Helloween

Immortal Guardian – Psychosomatic Review

Immortal Guardian – Psychosomatic Review

“Feats of sheer sonic escapism have defined much of my listening habits in the Covid era. The stronger an artist can nail a “larger than life” aesthetic in sound and concept, the better. My polyamorous affair with Bal-Sagoth and Galneryus has never burned brighter, while new favorites like Finsterforst have dominated my playlists. Immortal Guardian‘s debut Age of Revolution fits comfortably into a similarly overblown mold.” Topic blunder.

Iron Savior – Skycrest Review

Iron Savior – Skycrest Review

Iron Savior may not have started the whole Euro-power genre, but founder/vocalist/guitarist Piet Sielck certainly had his hands on the original putty as a member of the early version of Helloween. Though he never ended up recording with them, you can hear the influence of that protozoic era of power metal in everything Iron Savior does. Since their 1997 debut they’ve consistently churned out quality Euro-power with strong links to classic metal and they’ve always delivered it with more heft and muscle than 99.999% of their frilly be-shirted peers. Skycrest is their 12th platter of metallic anthems to the Metal Godz and things are as they should be.” Iron sharpens other iron.

Sorceress of Sin – Mirrored Revenge Review

Sorceress of Sin – Mirrored Revenge Review

“I decided to go for something epic to wrap up the year. It’s been a while since I reviewed any power metal or even just vanilla heavy metal, so I figured, what the hell? I’ll pick up UK’s Sorceress of Sin. Now, I’m not the biggest trad-heavy or trad-power fan, and 99% of the time the thing that kills my mood with the genre are vocals. Regardless of the skill exhibited, there are too many greats who adopt a tone and style that just does not appeal to me. Can Sorceress of Sin break the curse with their debut album Mirrored Revenge?” Mirrors of wengeance.

Scordatura – Mass Failure Review

Scordatura – Mass Failure Review

“Traditional death metal has, to my ears, endured more strongly than the base forms of other metal subgenres. Second wave idolizers have me regularly convinced that options for tremolo riffs dried up around the time Darkthrone released Panzerfaust, while modern practitioners of power metal infinitely scrawl tally marks on the tomb of Helloween‘s “Eagle Fly Free.” But something about classic death metal has proven impossibly recyclable; from Blood Incantation to Necrot, many of the best bands keep the style fresh by doing hardly anything new at all. Enter Scordatura, who do little to break this trend.” Failure is not an option.

Moonlight Haze – Lunaris Review

Moonlight Haze – Lunaris Review

“Angry Metal Guy’s latest n00b interrupts your regularly scheduled black metal to bring the ultimate question: is power metal metal? “It has the word metal in it, so of course it is, you babbling bumbling baboon,” you say. I get it, and it’s been proven again and again, but while various facets of the metalverse have to justify why they’re not rock, power metal is one of the only styles that must justify why it’s not pop.” Justify our love.

Vision of Choice – Mistress of the Gods Review

Vision of Choice – Mistress of the Gods Review

“And then a record comes along that takes me right back to that storied past and refills my magic bar to 100%. Mistress of the Gods, the debut album from Germany’s Vision of Choice is one of those records. After close to thirty spins of this 57-minute monster, I’m still trying to come up with the best way to describe what it sounds like. Here’s the best I got: take the masculine riffs and baritone bellows of a band like Omen, mix it with some German speed a la Helloween or Blind Guardian, add some eccentric Savatage flair, and round it out with Mötley Crüe and Van Halen, and you might get close.” Hot pocket o’ metal.

Stormwarrior – Norsemen Review

Stormwarrior – Norsemen Review

“Aeons ago, long before I answered the casting call to write for this prestigious hostile work environment or had even commented on a review, I was but a reader and lurker of the site. Even then, I imagined that I might one day find my name written upon the sacred digital stone of AMG’s “About” tab. I fancied that I might form an inseparable bond with one Swordborn, the site’s apparent resident cheese custodian. In my fantasies, we’d frolic together through meadows like metal Cupids, firing 4.0’s and 4.5’s at power metal albums all willy nilly, laughing all the while.” Oh, so this is one of those fanfics.

Iron Kingdom – On the Hunt Review

Iron Kingdom – On the Hunt Review

“Much like the subject depicted in this album’s artwork, once I took a swing at the advance track for On the Hunt and saw the resultant blood, I had to follow the trail to see where it ended. So, donning my Arctic Wolf Fur Armor (+50% Cold Resistance), I tracked my prey through forest and field until finally coming upon an open gate. I steeled my resolve and ventured forth into the land beyond. I had entered the Iron Kingdom.” Come for the iron, stay for the metal.

Iron Savior – Kill or Get Killed Review

Iron Savior – Kill or Get Killed Review

Iron Savior can’t be fought, Iron Savior can’t be sought. Brought to life in 1997 by original Helloween frontman Piet Sielck, the band’s made a respectable career for themselves by beefing up the base sound of Piet’s genre-defining former act with traditional and NWoBHM influences, resulting in a gritty, cantankerous hybrid. Kill or Get Killed is their tenth album in this meat n’ fancy taters style, and they sound none the worse for wear after 21 years in the iron trenches.” You can’t kill the olde.