“By now, the more astute of you are aware of my promo selection process. If you’re just tuning in, I select bands based on the following criteria: my own listening history of the band (naturally), the band’s back story, and their naming conventions. That last one has unearthed some amazing gems. Other times, it bit me in the ass hard. Italy’s Svlfvr (pronounced “Sulfur” and not “SVILFIVOR,” sadly) caught me with not only their name, but also their beautiful purple-and-green album cover for their debut full-length.” Color my wvrld.
He Whose Ox Is Gored
Grymm’s Top Ten(ish) of 2015
“2015 has not been the best of years for yours truly, with car accidents, challenges, setbacks, and death upon death upon even more death dropped into my unwilling lap. I was ready to rain supernova-warm hellfire upon this calendar year, but thankfully, a much-needed vacation with friends just this past week helped to deaden the pain of all this negativity the year had brought upon me. Musically, it’s been quite positive and productive. October alone was a monster of a month for metal, as you can see by my list. So despite all the negative garbage, at least the soundtrack was incredible.”
He Whose Ox Is Gored – The Camel, The Lion, The Child Review
“I have a penchant for picking bands based on their names alone lately. For the most part, doing so has yielded some pretty damn good results. So when the Grymm Grab Bag™ belched forth The Camel, The Lion, The Child, the debut full-length from Seattle’s He Whose Ox Is Gored, you can say that I was a bit nervous. Long band name? Check. Nietzsche-inspired album title? Check. The sound labeled as “progressive doom”? Check.” Progressive doom is progressive… and doomy.