Illogicist

Steven Wilson – Hand. Cannot. Erase. Review

Steven Wilson – Hand. Cannot. Erase. Review

“Unlike many of my friends and colleagues, I’ve rarely been moved by Steven Wilson’s music. With notable exceptions, Porcupine Tree‘s studio work put me to sleep. Nor, I must admit, was I a fan of Insurgentes or Grace for Drowning at release. Despite having long been harangued for being an Opeth fanboy, I could not get into Storm Corrosion. In fact, if you’d asked me 5 years ago, I would have said that Steven Wilson’s genius is the ways in which he makes other bands sound incredible. That changed for me, however, with The Raven Who Refused to Sing from 2012. So when I heard that Wilson had a new record coming, I was intrigued: would it keep up the momentum and style of The Raven?” Well, can it?

Sophicide – Perdition of the Sublime Review

Sophicide – Perdition of the Sublime Review

Technical death metal was the darling of the death metal scene about 5 or 6 years ago, but since the ever-growing retro-death craze has begun to take over the number of quality technical death metal releases that I’ve gotten my hands on has dramatically decreased. Still, that didn’t stop the now 22 year-old Adam Sazslo from writing a bunch of pretty fucking sweet techy songs and getting himself a worldwide deal with Willowtip. Perdition of the Sublime is Sophicide‘s debut record and one can see why this record – produced by someone who can’t tour to support it – is being released by a label of this quality: because it’s a truly elite technical death metal experience.

Illogicist – The Unconsciousness of Living Review

Illogicist – The Unconsciousness of Living Review

I first became acquainted with Illogicist back in 2007, at the height of the tech-death explosion, via a record called The Insight Eye. What intrigued me about these Italian virtuosos at the time was that, unlike most of the scene they were lumped in with, they leaned less towards “tech” and way more towards “death.” The band was clearly influenced by early 90s progressive death metal like Atheist and late-era Death, a.k.a. shit that I really like. And yet, despite all the potential, the album seemed to be missing something.