I Voidhanger Records

Cosmic Putrefaction – At the Threshold of the Greatest Chasm Review

Cosmic Putrefaction – At the Threshold of the Greatest Chasm Review

“There are two routes to success in death metal, either through brutal immediacy or boundary pushing creativity; while most bands understand this, few know how to blaze a trail down either path. The aptly named The Clearing Path deftly navigated the latter route two years ago with their sophomore record Water Between Firmament and the Realm of Hyperborea, a dizzyingly unique and atmospheric take on death metal that I still listen to and think about often. Thus, when I learned about a new, more traditional death metal project from Gabrielle Gramaglia, The Clearing Path’s sole member, my curiosity immediately skyrocketed.” Chasm spasms.

Phantom – Death Epic Review

Phantom – Death Epic Review

Phantom are plagued by the morbid. The macabre and grotesque are fused together in Death Epic, the spectral second record by this Danish four-piece. Death Epic — similar to Carach Angren, though less melodramatic — tells isolated stories of vengeful and malignant spirits tormenting the living, a ‘little book of horrors in audial form.’ Tales of car crashes, child murder, ghostly home invasions, and battlefield slaughter merge with ghastly reflections on life and the afterlife. All of this is framed within a peculiar black metal vehicle.” Boo-urns.

Khanus – Flammarion Review

Khanus – Flammarion Review

“Deep within a pock-marked chapel with cracked and occluded windowpanes / Withered ivy breaches the façade like consuming, pestilent varicose veins / Corpulent roots tear mottled floorboards and entangle with glee decaying pews / As spluttering light in copper braziers illuminate bodies in sallow hues / The congregation moan and shuffle, clutching their hands against their chest / While acrid smoke from burning censers coils in pools at the priest’s behest / An eerie thrum begins to vibrate, its violence smothering the crowd’s sharp cries / As shadowy figures approach the pulpit with fanaticism burning in their eyes / Khanus are here, robed and feverous, a rictus grin creases their face…” Death smiles at all of us.

Abstracter – Cinereous Incarnate Review

Abstracter – Cinereous Incarnate Review

“I was once pretty optimistic about the future, but in recent years my outlook has grown progressively more dismal. Humanity has continued to ravage the planet while conveniently ignoring the fact that perpetual growth is impossible, and the result will be a future more nightmarish than a thousand blackened sludge bands could ever conjure. Of course, that doesn’t stop them from trying, and few succeed at evoking these apocalyptic images as well as Abstracter.” Dismal cool.

Panegyrist – Hierurgy Review

Panegyrist – Hierurgy Review

Steel Druhm‘s black metal appreciation days have largely come and gone as we’ve grown apart and developed irreconcilable differences. Because I’m such a self-aware, introspective gent, I give the genre a wide birth when it comes to promo pluckery lest I savage a band for my own lack of interest. But a strange thing happened on the way to the sump recently. Madam X was sampling new arrivals and I didst hear such a compelling cacophony that I simply had to know who was responsible.” Risky blackness.

Yhdarl – Loss Review

Yhdarl – Loss Review

“Pulling off a long song — be it a ten-minute black metal piece or an hour-plus funeral doom opus — takes very deliberate pacing. Great drone and doom bands know this and know how to pull the listener rather than push them. If the song moves too fast, it can seem to lose structure, but if it moves too slowly, it can stagnate and sour the listener to its next idea. One has to have the pacing and space to keep themselves involved.” The long lurch into oblivion.

The Clearing Path – Watershed Between Firmament and the Realm of Hyperborea Review

The Clearing Path – Watershed Between Firmament and the Realm of Hyperborea Review

“When writing reviews I try to spend as much time articulating ‘why I like the thing’ as much as I do proclaiming that ‘the thing is good.’ This is strictly for the benefit of my audience; if I fail to indicate my qualifiers for good music, a reader with far-removed expectations may feel alienated or, even worse, make a blind purchase and end up wasting hard-earned Bandcamp Bucks.” Blind purchase blues.

Esoctrilihum – Mystic Echo from a Funeral Dimension Review

Esoctrilihum – Mystic Echo from a Funeral Dimension Review

“I, Voidhanger are very good at promoting their bands, very good at creating enticing mythos’, building intrigue, and drawing in a listener with vibrant art-work and concepts. Mystic Echo from a Funeral Dimension has been given this treatment and I, Voidhanger have drawn me in. The actual musical product, though, has to live up to these lofty heights. Is this 2017’s III by Spectral Lore or is this destined to float in the void of the forgotten?” Void loitering.

Les Chants du Hasard – Les Chants du Hasard Review

Les Chants du Hasard – Les Chants du Hasard Review

“I’ve been lurking the metal blogosphere for around a decade now, and while I hesitate to call myself a scene vet, I’ve read enough write-ups from various webzines to know how coverage of a record like the self-titled debut of France’s Les Chants du Hasard generally plays out. Most scribes hunger for the discovery of some nebulous ‘next big thing’ that carries the potential of turning a genre on its head. As such, many writers are overly eager to gush over potential innovators; when met face to face with what their promo sheet describes as an all-orchestral black metal album, they’re often too willing to jump on the hype train, regardless of quality.” Classical darkness.