Iced Earth

Iced Earth – Plagues of Babylon (Vinyl Mix) Review

Iced Earth – Plagues of Babylon (Vinyl Mix) Review

Iced Earth is a bonafide heavy metal institution, and part of their long staying power and general widespread appeal has got to be attributed to their fearless leader and head riff master Jon Schaffer, whose strong work ethic, unwavering live free or die attitude, and keen sense of aesthetics, has kept this machine rolling for over the last two decades. With his tried and true formula of power, thrash, and lyrical armageddon, Schaffer has churned out a number of genre leading staples, ranging from 1995’s Burnt Offerings, with all of its dark imagery and heavy riffing, to 1998’s Something Wicked this Way Comes, whose last three songs became the basis for the multi-record Something Wicked Saga, an epic fantasy about the rise and fall of man.

Tad Morose – Revenant Review

Tad Morose – Revenant Review

“Whenever a beloved band implodes and goes into a ten-year hiatus, you’re more than justified in viewing a comeback with a jaundiced eye. After all, times change, people change, that “special something” a band had slowly fades away from lack of use. Basically, everything falls apart and the center cannot hold. Oh and hey, Tad Morose, the once great Swedish heavy metal act is back after a ten-year lay off. What a coincidence!” Follow along as Steel Druhm reviews Revenant and learns that nostalgia is a double-edged sword with poison ivy oil on the blade. Owwww, itchy slice, itchy slice!!!

Angry Metal Guy and ‘Ripper’ Owens Are… Beefin’?

Angry Metal Guy and ‘Ripper’ Owens Are… Beefin’?

Yesterday, I discovered that I’m on Twitter. And so I took to Twitter and made some pretty lame updates, as I’m wont to do. I tweeted YouTube videos that I think are better than the new Ihsahn record (Helloween’s “Mr. Torture,” Dr. Dre’s “Deeeez Nuts,” and Meat Loaf’s epic “Objects in the Rearview Mirror May Appear Closer than They Are“). Then I started listening to Iced Earth.

Pharaoh – Bury the Light Review

Pharaoh – Bury the Light Review

I’m a fan of Pharaoh, have been since their 2003 debut After the Fire. These Philly fanatics are the present and future of the new retro wave of traditional heavy metal (NRWOTHM) and over their short but solid career, they’ve fused retro ideals with prog and enough thrash sensibility to kick the required ass quotient.

Arch/Matheos – Sympathetic Resonance Review

Arch/Matheos – Sympathetic Resonance Review

Steel Druhm needs to ramble on for a bit so kindly bear with me, or else! As a life long metal fan, I can look back and pinpoint those few truly special albums that blew me away upon release and continue to feel magical after decades of listening. Right at the top of that very short list are two classics by Fates Warning. Hailing from Connecticut, they released three albums in the early to mid-80s that really embodied the American take on the traditional NWOBHM ethos and at times sounded quite like vintage Iron Maiden. Of those three albums, 85’s The Specter Within and 86’s Awaken the Guardian were their masterworks and any fan of classic metal really needs to hear them immediately if not sooner. After so many years, both easily stand the test of time and I find myself going back to them frequently. The main draw, aside from the expert songwriting, are the vocals by John Arch. The man had a one-of-a-kind voice, killer range and the ability to write hyper-intelligent lyrics. When he left the band following Awaken the Guardian, Fates Warning sank into mediocrity and I lost all interest. Arch himself left the music business entirely and I always hoped he would resurface and grace us with his voice again. He finally did in 2003 with the short but excellent Twist of Fate EP, which I hoped was the start of a serious comeback. Well, it took another eight long years but he finally has resurfaced again for a collaboration with his old Fates Warning guitarists Jim Matheos (OSI, Gordian Knot), Frank Aresti and other Fates alumni, bassist Joey Vera (Armored Saint, Anthrax, Seven Witches) and drum lord Bobby Jarzombek (Halford, Riot, Iced Earth, Rob Rock). So does this mega reunion bring back any of the potent magic from days long gone? Well, it seems that isn’t a fair question since Sympathetic Resonance is quite a different animal than Fates Warning. It’s way more modern, proggy, convoluted and heavier than anything their old unit attempted (I was actually surprised how heavy some of this material gets). Overall, its very polished and aggressive progressive metal from old dogs that obviously have plenty of life left in them.

Angry Metal Guy’s Best Heavy Metal Songs of All Time 10-1

Angry Metal Guy’s Best Heavy Metal Songs of All Time 10-1

Well, here it is folks. The final 10 [Here’s the first 40: 50-41, 40-31, 31-20, 20-11 and Steel Druhm’s: 50-41, 40-31, 30-21, 20-11, 10-1]. And this is going to ruffle a bunch of feathers, I guarantee it. These are, for the most part, not widely considered “favorites” and would never make fan-voted lists, but these tracks all got onto this list pretty easily. I’m not as angry about the whole Gibson list anymore, and I’ve lost a bit of steam because of that, but these tracks are all fucking fantastic, top-o’-the-line kind of shit. I hope you enjoy the list and I look forward trolling you soon. U MAD BRO!?

Pharaoh – Ten Years Review

Pharaoh – Ten Years Review

Pharaoh, for those not in the know, are one of the best of the new retro wave of traditional heavy metal (NRWOTHMâ„¢) bands out there. Over the course of three releases these Philly phenoms have consistently blended the 80’s style of Iron Maiden and Saxon with modern American metal like Jag Panzer, Iced Earth while adding a smattering of Slough Feg. The results have been catchy, classy, surprisingly heavy and far more modern sounding than what people normally expect from a “retro” act. Their last opus, 2008’s Be Gone was a great album loaded with excellent yet tasteful guitar wankery and memorable vocal hooks and it left me wanting more. While the interminable wait continues for their next full length, Pharaoh has graced the good people with a six song EP entitled Ten Years. Featuring four tracks left over from the Be Gone sessions and two covers, its clearly a stopgap release but its a solid and entertaining one that continues the Pharaoh quality streak.

Aeternam – Disciples of the Unseen Review

Aeternam – Disciples of the Unseen Review

Egyptian metal is apparently a genre now! I didn’t have any clue! I just thought it was kind of a thing that Nile did. And then it was Nile and Behemoth. And then it was Nile, Behemoth and SepticFlesh. And now it’s Nile, Behemoth, SepticFlesh and Aeternam! I think that counts as a genre! So, that’s pretty cool in and of itself. Oh, and it turns out that Aeternam is pretty cool themselves, leading to a generally all around happy feeling for a few fleeting moments before the general irritants that keep me so angry all the time come crashing back in.

Charred Walls of the Damned – Charred Walls of the Damned Review

Charred Walls of the Damned – Charred Walls of the Damned Review

Charred Walls of the Damned has two distinct honors from the get-go: not only is it the longest band name EVER, but it’s also the first thing in which excellent drummer Richard Christy has surfaced in since going to the Howard Stern show and leaving American power metallers Iced Earth in the dust. I think everyone was wondering when he was going to jump back into metal, myself included. It’s hard to imagine that the former Death and Iced Earth drummer was just going to leave everything behind. Given his background it was only a matter of time. And not just his background: homeboy has contacts, too! He brings with him the mighty Jason Suecof, mostly known for his production (Trivium, Luna Mortis, God Forbid and so on), but who is also a fucking wicked ass guitar player (seriously, dude can shred). On bass, of course, is the mighty Steve DiGiorgio who played with Christy in Iced Earth and Death. How can this project possibly lose?