Horn

Groza – The Redemptive End Review

Groza – The Redemptive End Review

“I was tentative about taking this album. I was familiar with Groza‘s debut Unified in Void from 2018, granting it a casual listen and making that “not bad” Obama Rage Comic face from 2012. If one peruses the Metallum profile of these Germans, you’ll be graced with the shocking sight of a whopping 0% average review score from three reviews. Why, you ask? Probably because — and maybe this is obvious given the act’s name and a certain Polish full-length debut — Groza sounds a hell of a lot like Mgła. That’s unfair, awarding no merit to an album simply because it imitates another. I mean, if fans cancelled every act that sounded like Transilvanian Hunger, we’d have no black metal left.” The end of influence?

Toadeater – Bit To Ewigen Daogen Review

Toadeater – Bit To Ewigen Daogen Review

“I see you sitting there, sipping coffee all judgmentally or taking a condescending dump on your break. You’re expecting the ol’ standby, but you ain’t gonna get it. You’re expecting me to call out that name Toadeater. Trust me, I know, it’s like a Princess and the Frog situation gone horribly wrong. But if you think I’m gonna rant, you’re wrong, buckaroo. Metal band names may be the first line of defense to size up the fortitude of your next blackened opponent, but I have the upper hand here.” Toad the wheat croquette.

Horn – Mohngang Review

Horn – Mohngang Review

“It’s neat seeing a progression of an artist across a project’s discography. From Anathema‘s death/doom to prog-rock stylings, Ahab‘s crushing funeral doom to, like, pretty funeral doom, to the deathcore to symphonic black metal to straight-up black metal of Abigail Williams, it shows true growth and maturity to acknowledge the past while stepping into the future. Today’s is German act Horn, comprised of sole member Nerrath, a prolific pagan black metal act with two demos, eight full-lengths, and an EP since 2002.” Change is in the air.