Harakiri for the Sky

Noctule – Wretched Abyss Review

By Dear Hollow on June 3, 2021 in Reviews, Atmospheric Black Metal, Black Metal, 36 comments

Serena Cherry has a knack for melody. In her storied career with Svalbard, the charismatic vocalist and guitarist has co-written and performed a decade of melodic hardcore tinged with post-hardcore, post-metal, and black metal. Now, Cherry tries a little something different in her new solo project Noctule, hoping to “spread her dragon wings and take off in an intriguing musical direction on her own. A labor of love and isolation, Cherry composed and recorded the Noctule debut while in the UK Coronavirus lockdown. Opposed to the melodic hardcore leanings of Svalbard, she now bets it all on black in blackened release Wretched Abyss, an album themed after the popular RPG Skyrim.” Dragon, why do you cry?

Harakiri for the Sky – Mære Review

By Dear Hollow on February 4, 2021 in Reviews, Black Metal, Melodic Black Metal, Post-Metal, 45 comments

“If there’s ever been a band that reeks of potential, it’s Harakiri for the Sky. Standing separate from twinkly genre-mates with muscular songwriting and a refusal to stagnate, these Austrians have released album after album of incredibly strong post-black that always hinted at true greatness but never quite achieved it.” Mære, Mære, quite contrary.

Karg – Traktat Review

By Master of Muppets on February 29, 2020 in 2020, AOP Records, Atmospheric Black Metal, Austrian Metal, Black Metal, Reviews, Atmospheric Black Metal, Black Metal, 14 comments

“When last a Kargian headline graced this Hall, it was attributed to a TYMHM for their 2018 release, Dornenvögel. Young, full of hope and utterly devoid ov wisdom was the unseasoned Muppet, and ’twas naught but praise that he had for Dornenvögel. Fast forward to the mysterious future of 2020, and the Muppet – nay, the world – has changed entirely.” Change is hard.

Mavorim – Axis Mundi Review

By Diabolus in Muzaka on January 30, 2020 in 2019, Black Metal, German Metal, Purity Through Fire, Reviews, Black Metal, 29 comments

“One-man bands make me both impressed and apprehensive. I’m impressed because having a musical vision is special to begin with and being able to execute it solo takes real talent. I’m apprehensive because there’s no give-and-take or real collaboration for the visionary, and most creators of any stripe lack the will to kill their darlings.” One man with a bully pulpit.

Downfall of Gaia – Ethic of Radical Finitude Review

By Mark Z. on February 6, 2019 in 2019, Black Metal, German Metal, Metal Blade, Post-metal, Reviews, Black Metal, Post-Metal, 115 comments

“Downfall of Gaia hit me hard in recent years, blowing me away with 2014’s Aeon Unveils the Thrones of Decay and 2016’s Atrophy. Both albums explored the idea of a world in decline with a combination of post-metal and black metal that proudly upheld the torch of the almighty (and sadly defunct) Altar of Plagues. Yet fifth full-length Ethic of Radical Finitude initially made me nervous due to its somewhat pretentious title and the fear that the German quartet had no tricks left in the bag.” Is the downfall upon us?

The EP, Demo, and Oddity Post [Things You Might Have Missed 2018]

By El Cuervo on January 2, 2019 in 2018, American Metal, Australian Metal, Black Metal, Canadian Metal, Death Metal, Dutch Metal, Hardcore, Melodic Death Metal, Progressive Rock, Reviews, Speed Metal, Swedish Metal, Technical Death Metal, Things You Might Have Missed 2018, Ukrainian Metal, Black Metal, Death Metal, Electronic Metal, Hardcore, Melodic Death Metal, Progressive Rock, Speed Metal, Technical Death Metal, 146 comments

“As a younger man I had no concept of the “EP,” nor the “demo,” nor the “split.” When was the last time Iron Maiden had to curb their excesses by squashing ideas into half an hour? When were Judas Priest not able to afford a professional recording studio and production job? And when’s that Metallica/Megadeth split due again? Such formats are reserved for the underdogs of the metal world, those bubbling beneath the surface of popularity who write music for the sheer creative expression and who will never see monetary reward for their time and effort.” Short is sweet.

Mark Z.’s and L. Saunders’ Top Ten of 2018

By Mark Z. on December 22, 2018 in 2018, Blog Posts, Lists, 126 comments

More lists for the list machine! The men who unwisely go by their real names, Mark Z. and L. Saunders boldly proclaim their best albums of 2018.

Karg – Dornenvögel [Things You Might Have Missed 2018]

By Master of Muppets on December 19, 2018 in 2018, Art of Propaganda, Austrian Metal, Black Metal, Reviews, Things You Might Have Missed 2018, Atmospheric Black Metal, 65 comments

“If you’re like me in more socially acceptable ways, you fvcking love Harakiri for the Sky. Something about those cloying tremolo-picked melodies coupled with J.J.’s soulfelt screams just fucking does it for me in a way that I can’t get enough of, so checking out homeboy’s one-man blackened adventure, Karg, was a no-brainer for me while I waited out February’s Arson. Thank Jørn I did, as it gave me the opportunity to properly anticipate the project’s then-pending 6th full-length release, Dornenvögel, and likewise be that much more satisfied by its utter fucking greatness.” Karg the Exterminator.

Groza – Unified in Void Review

By Mark Z. on November 27, 2018 in 2018, Art of Propaganda, Black Metal, German Metal, Reviews, Black Metal, 91 comments

“I picked Groza from the promo bin for one simple reason: Mgla is a great fucking band, and Groza share their name with Mgla’s debut album. That’s not by accident, either. The promo blurb that accompanied Unified in Void was frank in its admission of Mgla influence, leaving me quite excited to hear what this German quartet had to offer.” Choose the form of the Destroyer.

Orkan – Element Review

By Mark Z. on October 5, 2018 in 2018, Black Metal, Dark Essence Records, Norwegian Metal, Reviews, Black Metal, 85 comments

“I don’t listen to much Taake (hell, I’m not even sure I pronounce their name right), and this lack of familiarity puts me at an immediate disadvantage for reviewing Orkan. Observant readers will note that “Orkan” is actually the title of a Taake song, but the connection goes beyond that: Orkan actually consists of Taake’s live guitarist and former live bassist, who formed the project in 2008 along with fellow members of Norwegian black metal band Enchanting Darkness.” Taaking it to the streets.