Hypnotic Dirge Records

Maeskyyrn – Interlude Review

Maeskyyrn – Interlude Review

“I normally dislike interludes intensely – the recent, very good Tool album, for example, I recreated as a playlist minus the four interludes because they annoyed the crap out of me. So an album called Interlude, with three tracks actually titled “Interlude,” plus an “Introduction” and final track “The End,” put me somewhat on edge. Despite having really liked the advance tracks for Maeskyyrn’s Interlude, I was expecting to have to report that here is yet another really promising album ruined by bloat and plinky … well, interludes.” Interludes, man.

Altars of Grief – Iris Review

Altars of Grief – Iris Review

“In 2004, a close friend of mine lost not one but both of his parents in the Indian Ocean tsunami that claimed nearly a quarter of a million lives. While I hope I will never experience tragedy as dramatic and profound as his, the impact reverberated throughout our small group, and to a comparatively infinitesimal degree, we shared in his loss. Without wanting to cheapen such sorrow, doom metal — particularly in its more extreme iterations — has always offered me a similar catalytic capacity to know its author’s pain.” Tragic beauty.

Obitus – Slaves of the Vast Machine Review

Obitus – Slaves of the Vast Machine Review

“Post-black has often struck me as expressing a decadent sort of misery, one which is more malaise than malice, an effeminate whimpering against the dying of the light. It seems to cry out to the God it vehemently denies exists and beg for a purpose, painting a bleak sort of hopelessness; a musical version of an off-brand Sartre, if you will. Like Sartre’s Roquentin, post-black bands create to find a purpose, but they end up stuck in the slime, accepting the hilariously overstated “death” of God and tradition, whining like Nietzsche’s Last Man for the dull pain of a meaningless existence to stop.” Feel the Nietzsche.

Obsidian Tongue – A Nest of Ravens in the Throat of Time Review

Obsidian Tongue – A Nest of Ravens in the Throat of Time Review

“Say what you like about the U.S. black metal scene, they know how to make so much out of so little. The number of American bands taking black metal in its arguably most minimalistic form and taking it in much more ambitious directions with long and winding song structures is quite staggering. But when you consider the roots of the black metal scene in the US, and the opus that made arguably the biggest impact on it, it doesn’t seem so surprising that so many bands follow almost directly in the footsteps of Weakling‘s widely acclaimed album, Dead as Dreams. Noctus traces the family tree of USBM and gives a little insight on how it influences the new opus from Obsidian Tongue. BTW, that name sounds like a fruity tropical drink that comes with a tiny umbrella.