that rightfully claim the symphonic metal tag.” False flags and sticky WEBS.