“If it was a bunch of one-man black metal bands before, now it’s a bunch of cheez whiz coming Count Grier’s way. Previously it was in the form of the slick The Valiant/Valiant’s/Variant/Variant’s Fire release by Damnation Angels and now it’s Time Stands Still from Canadian-based Unleash the Archers.” Don’t they mean “unleash the arrows”?
“The Yer Metal is Olde segment here at Angry Metal Guy has always been one of my favorites. If you’re looking to expand your repertoire with some classics or need a reason to shuffle back through your library, clatter through your jewel cases, or dig through cracked cassettes for nostalgia, this is a segment for olde and younge alike.” 1995 was a tough year for kings and patriots alike.
“Talk about coming full circle. I remember visiting the pages of Angry Metal Guy for the first time in 2010 and reading the review for Heidevolk’s Uit oude grond by our esteemed Mr. Angry Metal Guy. I bought that album and the two previous ones that fucking day (so don’t lose too much sleep over spending money on AMG recommendations; it’s been happening for years).” We review, you buy. That’s just how it folking works, sheeples!
“When I picked up the debut album of Serious Black for review, I knew nothing about this band. What I did know was that the band name Sirius-ly gives me an uncontrollable urge to hunt down Harry Potter and punch him in the fucking face. But once I decided to review this slab of melodic metal, I discovered that this sum bitch is serious-ly special.” Step back folks, we have another “super group” on our hands.
“Many moons ago, during this very wintery time of the year, I first began to explore the sub- and sub-sub-genres of black and death metal. For me, it was the combination of the calming snowfall and the lonely/depressed state-of-mind at the time that made me a willing victim to the symphonic/melodic black metal and melodic death metal genres. To this day, I go back to those classic albums.” Since winter is truly coming, it’s time to get all depressed, and this might help.
“As many AMG readers know, production quality plays a major role in the reviews posted on this site. Love it or hate it, care about it or don’t give a fuck about it, awareness of the “Loudness War” and the desire for quality metal is real. And with a new Angry Metal-Fi article out on dynamic range, I found it timely that I would be reviewing Deserted Fear’s sophomore release, Kingdom of Worms. Why, you ask? Well, Dan “The Man” Swanö himself handled the mixing and mastering of the album.” Here Dan is to save the day!
“I made the error of listening to Solitary Sabred’s new album at work. Half-way through opener “Disciples of the Sword” I was being restrained by security: apparently it’s “against office policy” to strip to your underwear, lather yourself in baby oil, adopt the power stance and wave a poster-tube around your head pretending it’s a sword (why I keep baby oil at the office is my business, OK?).” Most HR departments frown on such trve metal shenanigans because HR is not trve! Death to false human resources!
“Ever since hearing the Ivanhoe albums way back in the late 90s, I’ve been a huge fan of Andy B. Franck’s vocals. He has pipes that could only be destined for a life fronting a metal band, though he possesses the range to do virtually any kind of music. His slightly proggy, but hyper-accessible albums with Symphorce are always in rotation at Casa de la Druhm, as are his many releases with traditional metal act Brainstorm. The latter are especially tasty, blending Judas Priest’s Painkiller era with the punch and crunch of American power metal like Iced Earth and Pantera, then layering in a plethora of earwormy vocal hooks and monumental, anthemic choruses that cannot be forgotten. Albums like Mentus Mortis, Soul Temptation and Liquid Monster are nearly perfect examples of pure heavy metal and whenever I spin them for someone unacquainted, they wonder how they could have missed the boat.” Intrigued yet?
“There’s something to be said about wearing influences on your sleeves. I may hail from the blackest forests of Southern New Hampshire and primarily enjoy black metal, but I have a soft spot for well-played power metal, old-school thrash, and melodic death metal. I’m known to geek out at the sound of a well-crafted guitar melody, soaring vocals, and urgent drumming. But, never in a million years would I picture it all on one album.” Grymm gets a shock, and you just might too!
“No one can begrudge you for being a little skeptical of a release by American power metal institution Iced Earth in 2014. Following the departure of Matt Barlow post-9/11, and the entry of one-trick-pony and professional Rob Halford impersonator Ripper Owens, the band has spit out terrible record after mediocre tripe. With the entry of Stu Block, formerly of Into Eternity, Iced Earth was poised for a big comeback in the form of Dystopia — but even that fell short. The record was plodding, mediocre at best, and Block didn’t feel like part of the crew.” So, can our heroes right the ship with Plagues of Babylon? Or are they… plague ridden?
