Harakiri for the Sky

The EP, Demo, and Oddity Post [Things You Might Have Missed 2018]

The EP, Demo, and Oddity Post [Things You Might Have Missed 2018]

“As a younger man I had no concept of the “EP,” nor the “demo,” nor the “split.” When was the last time Iron Maiden had to curb their excesses by squashing ideas into half an hour? When were Judas Priest not able to afford a professional recording studio and production job? And when’s that Metallica/Megadeth split due again? Such formats are reserved for the underdogs of the metal world, those bubbling beneath the surface of popularity who write music for the sheer creative expression and who will never see monetary reward for their time and effort.” Short is sweet.

Karg – Dornenvögel [Things You Might Have Missed 2018]

Karg – Dornenvögel [Things You Might Have Missed 2018]

“If you’re like me in more socially acceptable ways, you fvcking love Harakiri for the Sky. Something about those cloying tremolo-picked melodies coupled with J.J.’s soulfelt screams just fucking does it for me in a way that I can’t get enough of, so checking out homeboy’s one-man blackened adventure, Karg, was a no-brainer for me while I waited out February’s Arson. Thank Jørn I did, as it gave me the opportunity to properly anticipate the project’s then-pending 6th full-length release, Dornenvögel, and likewise be that much more satisfied by its utter fucking greatness.” Karg the Exterminator.

Groza – Unified in Void Review

Groza – Unified in Void Review

“I picked Groza from the promo bin for one simple reason: Mgla is a great fucking band, and Groza share their name with Mgla’s debut album. That’s not by accident, either. The promo blurb that accompanied Unified in Void was frank in its admission of Mgla influence, leaving me quite excited to hear what this German quartet had to offer.” Choose the form of the Destroyer.

Orkan – Element Review

Orkan – Element Review

“I don’t listen to much Taake (hell, I’m not even sure I pronounce their name right), and this lack of familiarity puts me at an immediate disadvantage for reviewing Orkan. Observant readers will note that “Orkan” is actually the title of a Taake song, but the connection goes beyond that: Orkan actually consists of Taake’s live guitarist and former live bassist, who formed the project in 2008 along with fellow members of Norwegian black metal band Enchanting Darkness.” Taaking it to the streets.

Møl – Jord Review

Møl – Jord Review

“Maybe it’s just me, but shoegazey black metal just isn’t as exciting as it used to be. It’s easy to forget just how groundbreaking Alcest’s debut truly was, and though Deafheaven caught a lot of flack for their apparent Pitchfork pandering, I always found Sunbather to be a captivating, dreamy, and refreshingly honest record in a genre that’s far too often up its own ass with being ‘cvlt’ and ‘trve.’ But as happens, the style got saturated, the pioneers got mediocre, and these days the release of a new ‘blackgaze’ album generates about as much anticipation as getting a colonoscopy.” Pucker up, hipstercups!

Harakiri for the Sky – Arson Review

Harakiri for the Sky – Arson Review

“If there’s a more promising band out there than Harakiri for the Sky, I don’t know of them. Formed in 2011, this Austrian duo first came to my attention with 2014’s Aokigahara, whose crisp, riffy take on post-black metal was a welcome change from the Alcesty haziness overflowing the genre. My love affair continued with 2016’s III: Trauma, a terrific album that narrowly missed a spot on my year-end list with its lush, gorgeous melodies. Since then Harakiri’s gifted songwriting and unique style have built a rabid fanbase (including both myself and Master of Muppets), making Arson one of my most anticipated records of the year.” Ooooo… the suspense! So much filthy click-bait. I wonder how this is going to end…