Heads for the Dead

Wombbath – Choirs of the Fallen Review

Wombbath – Choirs of the Fallen Review

“Not long after the release of Internal Caustic Torments, Wombbath went on indefinite hiatus for two decades, only to be resurrected by one Jonny Pettersson. For those not in the know, Pettersson is to Swedeath what Rogga Johansson is to… well, Swedeath. Playing a role in over a dozen active bands to include Heads for the Dead, Gods Forsaken, and Just Before Dawn, Pettersson is a necromancer advancing upon the outskirts of civilization with a horde of stinking, rotting death metal bands, ready to add yours to his ever-growing army.” Womb metal.

Burial Remains – Trinity of Deception Review

Burial Remains – Trinity of Deception Review

“Back when I was a snot-nosed n00b, I waxed non-poetically about how old school death metal has never really grabbed me all that hard. Now that I’m a snot-nosed non-n00b, I should probably set the record straight and disclose that the Swedish death metal sound really does have a place in my heart. That Boss HM-2 guitar tone is just so nasty, and when it’s combined with punk rhythms, it can induce an almost trancelike state with its beautifully bouncing beefiness. That sound is what has set a lot of European death metal apart in my Holden eyes, and I almost universally ignore the OSDM bands from my own country because of it.” Benedict Holdeneye.

Body Harvest – Parasitic Slavery Review

Body Harvest – Parasitic Slavery Review

“Our very own Eldritch Elitist recently posited that death metal is at its peak when following either one of two separate paths: an unapologetic flogging or creative innovation. He’s not wrong. But there is also a third route worthy of consideration. The one unashamedly paved with the gilded bones of the genre’s revered forefathers. How do we quantify those bands who patch their material together from piecemeal legacy? It’s an easy approach to snub, but there is plenty of evidence to suggest the potential for success.” Ripping off the oldies.

Bloodbath – The Arrow of Satan Is Drawn Review

Bloodbath – The Arrow of Satan Is Drawn Review

“We all know AMG‘s policy on supergroups, but if ever there was an act that continues to entice, it has to be the Swedish Modern Prometheus, Bloodbath, a band responsible for creating two of my very favorite death metal albums and reliably catering to all my HM2 needs. Our very own Steel Commander saw fit to furnish their previous release with a favorable review, and while I didn’t enjoy it quite as much, I can’t say they have ever truly disappointed me. Four years drinking deeply of the grave has re-energized the quintet to return and beguile those of a buzzsaw bent with another foray into the old-school.” Bloody arrows of death.

Heads for the Dead – Serpent’s Curse Review

Heads for the Dead – Serpent’s Curse Review

“We all know how powerful music can be, but as I meander through another twist of this mortal coil, I find myself pondering its capacity to conjure times gone by. The same way memories are summoned by the senses, certain contortions of distortion take me right back. Heads for the Dead — a supergroup comprised of members of WombbathHenry Kane, and Revel in Flesh; amongst others — transport me to a time when I was willing to skin knuckles over my favorite bands; a time when death metal and beer were everything and I would arrogantly inform anyone, whether they were willing to listen or not.” Back to the days of trvness and posers.