Hammerfall

FullForce – One Review

FullForce – One Review

Well, here’s a release I can easily see falling through the Angry Metal Cracks. One is the first (and maybe last) release by a supergroup of sorts led by Michael Andersson, vocalist for Swedish melodic metallers Cloudscape and featuring members of such renowned acts as Dream Evil, Hammerfall and Yngwie Malmsteen. Now, we all know supergroups can be very iffy propositions and Fullforce is no different. It seems whenever a group of talented musicians get jammed into a room to write and record, disaster is as likely to result as triumph. So where does this one fall? Pretty much exactly in the middle of the two extremes. There’s some top notch, super melodic metal here and some rather generic, boring duds. What makes this album of particular annoyance to Steel Druhm is how good the good stuff is. With some real winners on display, its a total buzz kill to have roughly half the album fizzle out and fail to keep the momentum going Fullforce (yeah, you knew it was gonna happen at some point). OK, it’s time for your slightly bitter host to examine One in a non-bitter fashion.

HammerFall – Infected Review

HammerFall – Infected Review

Radiation clouds, torn limbs, zombies on the loose, Armageddon closing in, Aaah! In other words, heaven on Earth for horror maniacs such as myself. Just the perfect cliche plot to fit your favorite movie in the genre or some random Left4Dead-ish first-person zombie shooter which despite all plot holes always provides a lot of fun and action. And I really wish I was reviewing something of this sort, but well, life’s a bitch. What I’m actually whining about is the mere fact that we’re talking about HammerFall’s newly born record, Infected, which will not entertain you even nearly as much.

Ross the Boss – Hailstorm Review

Ross the Boss – Hailstorm Review

Is this new Manowar? No, that it ain’t. So it’s Rossowar? Closer, but still no. What we actually have before us is Hailstorm, the second album by Ross the Boss. Mr. The Boss was of course the original fret master for the legendary Manowar and he played on all their classic, seminal albums before riding off to seek glory on his own (yes AMG, there really are classic Manowar albums [I resent that statement. – AMG]). So what type of music would one of the founding fathers of sword and furry loincloth metal create in this day and age? Well, those hoping Ross assembled a merry band of Manowar imitators will be disappointed. While there are several unsubtle stylistic nods to his original band (the most unsubtle band of all time), this is way less Mano-thematic than 2008’s New Metal Leader and focuses more on early 80’s style metal and straight ahead power metal. In some ways this departure from his musical comfort zone works, in others it falls just a bit short.

Disdain – Leave This World Review

Disdain – Leave This World Review

Those well-versed in the metal arts may see a band named Disdain and expect a dose of brutal death metal or possibly some frostbitten and bitter black metal. In this case however, the name is quite misleading. Disdain’s debut album Leave This World reveals a Swedish troupe bringing a somewhat unique spin to the traditional power metal sound and sounding far more experienced and professional than you might expect. This may owe to the fact that these guys have been in existence since the late 90’s and at one time even included Nightwish’s Anette Olzon on vocals. I can already hear the chorus of power metal bashers out there (you know who you are) screaming about how much crappy power metal is already on the shelves these days and how there isn’t room for any more whether it’s good, bad or ugly. Well, doubters be damned! Disdain has managed a rare feat and rise above most of their peers with this release while managing to avoid the many pitfalls that doom lesser power metal bands.