“One thing I discover in the promo sump every now and then is the longevity of random bands I’ve never heard of. While many one-man black metal projects working out of their respective mom’s basements rear corpse-painted faces, I certainly did not expect a metalcore band to fall into this category. It is a bit of a coincidence to me that Newburgh, New York veterans All Out War comes on the heels of my last 2022 TYMHM, Geneva’s Nostromo, because all the hallmarks are there.” Eternal war (core).
Hexis
Hierophant – Death Siege Review
“I was first introduced to Italian noisemongers Hierophant with their 2013 sophomore effort, the provocatively titled Holy Mother: Holy Monster. An absolutely punishing release, it included all the hallmarks of acts like Oathbreaker, Celeste, and Hexis in its blackened hardcore/sludge combo. However, with a cutthroat crusty edge, it forsook all subtlety for punishing vitriol, excruciatingly dense and brutal.” Death sieges us all. Hold fast!
Hexis – Aeternum Review
“While Hexis undoubtedly draws much comparison to the blackened hardcore/sludge of Celeste, Oathbreaker, The Secret, and even Amenra, there’s a liturgical element about them. Although its lyrics draw from the well of blasphemy and trod the well-worn path of nihilism, pitch-black reverence settles like cancer in the blood.” Hex marks the sore spot.
Celeste – Assassine(s) Review
“If you’ve never heard of Celeste, the name and the aesthetic can be misleading. Gorgeous and contemplative black and white photographs of artistic poses and strange characters greet the eyes with a moniker that points to the heavens. If you were to guess the style, you might say post-black or prog, maybe an indie acoustic troubadour, or a bedroom jazz project. However, you’d be hard-pressed to find another act as suffocating and pissed off as Celeste. A visceral fusion of black metal, hardcore, and the filthiest outskirts of extreme subgenres, these Frenchmen are the epitome of scathing consistency, releasing album after album of hypnotic tunes.” Assassin’s breed.
Hexis – Tando Ashanti Review
“Think of the most oppressive, putrid, and harrowing music you know. Now multiply the numerical representation of that oppressive and harrowing putridity by a thousand million. Your numerical representation is dwarfed by that of Hexis. In their world, Wormed sound like the Beach Boys, Ahab sound like wimpy clown fish, and Annal Nathrakh sound like a Tony Bennett tribute act.” That’s a mad world, right there.
Madam X’s Top Ten(ish) of 2014
“As 2015 makes her grand and stately entrance, bear with and support me as I try to hunt down even more new blackened death metal albums that sound exactly like Septicflesh.” Madam X has her foibles, but she also has plenty of quirks. Join her as she unveils a Top Ten(ish) list sure to bumfuzzle and befuddle.
Hexis – Abalam Review
“Danish band Hexis have been torturing the masses since back in 2010. Up until now, their tales of atheism and abstract thought have been dished out via a bunch of demo’s, EP’s and splits with the likes of French post-metallers As We Draw, Russian atmospheric, post-hardcore band Euglena and Danish post-black metallers Redwood Hill. Now, as the new year kicks into full swing, Hexis have finally grabbed the demon by the horns and they’re all set to deliver their first full-length consisting of 13 stripped down abominations that bring to mind the harrowing events of an exorcism.” Demonic possession and metal go together like beer and another beer, so on paper at least, this seems like a marriage made in Hell. Madam X tells us if they need counseling.