Helmet

KEN mode – NULL Review

By Dolphin Whisperer on September 26, 2022 in Reviews, Hardcore, Noise, Sludge Metal, 32 comments

“No, this album has nothing to do with our favorite sponge friend. Yes, this album has everything to do with FOUR angry Canadians now that KEN mode has promoted Kathryn Kerr, a one-woman wrecking ball of saxophone, synth, and piano prowess, previously guest-credited on 2018’s Loved. Did you think that KEN mode would go full saxcore after that experimental sludgeball? Well, I bet your 2022 bingo card is all kinds of fucked up at this point, so let’s make this one easy: KEN mode—or more accurately, primary bleeding heart Jesse Matthewson—hated the past couple years and it shows.” No dream house for you!

Famyne – II: The Ground Below Review

By Steel Druhm on May 13, 2022 in Reviews, Doom Metal, 20 comments

“U.K.-based “modern” doom act Famyne evaded my metal detector with their eponymous 2018 debut. I might have missed their sophomore outing too, had I not been desperate for some doom when skulking through the fetid promo sump on a dark and dreary night. Thus, I approached II: The Ground Below without context or expectation, and what I heard befuddled me for a good while.” Uncommon grounds.

Gorilla Wizard – Tales From the Cauldron Review

By Steel Druhm on August 26, 2019 in 2019, American Metal, Reviews, Self-released, Sludge Metal, Stoner Metal, Sludge Metal, Stoner Metal, 23 comments

“Long Island, New York is a strange place. Geographically speaking it’s the penis of the Empire State, and essentially a vast, sprawling suburb for New York City that runs from the rough n’ tumble boroughs of Brooklyn and Queens through the tony Hamptons and on to the picturesque Montauk lighthouse. Though city adjacent, it has a culture and vibe all its own. Think of a tense middle ground between The Jersey Shore and Goodfellas and you’re in the right zip code. It’s a place of rowdy attitude and stubborn pride, as depicted in the various lyrics by favorite son Billy Joel, and it’s not for everyone. But hey, if you don’t like it, you can fuck off back to whatever garbage town you crawled out of. From this raucous suburban jungle comes the silverback charmers in Gorilla Wizard as they peddle their unruly take on riffy stoner/sludge metal.” Professor Ape.

Cruickshank – Cruickshank Review

By Grymm on August 11, 2019 in 2019, Canadian Metal, Grind, Reviews, Self-released, Sludge Metal, Hardcore, Sludge, 25 comments

“An amalgamation of sludgy riffs, frantic drumming, and some caustic vocals by Graham Christian that recalls a beloved British band with the word “iron” in their name, Cruickshank’s debut throws an awful lot of thematically disparate sounds together, but they mostly mesh decently.” Grind n’ shank.

Lo-Pan – Subtle Review

By Grymm on May 15, 2019 in 2019, American Metal, Aqualamb Records, Reviews, Stoner Metal, Stoner Metal, 43 comments

“It’s not easy to stand apart these days, especially when it comes to stoner metal. You can change up vocal styles as much as humanly possible, throw as many outside musical influences that your songs can handle, and go off the deep end lyrically to the point of needing either a severe dry-out period or even a full-on intervention from friends, family, and various loved ones. The fact remains that stoner metal, when you take a good, hard look at it, hasn’t evolved much, and it’s getting harder and harder to do something new. Which is fine, because we kinda like it like that.” Stones don’t evolve.

Final Coil – The World We Left Behind for Others Review

By Steel Druhm on April 10, 2019 in 2019, Alt-Metal, British Metal, Post-Rock, Reviews, WormHoleDeath Records, Alt-Metal, 59 comments

“I’ve never been much of a post and/or alt-rock guy, but the expertly crafted promo blurb for unsung U.K. act Final Coil captured my interest enough to review their 2017 debut, Persistence of Memory. It was an engaging little album too, mixing post-rock, restrained prog and grunge for a fairly unique sound. The album had its flaws, but I sensed a band that could go on to bigger things. Now a mere year and a half later, their sophomore effort The World We Left Behind for Others arrives with little fanfare, but that same sense of potential and promise.” What we leave and what we keep.

KEN mode – Loved Review

By Mark Z. on August 30, 2018 in 2018, Canadian Metal, Hardcore, Noise, Reviews, Rock, Season of Mist, Sludge, Hardcore, Noise, Rock, Sludge, 44 comments

“What the fuck is that? A demented shadow person? A medieval executioner? The nightmarish specter of your father asking you why you haven’t eaten your Brussels sprouts? These are the questions you’ll ask yourself as you try in vain to fall asleep tonight, knowing full well that leering figure is definitely not standing right at the foot of your bed. In a way it’s fitting, because KEN mode’s music is equally likely to leave an impression.” Sludge monsters.

4 Days of Death: The Maryland Deathfest Diaries

By Mark Z. on June 16, 2018 in 2018, Blog Posts, Live Reviews, 41 comments

“Anyone who’s seen The Wire knows Baltimore can be a rough place, but on Memorial Day weekend every year, things get especially brutal. Hundreds of rabid metal fans from all over the world descend on ‘Charm City’ to participate in Maryland Deathfest, and the result is four days of moshing, headbanging, and partying like it’s 1989.” Death to all.

Marriage + Cancer – Marriage + Cancer Review

By Treble Yell on February 11, 2018 in 2018, American Metal, Post-metal, Reviews, Self Sabotage Records, Noise Metal, Post-Metal, 0 comments

“Many cite Meantime as the apple of their eye from Helmet but it’s the 1994 follow up, Betty, that brought the New Yorkers to my attention and with it delivered a slab of feedback and odd-time signatures that I never grow tired of. The plunging chords and staccato drums are perfectly balanced against Page Hamilton’s wry vocal delivery, a seismic yet focused payload of anti-establishment vitriol that takes hold of your spine and yanks it through your bowels. Meantime and Betty’s influence was partly responsible for the establishment of the alternative and post-metal scenes and to this day still inspires bands to pick up the axe, none more so thanMarriage + Cancer.” Strap it on?

Dead Is Dead – Constraints of Time Review

By Huck N Roll on September 27, 2017 in 2017, American Metal, Doom Metal, Post-metal, Reviews, Sludge, Triple Eye Industries, Doom Metal, Post-Metal, Sludge, 26 comments

“A quick search of Neurosis on our wonderful website is quite revealing: of the first twenty reviews or mentions of those elder statesmen, Yours Truly is responsible for five of the links – more than any other reviewer. That means either I love that band more than other AMG thralls, or I dislike them the least. Which is interesting to me, as I’m certainly not the one here that’s into the heaviest music, for I am olde, and my ears are tender (when they aren’t ringing). So here I go again, getting suckered into a review where Neurosis, Helmet, and Isis are listed as similar acts.” Dead is as Neurosis does.