Horror Pain Gore Death Productions

Arthouse Fatso – Sycophantic Seizures: A Double Feature Review

By Dolphin Whisperer on March 5, 2024 in Reviews, Death Metal, Industrial Metal, 24 comments

“First, 2024 gave us NASCAR-themed heavy metal, then shortly thereafter Mortal Kombat-themed heavy metal. In this world of extreme tunes and extreme niches, artists look even more granularly into their fascinations for artistic inspiration. In turn, Arthouse Fatso, chooses Orson Welles—acclaimed and controversial American filmmaker—as its hammering theme for an industrial deathgrind adventure. It’s not often that such a grimy genre finds a muse in a figure that’s not a serial killer or something fictional and equally macabre. But Fatso seems ready to revive Welles as an industry outsider fit for patch-vested punk fixation .” Citizen Pain.

Putrascension – Forever Below Review

By Thus Spoke on October 3, 2023 in Reviews, Black Metal, 15 comments

“Forever Below is what I’m going to (cheesily) call old-school grit with new-school wit. The chilling tone of the guitars, the spidery, urgent riffing, the howling vocals, the thrashy tempos, pull from the best of second-wave black and blackened thrash–think Dissection and Goatwhore. But the intelligently dynamic and melodically-developed compositions pull this base sound into the modern world, and deepen their impact.” As above, so below.

Feed the Corpses to the Pigs – This Insidious Horror Review

By Saunders on October 22, 2021 in Reviews, Death Metal, 29 comments

“Promo selection is not always a calculated plan of precision. I’m sure every AMG writer has their own methodical ways or quirky preference when they dive into the sordid world of metal promos. But in some cases, it’s the promise of simple pleasures that can allure. Case in point is the new album from New Mexico’s deathgrind/crossover crew Feed the Corpses to the Pigs. I must admit it was their part cool, part clumsy moniker, and deathgrind tagging that dragged me in.” Hurls before swine.

Hell Bent – Apocalyptic Lamentations Review

By Saunders on June 21, 2019 in 2019, American Metal, Death Metal, Horror Pain Gore Death Productions, Reviews, Thrash Metal, Death Metal, Thrash Metal, 6 comments

“Hailing from Rhode Island and boasting a moniker indicative of their mode of destruction, Hell Bent create metal sympathetic for the time poor modern metalhead, unleashing a livewire debut LP which shreds through nine potent songs in a mere 23 minutes. Before you ask, Apocalyptic Lamentations is not a grindcore album but rather a raw, punk-infected slab of death-thrash that aims right for the jugular and does not let up.” Reigning Hell.

Synapse Misfire – Losing the War Against the Sands of Time Review

By Dr. Wvrm on March 14, 2018 in 2018, American Metal, Black Metal, Grind, Horror Pain Gore Death Productions, Reviews, Thrash Metal, Black Metal, Thrash Metal, 24 comments

“As the deranged voices of ‘Loathe Thyself’ jeer ‘you’re wasting time’ and ‘just stop,’ those glimpses of receding sanity mirror my own mental state. My fists clench. My teeth grind to the nerve. My notes devolve into an all-caps frothing that echoes those exact sentiments. If pressed for time, the finale of Losing the War Against the Sands of Time might be all you need to understand the debut of Illinois’ Synapse Misfire. Egregiously flawed and fundamentally half-baked, the black/thrash/grind record is a good idea in theory and a very poor one in execution.” PuppyMonkeyBaby has some competition.

God Root – Salt and Rot Review

By Treble Yell on July 12, 2017 in 2017, American Metal, Horror Pain Gore Death Productions, Post-metal, Reviews, Sludge, Post-Metal, Sludge Metal, 25 comments

“Despite what the band and album name may conjure up, Salt and Rot by God Root is not the latest word in primal vegan cuisine. What we have instead is the second release from the Pennsylvanian quintet, a sludgy, post-metal mediation that sings of soil and sky and man’s connection to both.” Have we finally reached post-Neurosis?

Organ Dealer – Visceral Infection Review

By Jean-Luc Ricard on July 21, 2015 in 2015, American Metal, Death Metal, Grind, HPGD Productions, Reviews, Death Metal, 8 comments

“Feed the silage of Napalm Death, Rotten Sound and Cephalic Carnage (the grindier bits) to the cow of creativity, and Cattle Decapitation will likely have something to say about your heinous animal cruelty. But survive their wrath, and one to three days later this noble beast will reward your sadism by passing quite the musical meadow muffin.” Poo goes there?

I Am the Trireme – Gnosis: Never Follow the Light Review

By Diabolus in Muzaka on June 26, 2015 in 2015, American Metal, Black Metal, HPGD Productions, Metalcore, Reviews, Black Metal, Metalcore, 30 comments

“Electing to join the I Am the Wooden Object Club before The Table Himself even did, I Am the Trireme’s name can be described as “I am the Phoenician, ancient Greek, or Roman naval vessel with three rows of oars.” Luckily they didn’t pick that one, but in the spirit of needlessly long names, they’ve called their first full-length Gnosis: Never Follow the Light. We know right off the bat that these guys can produce pretentious sounding names for things, but that’s not what we’re here for; we’re here to see what they bring to the Hetfield musically.” We are also the table. And the oar bench.

Things You Might Have Missed 2010: Vex – Thanatopsis

By Angry Metal Guy on December 3, 2010 in 2010, American Metal, Death Metal, Progressive Death, Reviews, Things You Might have Missed 2010, Black Metal, Death Metal, Melodic Death Metal, 1 comment

In my opinion this is one of the more painfully overlooked records of 2010. In fact, I’ve seen pretty much no press on this album at all, and yet somehow it has just been rockin’ my world since I got my hands on it. Released in September via Horror, Pain, Gore, Death Prod-uctions, Thanatopsis is largely reminiscent of the mighty The Chasm, but has plenty of originality to throw around. The riffs are sometimes blistering and blackened, laden with trem picking and melodic passages, and sometimes the band breaks it down to harmonious doomy, atmospheric parts. In both cases, everything feels in its place and the record flows expertly making for a fantastic listening experience that is both heavy and emotionally evocative.