Hällas

Tarot – Glimpse of the Dawn Review

Tarot – Glimpse of the Dawn Review

“Eight years between a debut and sophomore album is a lifetime for a band. Members can leave, personalities can change, influences can shift. Australia’s Tarot unveiled its first full-length release in 2016, drawing inspiration from the likes of Uriah Heep and Rainbow. Now they’re primed for Glimpse of the Dawn, a sophomore release nearly a decade in the making. But 50 years between a scene’s heyday and bands now imitating the style? That’s a literal lifetime for many humans. As much as this may wound my parents, the 70s were a long time ago. So what do I make of Tarot’s anachronous sound?” Old hand, big gamble.

Ryte – Ryte Review

Ryte – Ryte Review

“New year! New you! Oh, how I hate that creed. At midnight on New Year’s Eve, I was sound asleep and alone, joyously flaunting my disregard for this most nonsensical of global traditions. I made no resolutions for the new year either. Yes, this edgiest of numbers started the year in unbearably cool style, so much so that the Master of Muppets itself will be admitting to knowing me any day now. I entered the Field of Desolate Promos with confidence… and somehow, I left with Ryte, the self-titled debut of Ryte, a doom-inspired psych rock/metal project from Austria.” New year, bad attitude.

El Cuervo and Diabolus in Muzaka’s Top Ten(ish) of 2017

El Cuervo and Diabolus in Muzaka’s Top Ten(ish) of 2017

“Making a successful and popular Top Ten list involves a series of complex calculations, comprised of, but not limited to the following: a tallying of recorded scores, estimated scene cred, a precise proportion of big and underground bands, a spot for that one record universally praised during the year, and a pathological need to seem like one has not missed anything.” Making a list, checking it thrice.

Ne Obliviscaris – Urn Review

Ne Obliviscaris – Urn Review

Ne Obliviscaris have proven one of the more controversial bands that I’ve reviewed during my incarceration tenure at AngryMetalGuy.com. My review of Citadel split the crowd with AMG Himself, an outspoken critic of the Aussies’ modern aesthetic. I, on the other hand, love their dynamic duality of blasting black and death metal, with softer, classically-influenced progressive tendencies. My youthful inexperience with imparting opinions on controversial matters ensured I lingered on the dissenting commentary provided by others and did, in fact, give it some consideration. Nonetheless, others’ doubts were set aside by the end of the year as I happily awarded the record my coveted Album of the Year. Three years passed, my skin thickened and now they’ve written their third full-length: Urn.” Even rhinos get lonely.