Heavy Metal

Acerus – The Caliginous Serenade Review

Acerus – The Caliginous Serenade Review

The Chasm have been cracking skulls since 1994 with their riff-intensive, wildly creative death metal. Over the years they evolved from ass-scratching caveman death to technical insanity engineers, but skulls were always smashed just the same. Though I’ve been a fan forever, somehow I missed that The Chasm’s bassist/guitarist/vocalist Daniel Corchado had an epic/trve metal side project called Acerus and had been releasing albums since 2014. For this, I feel great shame and now I must make amends. The Caliginous Serenade is their fourth release and this one will be properly exposed to the AMG masses!” Ride of the Gorge Warriors.

Savaged – Night Stealer Review

Savaged – Night Stealer Review

“Sometimes a band offers exactly what you want. One glance at Night Stealer by Savaged gave me all I needed to choose it from the promo dump. A roaring space panther scratching a moon in front of an exploding planet? This is exactly the volume-upping, beer-downing, old man-moshing palate cleanser that I needed after a black metal review. Though Spain may not be known for such loutish behavior, Savaged are keen to stake a place for it at heavy/speed metal’s dinner table.” Wild days, Savaged nights.

Striker – Ultrapower Review

Striker – Ultrapower Review

“Canada’s heavy metal heroes Striker have been launching throwback volleys at the masses since 2009. Their style blends traditional metal ideas with power and thrash influences, often to good effect and they’ve always been capable of hooky songcraft. They also have a tendency to be tongue-in-cheek at times, refusing to take themselves too seriously. These are all admirable traits and make Striker easy to root for. Despite these pluses, they’ve struggled to craft consistently hard-hitting albums. Here comes seventh outing, Ultrapower, with a craptastic cover and an even worse band photo.” Power outage.

Mega Colossus – Showdown Review

Mega Colossus – Showdown Review

Mega Colossus has more fun than your favorite band. Not that it’s much of a contest given the typically joyless answers most metal fans give in response to the “favorite band” question in the name of cred preservation, but it’s true all the same. Nevermind that these North Carolina dudes can’t help but give the widest of grins in their promo shots; though ostensibly traditional metal, undiluted joy permeates their music on a level most power metal bands could not fathom. Unbridled exuberance seeps from every riff, lick, lyric, and vocal hook.” Mega fun, mega metal.

Show N Tell – The Ritual Has Begun Review

Show N Tell – The Ritual Has Begun Review

“I’m a child of the maelstrom that was 80s metal. I was learning what I enjoyed musically during the embryonic days of MTV, and in those early years that channel force-fed me a steady diet of Judas Priest, Iron Maiden, Saxon, and Def Leppard videos. The 80s metal sound is encoded into my DNA and if you hit me hard enough, old fanzine ink leaks out. This makes me the demographic for what Phoenix Arizona’s Show N Tell are selling on their The Ritual Has Begun debut. This is 100% unabashedly retro metal with a carbon date of 1983-84, when American metal acts were taking the NWoBHM sound and speeding it up.” Show me the METAL!

Kontact – Full Contact Review

Kontact – Full Contact Review

“When a band draws so clearly on an aged aesthetic, the results can be hard to parse as pastiche, worship, or otherwise. Even moreso in niche corners like the epic heavy metal crowd, where soaring vocals of varying qualities—all hoping to stick in your mind regardless—triumph alongside thick kicks, thicker riffs, and battle-tested builds, worshippers of the riff conflict with worshippers of the riffers. Enter Kontact, a young Canadian troupe whose 2022 release, the cheeky-titled EP First Contact, played tightly on the ideas set forth by the idiosyncratic but ever-mountainous Manilla Road, but with enough of their space-bound palette to paint a few stripes of their own.” Bad touch.

Saxon – Hell, Fire and Damnation Review

Saxon – Hell, Fire and Damnation Review

Saxon is ageless. Saxon is inevitable. Saxon will be releasing albums when all of you are but musty tomb mold. This is the way of things and has been since 1978. In fact, Saxon’s been rocking and rolling so long, even Black Sabbath thinks their minds are gone. The elder statesmen of the NWoBHM movement, these crusty Brits just keep churning out the goods, and here comes their 24th album, Hell, Fire and Damnation.” Olde dogs, new bite wounds.

Scanner – The Cosmic Race Review

Scanner – The Cosmic Race Review

“It’s an early-year surprise to be graced with a new album by Germanic power/heavy metal semi-legends Scanner. Early adopters of the Euro-power style created by Helloween, Scanner released two seminal albums at the start of their career. 1988s Hypertrace and 1990s Terminal Earth were rough and ready takes on the slick Helloween style and Scanner made their version extra interesting due to their more unhinged, raw edge. After the very good Terminal Earth, however, it took them until 1995 to drop a follow-up and by then much of the metal market had moved on to more extreme sounds or given up metal entirely and gone grunge.” Olde tech.

Ruthless – The Fallen Review

Ruthless – The Fallen Review

Ruthless have ancient roots in the metal scene but haven’t been active enough to gain much notoriety. Their Discipline of Steeldebut was released way back in 1986 when a young undisciplined Steel was living for exactly the kind of US power they deliver, but tragically, our paths never crossed. Turns out they didn’t release a follow-up until 2015 and The Fallen is their fourth full-length.” Tough and Ruthless or rough and toothless?

Triumpher – Storming the Walls [Things You Might Have Missed 2023]

Triumpher – Storming the Walls [Things You Might Have Missed 2023]

“As a sponge, I am not usually picky about what music I absorb. I often find my way to liking anything if it clicks the right boxes. For some reason, though, I’m pickiest about traditional heavy metal, both classic and modern. I rarely like anything that falls under the stock “heavy” umbrella, instead preferring things that are hybridized with other, more extreme fare. Luckily for me, Triumpher are here to help raise my sword to full might with their immense, astoundingly compelling debut Storming the Walls, released in March of this year.” Triumph of the swordcore.