“Consisting of Italian vocalist and multi-instrumentalist Andrea Bruzzone and company, Bekor Qilish offers its debut Throes of Death from the Dreamed Nihilism. While it toes the line between full-length and EP at twenty-eight minutes, it manages to embody really fun “Voidhanger-core” to a tee.” Avant-guardians.
“A crucial aspect of my death metal enjoyment comes from the mood it invokes. I feel plain cold with OSDM stuff, but the oft-maligned dissonant death offers a spectrum of atmospheres and environs: Portal’s gates of madness, Ulcerate’s apocalyptic meditativeness, and Ad Nauseam’s croaking caverns, for example. Sinister intent and apathies to our suffering are a given in the dissonant stylings, but what if we could make it fun?” Devil-may-care and discord.
“Wreche is the black metal brainchild of Oakland, California artist John Steven Morgan, working solo since the project’s debut with drummer Barret Baumgart. It professes a style “more unhinged, personal, and varied” than 2017’s offering. Trashing guitar completely, Morgan instead focuses entirely on synth, piano, vocals, and drums, not unlike Mories’ Golden Ashes project. If you’re catching weird vibes, you ain’t wrong.” Jazz in a blackened place.
“It’s not uncommon for fans of metal to lovingly describe an album as a “tough listen.” There are releases and sometimes entire discographies that can only be appreciated once a specific taste has been acquired. Given enough time and the right mindset though, what once may have been a shock to the system can become as comfortable as slipping into a warm bath or taking off a virus-splattered mask at the end of a long day. Don’t take my word for it; you don’t have to look far to spot avant-garde, genre-fluid bands like Imperial Triumphant gaining attention and garnering praise. This line of thought kept recurring again and again as I listened to Non Serviam’s latest release Le Coeur Bat.” Spiteful sounds.
Heavy metal. Lists. Math. These are three of my favorite things. It’s for this reason that the AngryMetalGuy.com Meta List is the article for which I feel the most excitement every year.
Kronos and Grymm prove their mettle as their Top Ten(ish) of 2020 hit the interwebz.
Huck N’ Roll and Eldritch Elitist will now hold court with their well-thought-out Top Ten(ish) lists. Appear or be held in eternal contempt.
Holdeneye and Cherd of Doom made these long-winded lists and now they’re your problem. No trade backsies!
Doom_et_Al and Dear Hollow have their big boy lists. Did they use that great power responsibly?
“In the early 2010s, powered by bands such as Deafheaven and Liturgy, “hipster metal” became the favorite pejorative for acts that thumbed traditional metal conventions. Embraced by the mainstream, many of these groups, unfortunately, just weren’t very good, which led to metal purists rejecting them. This resulted in said mainstream accusing said purists of being snobby gatekeepers. Cue lots of sulking, posturing and finger wagging. In among the noise, however, were some real gems that were unfairly tainted by the “hipster metal” label. Although less overtly “subversive” (read: “pretentious”) than their Brooklyn counterparts, Liturgy, Tombs weirdly found themselves in this boat with their excellent debut, 2011’s Paths of Totality.” Trend Tombs.
