“Death metal, at least in its most modernistic and stereotypical actualization, largely eschews the cerebral in favor of the visceral, crafting violent soundscapes that reinforce instead of juxtapose the narratives of disfigurement, annihilation, and warfare that accompany the music. And…cut.” Fancy words from a pretentious man.
“Last time Hate Eternal graced the digital halls of AMG, they left Steel Druhm throbbing with excitement and elation and in turn he gave 2011’s Phoenix Amongst the Ashes a near-perfect score. Four years later it appears something has throttled the throbbing, as their latest full-length Infernus was dropped on my desk alongside a wonderful lack of punitive metalcore.” Floridian death metal is back to melt ice cream and your face, and we’re all outta ice cream.
“The past couple of years have been good to Akercocke fans. Though that entity is sadly dead and buried, the magnificent Voices emerged from its grave, releasing an excellent debut in 2013 as well as last year’s near-masterpiece London. But Voices wasn’t the only thing to slither from Akercocke’s rotten cadaver….” That’s one potent carcass!
“One visit to The Monolith Deathcult’s website or Facebook page and you’ll instantly have the same problem I do when trying to take these guys seriously. I mean, come on. If you met me in a bar and I was holding a baseball bat, outfitted in atrocious sunglasses, and sucking on a cigar, you’d be looking to trade me for the lead man of Bad Guys as your designated wingman, and rightly so.” No one’s getting lucky tonight.
“Alchemy is a powerful philosophical practice that would lead their followers to perceived unlimited power. One of those goals ultimately outlined by alchemists is the ability to transmute lesser metals (such as lead) to more noble, socially-desirable metals such as gold. This romantic and idealistic viewpoint of bettering simple metals can be reflected onto the human race as well, with one’s desire to elevate themselves from more modest, humble origins to become something greater, more powerful. And yet, somehow retain their primal instincts while transmogrifying into their ideal form. Such is the basis of Brooklyn, New York’s Tombs and their newest album, the rightfully-titled Savage Gold.” Deep thoughts, profound words, nasty music. Enjoy!
“Ho ho ho! The Christmas season is upon us, and as the holiday draws nigh, thoughts turn to chestnuts, eggnog, peace on Earth and… death metal??? Apparently Hate Eternal bassist and man of good cheer, J.J. Hrubovcak felt Trans-Siberian Orchestra weren’t stuffing enough metal in the stocking, so he decided to craft a short, vicious collection of harrowing carols.” Ready for a Slay(er) ride in the snow? You better be, because J.J. Hrubovcak and his yule tide death machine are coming to town and you’re on their naughty list!
Master! Master! Here’s more deathrash for you bastards!
Let’s just be brootally honest for a moment, shall we? Six Feet Under is the worst “big” band in the entire death metal genre. Most of their releases are either below average or simply godawful, and after a seventeen year run, they can only boast two semi-good albums of original material. They’ve spewed platter after platter of groove-based, chuggy, simplistic death that only fellow neanderthal deathers Jungle Rot could fully appreciate (though they probably look down on them a bit too).
It’s been said by some (others) that we don’t review enough death metal here at AMG. This is because you’re all a bunch of wackadoodle metal divas and Steel Druhm is tired of your whining, bitching and crying!
Holy shite, this is a feisty and fiery one! One of the most successful “project” bands in recent memory, Goatwhore has come roaring back, filled with piss, bile and cayenne peppers on album five, Blood for the Master. This is nasty, blackened death/thrash from the most stagnant bayou of the Big Easy and it’s the musical equivalent of a gator attack.
