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4 Days of Death: The Maryland Deathfest Diaries

On June 16, 2018 By Mark Z.

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Marriage + Cancer – Marriage + Cancer Review

On February 11, 2018 By Treble Yell

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Dead Is Dead – Constraints of Time Review

On September 27, 2017 By Huck N Roll

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Vital Breath – Angels of Light Review

On September 23, 2017 By L. Saunders

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Gravdal – Kadaverin Review

On August 18, 2017 By Madam X

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God Root – Salt and Rot Review

On July 12, 2017 By Treble Yell

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The Glorious Rebellion – Euphoric Review

On April 3, 2016 By Mark Z.

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’90s Metal Weirdness: Anthrax – Stomp 442

On February 1, 2014 By Dr. Fisting

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Tomahawk – Oddfellows Review

On January 25, 2013 By Alex Franquelli

Of all Mike Patton’s project, Tomahawk is the one I appreciate the least. Let’s be unprofessionally honest from the start: I can’t be impartial when it comes to judging the work of the genius from Eureka, CA because, yes, I am one of those pedantic nerds who can talk about him for hours at bus stops and grocery stores. Pranzo Oltranzista is in my opinion: “a postmodern monument to deconstructivism and a wordless essay on the very meaning of semiotics from a non-Kojevian perspective”. Or “it fucking rules”: you decide. And don’t get me started on the tragedy behind Fantomas or Mr Bungle’s sardonic stance on the morals of our times because I may end up comparing Patton’s vocal chromaticism to the continuous dichotomy between techne and episteme. Or “both bands fucking rule”: you’re an agent with free will, so you can decide for yourself.

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Angry Metal Guy Speaks: On Genres as Pejoratives

On August 26, 2012 By Angry Metal Guy

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