“From their grisly origins in goregrind to their current set of genre-defying extreme albums, Cattle Decapitation have always been both provocative and purposeful. While crusading against the meat industry, animal testing, environmental destruction or transphobia, Travis Ryan’s stomach-turning lyrics often take to extremes of irony to turn abstract, far-away injustice into a personal danger. But the band climbed a long way to the top of their current soapbox.” Shake, cattle and roll.
“In Cleric’s own words, their second full-length is “Swedish-style death metal that mixes in the elements of doom that [they] used to play. Think Entombed mixed with Asphyx and pepper with a pinch of Candlemass.” If this is the recipe, boy oh boy, is it tasty.” Taste the Cleric.
“I fucking love Exhumed. The veteran death metal collective have been kicking out their deathly gore metal jams for over 20 years and time has not slowed them down. Quite the opposite in fact, as Exhumed have arguably improved with age, becoming increasingly refined, melodic and technical without sacrificing the raw edge and blood soaked brutality of their early days. And the band has been on quite the hot streak, with their previous offering, 2017’s Death Revenge, continuing the momentum from 2011s potent All Guts, No Glory and 2013’s exceptional Necrocracy albums. On their latest platter of splatter, Exhumed hearken back to their earlier death metal roots, spattered with grind elements.” The horror.
“The New Jersey grindcore project No One Knows What the Dead Think boasts impressive lineage, with vocalist Jon Chang (ex-Discordance Axis, Gridlink) and guitarist/bassist Rob Marton (Discordance Axis) tireless veterans of the underground grind scene. Throw in accomplished drummer Kyosuke Nakano (ex-Cohol) and the trio on paper is a force to be reckoned with.” Grind for the thinking dead.
“I’ve been reviewing some long-ass albums lately. In the worship of Swallow the Sun’s Songs from the North I, II, & III, Bell Witch’s Mirror Reaper, or even Nightwish’s Endless Forms Most Beautiful, patient and epic songwriting takes precedence and the portrayal of endless and daunting landscapes in audio form rear their heads. It gets tiring. So I was like, “what the hell?” and went for grind. Shock Narcotic is a grind supergroup from Detroit, their debut album I Have Seen the Future And It Doesn’t Work released through Housecore Records.” Future shock.
“This time around we have long-time grindsters Phobia (est. 1990), hailing from the OC, and their newest release, Generation Coward. Thirty years is a long time to put noses to the grindstone. Let’s see if this latest LP (or EP, depending on where you get your info) shows that the hard work paid off.” Grind is for the brave.
“Instead of focusing on a general trend of social injustice and political bullshittery that all too many grind bands pursue, Lifes are all about stumbling throughout the various lives in which we involve ourselves on a daily basis, failing at most of it, and doing whatever we can to keep our shit together. According to their bandcamp bio, “Music can’t save us, but it can help us cope.” I’ve heard music described this way countless times before, but for whatever reason in this instance it resonated.” Life is a grind.
“Trumpeting Ecstasy’s untempered viciousness and surprising experimentation was a breath of putrid air amongst the usual Cherd-bait of 2017. Had I been employed by this hallowed site at the time, I would have seriously considered slapping a 4.5 on it and endured the cries of ‘Overrating bastard!’ hurled at me from my superiors. So when I saw follow-up Weeping Choir pop into our promo bin, I jumped on it faster than Game of Thrones’ quality tanked once it outstripped the books.” Hallowed grind.
“The impression I’ve always got from Noisem is that their primary goal is speed. Velocity is not an aspect but the essence of their sound. It’s a fun callback to the 80s speed race – which neither Noisem or I lived through – when bands would hear new grindcore demos via tape-trading and then try to write something even faster.” Speed thrills.
“Originally spawned from the remnants of the classic Dying Fetus line-up from the monumental Destroy the Opposition, Misery Index wasted fuck all time getting their act together and becoming an immediate force in the extreme metal scene in the early aughts, grinding out a powerful and now lengthy history of their own. Their insightful and vicious socio-political tirades and passionate values matched up perfectly with their grind and thrash-infected style of muscular death metal. Misery Index have managed to deftly shift and evolve their sound along the way, crafting a consistent and high-quality body of work, highlighted by 2008’s vicious Traitors album, and arguably their finest hour, 2010’s modern masterwork, Heirs of Thievery. But nearly 20 years into their career, are these modern-day descendants of Napalm Death still able to muster the strength and power to dominate in 2019?” Misery loves power.
